Fig. 25.—Mortar and Pestle.

The skull and cross-bones has come to be of pharmaceutical significance. Placed on the label of a vial, it implies that the contents are poisonous, and should be used with intelligence and care. It has been in use from an early date as an emblem of death. Formerly, it was often placed on tombstones.

Bottles or vases, colored or containing colored liquids, are of pharmaceutic import. The question of the origin of their use as signs is often asked. It cannot be definitely answered. But, as to how the custom originated one may confidently say that it arose from the common-sense desire of the dealer in medicinal wares to make the fact obvious to the passer-by. The confectioner does essentially the same thing, and so, indeed, do the grocer and many others.

By turning to Larwood and Hotten’s book it will be seen that a golden bottle has been used as a banker’s and a goldsmith’s sign; also, that bottles of various kinds have in other days, as now, decorated many a tavern-front.

Hence, a bottle or vase can hardly be regarded as a symbol, and much less the exclusive symbol of a dealer in medicines. If it were similar in every instance, and had something special in its form or color, or both, it might be so regarded.

As it is, one cannot very well regard it in any other light than as a part of the dealer’s ordinary stock. Still, it must be said that there is something decidedly distinct and special about it, as seen in the pharmacist’s window.

In this country, at least, the shape of the vase or vases (for there are generally three or four) and their color are not subject to any rule; and, in fact, there are a few stores in Philadelphia in which there are none. The favorite colors seem to be light green, claret, light blue, and amber.

It is very probable that the presence of special colored liquids in show-bottles does not date back much farther than, if as far as, 1617,—the time when the apothecaries became a distinct class from grocers, in England. Certainly, some of the beautiful shades of color are very modern.