THE MUSE'S TRIUMPH.
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What adverse passions rule my changeful breast, With hope exalted, or by fear deprest! Now, by the Muse inspired, I snatch the lyre, And proudly to poetic fame aspire; Now dies the sacred flame, my pride declines, And diffidence the immortal wreath resigns. Friends, void of taste, warm advocates for trade, With shafts of ridicule, my peace invade: 'A Poet!'—thus they sneeringly exclaim— 'Well may you court that glorious, envied name; For, sure, no common joys his lot attend; None but himself those joys can comprehend. O, superhuman bliss, employ sublime, To scribble fiction, and to jingle rhyme! Caged in some muse-behaunted, Grub-street garret, To prate his feeders' promptings, like a parrot! And what, though want and scorn his life assail? What, though he rave in Bedlam, starve in jail? Such trifling ills the Bard may well despise; Sure of immortal honour when he dies. But, seriously—the advice of friendship hear: Stop short in your poetical career; O! quell the frenzies of your fever'd brain, And turn, at Wisdom's call, to trade and gain,' Absorb'd in passive sadness, I comply; Turn from the Muse my disenchanted eye, And deign to study, as my friends persuade, The little, money-getting arts of trade. But soon the Goddess, fired with high disdain To see me woo the yellow strumpet, Gain, Resuming all her beauty, all her power, Returns to triumph in the vacant hour; Weakly reluctant, on her charms I gaze, Trembling, I feel her fascinating lays; Roused from ignoble dreams, my wondering soul Springs to the well-known bliss, regardless of control. Say then, ye blind, profane! who dare to blame The heaven-born Poet, and his thirst of fame; Ye slaves of Mammon! whose low minds behold No fair, no great, no good, in aught but gold; Say! will the Captive of tyrannic sway, Restored to genial air, and boundless day, Turn to his dungeon's suffocating night? Will the proud Eagle, who with daring flight Sublimely soars against the solar blaze, And eyes the inspiring God with raptured gaze, Stoop from his native kingdom in the sky, To share the breathings of mortality? How, then, can he, whose breast the Muse inspires, Restrain his soul, or quench those hallow'd fires? How can he quit the world of mental bliss, For all the riches,—miseries!—of this?

ELEGY
ON THE DEATH OF CHATTERTON.
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When to the region of the tuneful Nine, Rapt in poetic vision, I retire, Listening intent to catch the strain divine— What a dead silence hangs upon the lyre! Lo! with disorder'd locks, and streaming eyes, Stray the fair daughters of immortal song; Aonia's realm resounds their plaintive cries, And all her murmuring rills the grief prolong. O say! celestial maids, what cause of wo? Why cease the rapture-breathing strains to soar? A solemn pause ensues:—then falters low The voice of sorrow: 'Chatterton's no more!' 'Child of our fondest hopes! whose natal hour Saw each poetic star indulgent shine; E'en Phœbus' self o'erruled with kindliest power, And cried: "ye Nine rejoice! the Birth is mine." 'Soon did he drink of this inspiring spring; In yonder bower his lisping notes he tried; We tuned his tongue in choir with us to sing, And watch'd his progress with delight and pride. 'With doting care we form'd his ripening mind, Blest with high gifts to mortals rarely known; Taught him to range, by matter unconfined, And claim the world of fancy for his own. 'The voice of Glory call'd him to the race; Upsprung the wondrous Boy with ardent soul, Started at once with more than human pace, And urged his flight, impatient for the goal: 'Hope sung her siren lay; the listening Youth Felt all his breast with rapturous frenzy fired, He hail'd, and boasted, as prophetic truth, The bright, triumphant vision Hope inspired: 'But short, alas, his transport! vain his boast! The illusive dream soon vanishes in shade; Soon dire Adversity's relentless host, Neglect, Want, Sorrow, Shame, his peace invade: 'Glad Envy hisses, Ridicule and Scorn Lash with envenom'd scourge his wounded pride; Ah! see him, with distracted mien forlorn, Rush into solitude his pangs to hide. 'There to the Youth, disguised like Hope, Despair Presents the death-fraught chalice and retires: In vain, alas! Religion cries, forbear! Desperate he seizes, drains it, and expires.'

ELEGY,
(WRITTEN AT THE REQUEST OF A YOUNG LADY.)
SYLVIA ON HER DEAD CANARY-BIRD.
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Sweet little warbler! art thou dead? And must I hear thy notes no more? Then will I make thy funeral bed; Then shall the Muse thy loss deplore. Beneath the turf in yonder bower, Where oft I've listened to thy lay, Forgetting care, while many an hour In music sweetly stole away;— There will I bid thy relics rest; Then sadly sigh my last farewell; But long, oh! long within my breast Thy memory, poor bird! shall dwell. Still to that spot, now more endear'd, Shall thy fond mistress oft return, And haply feel her sorrows cheer'd, To deck with verse thy simple urn. 'Here lies a bird, once famed to be Peerless in plumage and in lay; This was the soul of melody, And that the golden blush of day.' 'Soon as the Morn began to peep, While yet with shade her smiles were veil'd, The sprightly warbler shook off sleep, And with his song her coming hail'd.' 'His guardian rose, nor scorn'd as mean, But found it still a pleasing care, To keep his little mansion clean, And minister his daily fare.' 'The dewy groundsel was his feast, Which when the watchful songster view'd, Straight his loud, thrilling strain he ceased, And softly chirp'd his gratitude.' 'Then would he peck his savoury treat,— Turn his head sly, and breathe a note— Now flutter wild with wings and feet— Then silent sit—now pour his throat.' 'His playful freaks, his joyous lay, Well pleased, his mistress would attend; It call'd affection into play, And gave to solitude a friend.' 'Thus happily his days he led Even to the ninth revolving year; Then Fate, alas! her weapon sped; And Pity laid his relics here.'

TO JULIA.
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Should Phœbus e'er desert my mind, And should the Nine their aid refuse, Enchanting Girl! I still could find A theme in thee, in thee a Muse. Can Fiction any charms devise That proudly may with thine compare? On thee she turns her wondering eyes, And drops the pencil in despair. Far sweeter are thy notes to me Than sweetest poet ever sung; And true perfection would it be To sing thy beauties with thy tongue. Let Phœbus, then, desert my mind! And let the Nine their aid refuse! Ever, my Julia! shall I find In thee a theme, in thee a Muse.