[68] The present façade is the result of alterations by Scamozzi in 1610.
[69] See Plate 72 in the Dream of Poliphilus, called the Hypnerotomachia, published in Venice by Aldus, 1499, reproduced by the Science and Art Department, South Kensington, 1888.
[70] See Berenson’s “Lorenzo Lotto,” chap. ii., sec. vii., revised ed., 1901.
[71] The Pietà, and the Transfiguration in the Correr Museum.
[72] The ivy-leaved toadflax.
[73] It has again been exalted to a prominent position in Room X.
[74] Morelli, however, classes it among Titian’s early productions.
[75] See “XIXth Century and After,” 1902, p. 156, where H. Cook gives reasons for believing the painter to have been but 86 years of age at his death in 1576.
[76] Morelli, Italian Masters in German Galleries, translated by Mrs Richter, pp. 184-94.
[77] Jahrbuch der Königlich Preussischen Kunstsammlungen. Berlin, vols. xxii. and xxiii., 1901-1902.