The Epicurean: A Tale

by Thomas Moore

“This study of her secret hours became still more dear to her, from the peril with which, at that period, it was attended, and the necessity she was under of concealing from those around her the precious light [pg 179]that had been kindled in her heart. Too timid to encounter the fierce persecution, which awaited all who were suspected of a leaning to Christianity, she continued to officiate in the pomps and ceremonies of the Temple;—though, often, with such remorse of soul, that she would pause, in the midst of the rites, and pray inwardly to God, that he would forgive this profanation of his Spirit.

“In the mean time her daughter, the young Alethe, grew up still lovelier than herself, and added, every hour, to her happiness and her fears. When arrived at a sufficient age, she was taught, like the other children of the priestesses, to take a share in the service and ceremonies of the shrines. The duty of some of these young servitors was to look after the flowers for the altar;—of others, to take care that the sacred vases were filled every day with fresh water from the Nile. The task of some was to preserve, in perfect polish, those silver images of the moon [pg 180]which the priests carried in processions; while others were, as we have seen, employed in feeding the consecrated animals, and in keeping their plumes and scales bright, for the admiring eyes of their worshippers.

“The office allotted to Alethe—the most honourable of these minor ministries—was to wait upon the sacred birds of the Moon, to feed them with those eggs from the Nile which they loved, and provide for their use that purest water, which alone these delicate birds will touch. This employment was the delight of her childish hours; and that ibis, which Alciphron (the Epicurean) saw her dance round in the Temple, was her favourite, of all the sacred flock, and had been daily fondled and fed by her from infancy.

“Music, as being one of the chief spells of this enchanted region, was an accomplishment required of all its ministrants; and the harp, the lyre, and the sacred flute, sounded nowhere so sweetly as that [pg 181]through these subterranean gardens. The chief object, indeed, in the education of the youth of the Temple, was to fit them, by every grace of art and nature, to give effect to the illusion of those shows and phantasms, in which the whole charm and secret of Initiation lay.

“Among the means employed to support the old system of superstition, against the infidelity and, still more, the new Faith that menaced it, was an increased display of splendour and marvels in those Mysteries for which Egypt has so long been celebrated. Of these ceremonies so many imitations had, under various names, been multiplied through Europe, that the parent superstition ran a risk of being eclipsed by its progeny; and, in order still to retain their rank of the first Priesthood in the world, those of Egypt found it necessary to continue still the best impostors.

“Accordingly, every contrivance that art could devise, or labour execute—every [pg 182]resource that the wonderful knowledge of the Priests, in pyrotechny, mechanics, and dioptrics, could command, was brought into action to heighten the effect of their Mysteries, and give an air of enchantment to every thing connected with them.

“The final scene of beatification—the Elysium, into which the Initiate was received,—formed, of course, the leading attraction of these ceremonies; and to render it captivating alike to the senses of the man of pleasure, and the imagination of the spiritualist, was the object to which the whole skill and attention of the Sacred College were devoted. By the influence of the Priests of Memphis over those of the other Temples they had succeeded in extending their subterranean frontier, both to the north and south, so as to include, within their ever-lighted Paradise, some of the gardens excavated for the use of the other Twelve Shrines.

“The beauty of the young Alethe, the touching sweetness of her voice, and the [pg 183]sensibility that breathed throughout her every look and movement, rendered her a powerful auxiliary in such appeals to the imagination. She was, accordingly, from her childhood, selected from among her fair companions, as the most worthy representative of spiritual loveliness, in those pictures of Elysium—those scenes of another world—by which not only the fancy, but the reason, of the excited Aspirants was dazzled.

“To the innocent child herself these shows were pastime. But to Theora, who knew too well the imposition to which they were subservient, this profanation of all that she loved was a perpetual source of horror and remorse. Often would she—when Alethe stood smiling before her, arrayed, perhaps, as a spirit of the Elysian world,—turn away, with a shudder, from the happy child, almost fancying that she already saw the shadows of sin descending over that innocent brow, as she gazed on it.

“As the intellect of the young maid became more active and inquiring, the apprehensions and difficulties of the mother increased. Afraid to communicate her own precious secret, lest she should involve her child in the dangers that encompassed it, she yet felt it to be no less a cruelty than a crime to leave her wholly immersed in the darkness of Paganism. In this dilemma, the only resource that remained to her was to select, and disengage from the dross that surrounded them, those pure particles of truth which lie at the bottom of all religions;—those feelings, rather than doctrines, which God has never left his creatures without, and which, in all ages, have furnished, to those who sought it, some clue to his glory.