I may be cold;—may want that glow
Of high romance which bards should know;
That holy homage which is felt
In treading where the great have dwelt;
This reverence, whatsoe'er it be,
I fear, I feel, I have it not:—
For here at this still hour, to me
The charms of this delightful spot,
Its calm seclusion from the throng,
From all the heart would fain forget,
This narrow valley and the song
Of its small murmuring rivulet,
The flitting to and fro of birds,
Tranquil and tame as they were once
In Eden ere the startling words
Of man disturbed their orisons,
Those little, shadowy paths that wind
Up the hillside, with fruit-trees lined
And lighted only by the breaks
The gay wind in the foliage makes,
Or vistas here and there that ope
Thro' weeping willows, like the snatches
Of far-off scenes of light, which Hope
Even tho' the shade of sadness catches!—
All this, which—could I once but lose
The memory of those vulgar ties
Whose grossness all the heavenliest hues
Of Genius can no more disguise
Than the sun's beams can do away
The filth of fens o'er which they play—
This scene which would have filled my heart
With thoughts of all that happiest is;—
Of Love where self hath only part,
As echoing back another's bliss;
Of solitude secure and sweet.
Beneath whose shade the Virtues meet.
Which while it shelters never chills
Our sympathies with human woe,
But keeps them like sequestered rills
Purer and fresher in their flow;
Of happy days that share their beams
'Twixt quiet mirth and wise employ;
Of tranquil nights that give in dreams
The moonlight of the morning's joy!—
All this my heart could dwell on here,
But for those gross mementoes near;
Those sullying truths that cross the track
Of each sweet thought and drive them back
Full into all the mire and strife
And vanities of that man's life,
Who more than all that e'er have glowed
With fancy's flame (and it was his,
In fullest warmth and radiance) showed
What an impostor Genius is;
How with that strong, mimetic art
Which forms its life and soul, it takes
All shapes of thought, all hues of heart,
Nor feels itself one throb it wakes;
How like a gem its light may smile
O'er the dark path by mortals trod,
Itself as mean a worm the while
As crawls at midnight o'er the sod;
What gentle words and thoughts may fall
From its false lip, what zeal to bless,
While home, friends, kindred, country, all,
Lie waste beneath its selfishness;
How with the pencil hardly dry
From coloring up such scenes of love
And beauty as make young hearts sigh
And dream and think thro' heaven they rove,
They who can thus describe and move,
The very workers of these charms,
Nor seek nor know a joy above
Some Maman's or Theresa's arms!
How all in short that makes the boast
Of their false tongues they want the most;
And while with freedom on their lips,
Sounding their timbrels, to set free
This bright world, laboring in the eclipse
Of priestcraft and of slavery,—
They may themselves be slaves as low
As ever Lord or Patron made
To blossom in his smile or grow
Like stunted brushwood in his shade.
Out on the craft!—I'd rather be
One of those hinds that round me tread,
With just enough of sense to see
The noonday sun that's o'er his head,
Than thus with high-built genius curst,
That hath no heart for its foundation,
Be all at once that's brightest, worst,
Sublimest, meanest in creation!
CORRUPTION,
AND
INTOLERANCE.
TWO POEMS.
ADDRESSED TO AN ENGLISHMAN BY AN IRISHMAN.
PREFACE.
The practice which has been lately introduced into literature, of writing very long notes upon very indifferent verses, appears to me a rather happy invention, as it supplies us with a mode of turning dull poetry to account; and as horses too heavy for the saddle may yet serve well enough to draw lumber, so Poems of this kind make excellent beasts of burden and will bear notes though they may not bear reading. Besides, the comments in such cases are so little under the necessity of paying any servile deference to the text, that they may even adopt that Socratic, "quod supra nos nihil ad nos."
In the first of the two following Poems, I have ventured to speak of the Revolution of 1688, in language which has sometimes been employed by Tory writers and which is therefore neither very new nor popular. But however an Englishman might be reproached with ingratitude for depreciating the merits and results of a measure which he is taught to regard as the source of his liberties—however ungrateful it might appear in Alderman Birch to question for a moment the purity of that glorious era to which he is indebted for the seasoning of so many orations—yet an Irishman who has none of these obligations to acknowledge, to whose country the Revolution brought nothing but injury and insult, and who recollects that the book of Molyneux was burned by order of William's Whig Parliament for daring to extend to unfortunate Ireland those principles on which the Revolution was professedly founded—an Irishman may be allowed to criticise freely the measures of that period without exposing himself either to the imputation of ingratitude or to the suspicion of being influenced by any Popish remains of Jacobitism. No nation, it is true, was ever blessed with a more golden opportunity of establishing and securing its liberties for ever than the conjuncture of Eighty-eight presented to the people of Great Britain. But the disgraceful reigns of Charles and James had weakened and degraded the national character. The bold notions of popular right which had arisen out of the struggles between Charles the First and his Parliament were gradually supplanted by those slavish doctrines for which Lord Hawkesbury eulogizes the churchmen of that period, and as the Reformation had happened too soon for the purity of religion, so the Revolution came too late for the spirit of liberty. Its advantages accordingly were for the most part specious and transitory, while the evils which it entailed are still felt and still increasing. By rendering unnecessary the frequent exercise of Prerogative,—that unwieldy power which cannot move a step without alarm,—it diminished the only interference of the Crown, which is singly and independently exposed before the people, and whose abuses therefore are obvious to their senses and capabilities. Like the myrtle over a celebrated statue in Minerva's temple at Athens, it skilfully veiled from the public eye the only obtrusive feature of royalty. At the same time, however, that the Revolution abridged this unpopular attribute, it amply compensated by the substitution of a new power, as much more potent in its effect as it is more secret in its operations. In the disposal of an immense revenue and the extensive patronage annexed to it, the first foundations of this power of the Crown were laid; the innovation of a standing army at once increased and strengthened it, and the few slight barriers which the Act of Settlement opposed to its progress have all been gradually removed during the Whiggish reigns that succeeded; till at length this spirit of influence has become the vital principle of the state,—an agency, subtle and unseen, which pervades every part of the Constitution, lurks under all its forms and regulates all its movements, and, like the invisible sylph or grace which presides over the motions of beauty,