This is the more strange, since even Epick-Poetry and Tragedy, whose
Nature is Violence and Warmth, cannot well subsist without the tender
Characters. 'Tis they that sprinkle so sweet a Variety thro' those
Pieces, and relax the Minds of the Readers, with the Beautiful and Soft,
after it is sated with the Sublime.
Now if even the warmest Kinds of Poetry delight in Female Personages, How much more Pastoral, which is all Tenderness and Simplicity? Whose design is to sooth and spread a Calm over the Mind, as the higher Poems are to elevate and strike It.
But 'tis not enough that we introduce some Characters drawn from the SOFT-SEX: our Male Characters must be also of the same Nature, far from rough or unmanner'd. Every Character must also be of such a Kind as will be entertaining to the Mind. For there are some more, some less delightful, among those Female Characters, which at first sight seem equally proper to Pastoral. Of this kind is a Prudish Character, or excessively reserv'd. For, besides that frankness and Openness of Heart, is what we imagine natural to Shepherds, a Poet can never raise Delight from such a Character. Her fault is too hateful to excite Pity in her Punishment; and too small to raise Joy in beholding bar Unfortunate. Besides that such a Joy were not proper for Pastoral. Of the same Nature is a Finical, or Squeamish Character, and many others, at first sight agreeable to Pastoral.
SECT. 2
What Passions we may allot our Shepherds.
Although I am for raising the Characters in Pastoral somewhat above the degree of Boors and Clowns; yet no one is more for retaining the Pastoral Simplicity. Our Characters of young and tender Innocents, give, I think, a better Opportunity of introducing the true Pastoral Simplicity, than those very mean and low Personages, which rather lead us to an unmanner'd Clownishness, than an agreeable Simplicity.
To preserve this Simplicity, we must avoid attributing to our Swains, any of those Passions or Desires, which engage busy and active part of Mankind; as Ambition, and the like. Theocritus therefore, and Virgil, and the generality of his Followers, have rather made their Shepherds sing alternately for a Leathern Pouch, or a Goat, than for the Desire of Praise. And nothing, I believe, but his being unwilling to make his Swains sing for exactly the same Reward, that all since Theocritus, have done, could have made our excellent Phillips alter the Pouch and the Kid, for Praise, in his sixth Pastoral.
Let others meanly stake upon their Skill. Or Kid, or Lamb, or Goat, or what they will; for praise we sing, nor Wager ought beside; And, whose the Praise, let Geron's, Lips decide.
There are few of even the most violent passions but may be introduc'd into Pastoral, if artfully manag'd and qualify'd by the Poet: As Hatred, if it be not carried to it's height; which is an Excess in Pastoral. And I observe, Cubbin, you make your Shepherd Colly, inconstant; and have an Aversion to his former Sweet-heart Soflin, on account of her Frankness, and too great Forwardness. But yet I think it is not faulty, because you make his Affections vary, against his Inclination, and he is angry with himself for his dislike to Soflin; but no Reason can stop unruly Love.
So Revenge, if admitted, must be very ingeniously manag'd, or 'twill be intolerable. There is a cunning Thought in Tasso, that may perhaps let the Reader something into the Manner in which I would have it order'd. A Female Warriour, opposed to her Lover in Aims, for his Inconstancy shoot's a Dart at him, yet wishes it may not strike him.