During the first days of their journey, LALLA ROOKH, who had passed all her life within the shadow of the Royal Gardens of Delhi,[14] found enough in the beauty of the scenery through which they passed to interest her mind, and delight her imagination; and when at evening or in the heat of the day they turned off from the high road to those retired and romantic places which had been selected for her encampments,—sometimes, on the banks of a small rivulet, as clear as the waters of the Lake of Pearl;[15] sometimes under the sacred shade of a Banyan tree, from which the view opened upon a glade covered with antelopes; and often in those hidden, embowered spots, described by one from the Isles of the West, [16]as "places of melancholy, delight, and safety, where all the company around was wild peacocks and turtle-doves;"—she felt a charm in these scenes, so lovely and so new to her, which, for a time, made her indifferent to every other amusement. But LALLA ROOKH was young, and the young love variety; nor could the conversation of her Ladies and the Great Chamberlain, FADLADEEN,(the only persons, of course, admitted to her pavilion.) sufficiently enliven those many vacant hours, which were devoted neither to the pillow nor the palankeen. There was a little Persian slave who sung sweetly to the Vina, and who, now and then, lulled the Princess to sleep with the ancient ditties of her country, about the loves of Wavnak and Ezra,[17] the fair-haired Zal and his mistress Rodahver,[18] not forgetting the combat of Rustam with the terrible White Demon.[19] At other times she was amused by those graceful dancing-girls of Delhi, who had been permitted by the Bramins of the Great Pagoda to attend her, much to the horror of the good Mussulman FADLADEEN, who could see nothing graceful or agreeable in idolaters, and to whom the very tinkling of their golden anklets[20] was an abomination.
But these and many other diversions were repeated till they lost all their charm, and the nights and noon-days were beginning to move heavily, when, at length, it was recollected that, among the attendants sent by the bridegroom, was a young poet of Cashmere, much celebrated throughout the Valley for his manner of reciting the Stories of the East, on whom his Royal Master had conferred the privilege of being admitted to the pavilion of the Princess, that he might help to beguile the tediousness of the journey by some of his most agreeable recitals. At the mention of a poet, FADLADEEN elevated his critical eyebrows, and, having refreshed his faculties with a dose of that delicious opium which is distilled from the black poppy of the Thebais, gave orders for the minstrel to be forthwith introduced into the presence.
The Princess, who had once in her life seen a poet from behind the screens of gauze in her father's hall, and had conceived from that specimen no very favorable ideas of the Caste, expected but little in this new exhibition to interest her;—she felt inclined, however, to alter her opinion on the very first appearance of FERAMORZ. He was a youth about LALLA ROOKH'S own age, and graceful as that idol of women, Crishna,[21]—such as he appears to their young imaginations, heroic, beautiful, breathing music from his very eyes, and exalting the religion of his worshippers into love. His dress was simple, yet not without some marks of costliness; and the Ladies of the Princess were not long in discovering that the cloth, which encircled his high Tartarian cap, was of the most delicate kind that the shawl-goats of Tibet supply.[22] Here and there, too, over his vest, which was confined by a flowered girdle of Kashan, hung strings of fine pearl, disposed with an air of studied negligence;—nor did the exquisite embroidery of his sandals escape the observation of these fair critics; who, however they might give way to FADLADEEN upon the unimportant topics of religion and government, had the spirit of martyrs in everything relating to such momentous matters as jewels and embroidery.
For the purpose of relieving the pauses of recitation by music, the young Cashmerian held in his hand a kitar;—such as, in old times, the Arab maids of the West used to listen to by moonlight in the gardens of the Alhambra—and, having premised, with much humility, that the story he was about to relate was founded on the adventures of that Veiled Prophet of Khorassan,[23] who, in the year of the Hegira 163, created such alarm throughout the Eastern Empire, made an obeisance to the Princess, and thus began:—
THE VEILED PROPHET OF KHORASSAN.[24]
In that delightful Province of the Sun,
The first of Persian lands he shines upon.
Where all the loveliest children of his beam,
Flowerets and fruits, blush over every stream,[25]
And, fairest of all streams, the MURGA roves
Among MEROU'S[26] bright palaces and groves;—
There on that throne, to which the blind belief
Of millions raised him, sat the Prophet-Chief,
The Great MOKANNA. O'er his features hung
The Veil, the Silver Veil, which he had flung
In mercy there, to hide from mortal sight
His dazzling brow, till man could bear its light.
For, far less luminous, his votaries said,
Were even the gleams, miraculously shed
O'er MOUSSA'S[27] cheek, when down the Mount he trod
All glowing from the presence of his God!
On either side, with ready hearts and hands,
His chosen guard of bold Believers stands;
Young fire-eyed disputants, who deem their swords,
On points of faith, more eloquent than words;
And such their zeal, there's not a youth with brand
Uplifted there, but at the Chief's command,
Would make his own devoted heart its sheath,
And bless the lips that doomed so dear a death!
In hatred to the Caliph's hue of night,[28]
Their vesture, helms and all, is snowy white;
Their weapons various—some equipt for speed,
With javelins of the light Kathaian reed;[29]
Or bows of buffalo horn and shining quivers
Filled with the stems[30]
that bloom on IRAN'S rivers;[31]
While some, for war's more terrible attacks,
Wield the huge mace and ponderous battle-axe;
And as they wave aloft in morning's beam
The milk-white plumage of their helms, they seem
Like a chenar-tree grove[32] when winter throws
O'er all its tufted heads his feathery snows.
Between the porphyry pillars that uphold
The rich moresque-work of the roof of gold,
Aloft the Haram's curtained galleries rise,
Where thro' the silken net-work, glancing eyes,
From time to time, like sudden gleams that glow
Thro' autumn clouds, shine o'er the pomp below.—
What impious tongue, ye blushing saints, would dare
To hint that aught but Heaven hath placed you there?
Or that the loves of this light world could bind,
In their gross chain, your Prophet's soaring mind?
No—wrongful thought!—commissioned from above
To people Eden's bowers with shapes of love,
(Creatures so bright, that the same lips and eyes
They wear on earth will serve in Paradise,)
There to recline among Heaven's native maids,
And crown the Elect with bliss that never fades—
Well hath the Prophet-Chief his bidding done;
And every beauteous race beneath the sun,
From those who kneel at BRAHMA'S burning fount,[33]
To the fresh nymphs bounding o'er YEMEN'S mounts;
From PERSIA'S eyes of full and fawnlike ray,
To the small, half-shut glances of KATHAY;[34]
And GEORGIA'S bloom, and AZAB'S darker smiles,
And the gold ringlets of the Western Isles;
All, all are there;—each Land its flower hath given,
To form that fair young Nursery for Heaven!
But why this pageant now? this armed array?
What triumph crowds the rich Divan to-day
With turbaned heads of every hue and race,
Bowing before that veiled and awful face,
Like tulip-beds,[35] of different shape and dyes,
Bending beneath the invisible West-wind's sighs!
What new-made mystery now for Faith to sign
And blood to seal, as genuine and divine,
What dazzling mimicry of God's own power
Hath the bold Prophet planned to grace this hour?