Farther, that these instruments were not used in God’s worship, in Thomas Aquinas’s time, that is, about the year 1250, he himself is witness. “In the old Law,” says he, “God was praised both with musical instruments and human voices, and according to that Psalm xxxiii. Praise the Lord with harp, sing unto him with the psaltery, and an instrument of ten strings. But the Church does not use musical instruments to praise God, lest she should seem to judaize. Therefore, by parity of reason, she should not use singing.” Secunda secundæ Questio 91, art. 4. & conclus. 4. The like objection is made by our author. But Thomas answers: “As to this objection, we must say, as the philosopher, Lib. viii. Polit. that Pipes are not to be used for teaching, nor any artificial instruments, as the harp, or the like: but whatever will make the hearers good men. For these musical instruments rather delight the mind, than form it to any good disposition. But under the Old Testament such instruments were used, partly because the people were harder and more carnal; upon which account they were to be stirred up by these instruments, as likewise by earthly promises; and partly because these bodily instruments were typical of something.” Upon which place Cardinal Cajetan gives us this Comment: “’Tis to be observed, the Church did not use organs in Thomas’s time. Whence, even to this day, the Church of Rome does not use them in the Pope’s presence. And truly it will appear, that musical instruments are not to be suffered in the ecclesiastical offices we meet together to perform, for the sake of receiving internal instruction from God; and so much the rather are they to be excluded, because God’s internal discipline exceeds all human disciplines, which rejected these kind of instruments.” Cit. Hoffm. Lex. voce Musica.
If any one objects the practice of some foreign churches, I answer with Mr. Hickman: “They are laid aside by most of the reformed churches; nor would they be retained among the Lutherans, unless they had forsaken their own Luther; who, by the confession of Eckard, reckoned organs among the ensigns of Baal. That they still continue in some of the Dutch churches, is against the minds of the Pastors. For in the National Synod at Middleburg, in the year 1581, and in the Synod of Holland and Zealand, in the year 1594, it was resolved, That they would endeavour to obtain of the magistrate the laying aside of organs, and the singing with them in the churches, even out of the time of worship, either before or after sermons: so far are those Synods from bearing with them in the worship itself.” Apol. p. 139.
The Church of England herself had formerly no very good opinion of these musical instruments; as may appear by her Homilies: “Lastly, God’s vengeance hath been, and is daily provoked, because much wicked people pass nothing to resort unto the church; either for that they are so sore blinded, that they understand nothing of God or godliness, and care not with devilish malice to offend their neighbours; or else for that they see the church altogether scoured of such gay gazing sights, as their gross phantasie was greatly delighted with; because they see the false religion abandoned, and the true restored, which seemeth an unsavory thing to their unsavory taste, as may appear by this that a woman said to her neighbour: Alas! gossip, what shall we now do at church, since all the Saints are taken away; since all the goodly sights we were wont to have are gone; since we cannot hear the like piping, singing, Chaunting, and playing upon the organs that we could before? But, dearly beloved, we ought greatly to rejoice and give God thanks, that our churches are delivered out of all those things, which displeased God so sore, and filthily defiled his holy house, and his place of prayer.” Hom. of the place and time of prayer, part. 2. p. 131.
A great number also of the Clergy in the first convocation of Queen Elizabeth in 1562, earnestly laboured to have organs, and that pompous theatrical way of singing laid aside, and missed the carrying it but by one vote, as I observe elsewhere. And in this Archbishop Parker concurred with them, or at least did not oppose them.
I will add one or two testimonies of Papists against this cathedral way of worship. The first shall be Polydorus Virgilius.
Having taken notice of Austine’s dislike of that way of singing in his time, he thus proceeds: “But in our time, it seems much less useful to the commonwealth, now our singers make such a noise in our churches, that nothing can be heard, beside the sound of the voice; and they who come there (that is all that are in the city) are satisfied with the concert of music, which their ears itch for, and never mind the sense of the words. So that we are come to that pass, that in the opinion of the common people, the whole affair of religious worship is lodged in these singers; although, generally speaking, there is no sort of men more loose or wicked: and yet a good part of the people run to church, as to a theatre, to hear them bawl: they hire and encourage them; and look upon them alone as ornaments to the house of God. Wherefore, without doubt, it would be for the interest of religion, either to cast these jackdaws out of the churches; or else to teach them when they sing, they should do it rather in the manner of reading, than bawling; as Austine says Athanasius ordered, &c.” De Invent. Rer. lib. vi. c. 2. p. 379.
Next hear the judgment of Erasmus: “Let a man be more covetous than Crassus, more foul-mouthed than Zoilus, he shall be reckoned a pious man, if he sings those prayers well, though he understands nothing of them. But what, I beseech you, must they think of Christ, who can believe he is delighted with such a noise of men’s voices? Not content with this, we have brought into our churches a certain operose and theatrical music; such a confused disorderly chattering of some words, as I hardly think was ever heard in any of the Grecian or Roman theatres. The church rings with the noise of trumpets, pipes and dulcimers; and human voices strive to bear their part with them.—Men run to church as to a theatre, to have their ears tickled. And for this end organ-makers are hired with great salaries, and a company of boys, who waste all their time in learning these whining tones. Pray now compute how many poor people in great extremity might be maintained by the salaries of those singers.” In 1 Cor. xiv. 19.
Lastly, Lindanus says: “Who will compare the Music of this present age, with that which was formerly used? Whatever is sung now, signifies little for informing the people; which ’tis certain the ancients always designed.” Panopl. lib. iv. c. 73.
Pierce’s Vindication.
[22]. The first hymns of Gospel churches, were neither rythm, nor metre; and there was no version of David’s psalms, that could be sung before Calvin’s time.