Constantinople has its peculiar attractions as the great centre of the Mohammedan world as represented in the person of the Sultan, and during the five hundred years of the Ottoman dominion here, almost every Sultan and great personage has left behind him some interesting reminder of the times in which he lived and the wonderful possibilities of unlimited wealth and power. A stranger will scarcely show himself upon the streets ere he is discovered and accosted by a guide. From long experience these men can readily distinguish a new arrival, and they seldom make a mistake regarding his nationality. Their usual mode of self-introduction is to approach him, and ask if he is looking for the American consulate, or the English post-office, as the case may be, and if the stranger replies in the affirmative, to offer to show the way. Nothing is mentioned about charges, and the uninitiated new arrival naturally wonders what kind of a place he has got into, when, upon offering what his experience in Western countries has taught him to consider a most liberal recompense, the guide shrugs his shoulders, and tells you that he guided a gentleman the same distance yesterday and the gentleman gave - usually about double what you are offering, no matter whether it be one cherik or half a dozen. An afternoon ramble with a guide through Stamboul embraces the Museum of Antiquities, the St. Sophia Mosque, the Costume Museum, the thousand and one columns, the Tomb of Sultan Mahmoud, the world-renowned Stamboul Bazaar, the Pigeon Mosque, the Saraka Tower, and the Tomb of Sultan Suliman I. Passing over the Museum of Antiquities, which to the average observer is very similar to a dozen other institutions of the kind, the visitor very naturally approaches the portals of the St. Sophia Mosque with expectations enlivened by having already read wondrous accounts of its magnificence and unapproachable grandeur. But, let one's fancy riot as it will, there is small fear of being disappointed in the "finest mosque in Constantinople." At the door one either has to take off his shoes and go inside in stocking-feet, or, in addition to the entrance fee of two cheriks, "backsheesh" the attendant for the use of a pair of overslippers. People with holes in their socks and young men wearing boots three sizes too small are the legitimate prey of the slipper-man, since the average human would yield up almost his last piastre rather than promenade around in St. Sophia with his big toe protruding through his foot-gear like a mud-turtle's head, or run the risk of having to be hauled bare-footed to his hotel in a hack, from the impossibility of putting his boots on again. Devout Mussulmans are bowing their foreheads down to the mat-covered floor in a dozen different parts of the mosque as we enter; tired-looking pilgrims from a distance are curled up in cool corners, happy in the privilege of peacefully slumbering in the holy atmosphere of the great edifice they have, perhaps, travelled hundreds of miles to see; a dozen half-naked youngsters are clambering about the railings and otherwise disporting themselves after the manner of unrestrained juveniles everywhere - free to gambol about to their hearts' content, providing they abstain from making a noise that would interfere with devotions. Upon the marvellous mosaic ceiling of the great dome is a figure of the Virgin Mary, which the Turks have frequently tried to cover up by painting it over; but paint as often as they will, the figure will not be concealed. On one of the upper galleries are the "Gate of Heaven " and "Gate of Hell," the former of which the Turks once tried their best to destroy; but every arm that ventured to raise a tool against it instantly became paralyzed, when the would-be destroyers naturally gave up the job. In giving the readers these facts I earnestly request them not to credit them to my personal account; for, although earnestly believed in by a certain class of Christian natives here, I would prefer the responsibility for their truthfulness to rest on the broad shoulders of tradition rather than on mine.
The Turks never call the attention of visitors to these reminders of the religion of the infidels who built the structure, at such an enormous outlay of money and labor, little dreaming that it would become one of the chief glories of the Mohammedan world. But the door-keeper who follows visitors around never neglects to point out the shape of a human hand on the wall, too high up to be closely examined, and volunteer the intelligence that it is the imprint of the hand of the first Sultan who visited the mosque after the occupation of Constantinople by the Osmanlis. Perhaps, however, the Mussulman, in thus discriminating between the traditions of the Greek residents and the alleged hand-mark of the first Sultan, is actuated by a laudable desire to be truthful so far as possible; for there is nothing improbable about the story of the hand-mark, inasmuch as a hole chipped in the masonry, an application of cement, and a pressure of the Sultan's hand against it before it hardened, give at once something for visitors to look at through future centuries and shake their heads incredulously about. Not the least of the attractions are two monster wax candles, which, notwithstanding their lighting up at innumerable fasts and feasts, for the guide does not know how many years past, are still eight feet long by four in circumference; but more wonderful than the monster wax candles, the brass tomb of Constantine's daughter, set in the wall over one of the massive doors, the Sultan's hand-mark, the figure of the Virgin Mary, and the green columns brought from Baalbec; above everything else is the wonderful mosaic-work. The mighty dome and the whole vast ceiling are mosaic-work in which tiny squares of blue, green, and gold crystal are made to work out patterns. The squares used are tiny particles having not over a quarter-inch surface; and the amount of labor and the expense in covering the vast ceiling of this tremendous structure with incomputable myriads of these small particles fairly stagger any attempt at comprehension.
An interesting hour can next be spent in the Costume Museum, where life- size figures represent the varied and most decidedly picturesque costumes of the different officials of the Ottoman capital in previous ages, the janizaries, and natives of the different provinces. Some of the head-gear in vogue at Constantinople before the fez were tremendous affairs, but the fez is certainly a step too far in the opposite direction, being several degrees more uncomfortable than nothing in the broiling sun; the fez makes no pretence of shading the eyes, and excludes every particle of air from the scalp. The thousand and one columns are in an ancient Greek reservoir that formerly supplied all Stamboul with water. The columns number but three hundred and thirty-four in reality, but each column is in three parts, and by stretching the point we have the fanciful " tbousand-and-one." The reservoir is reached by descending a flight of stone steps; it is filled in with earth up to the upper half of the second tier of columns, so that the lower tier is buried altogether. This filling up was done in the days of the janizaries, as it was found that those frisky warriors were carrying their well-known theory of "right being might and the Devil take the weakest" to the extent of robbing unprotected people who ventured to pass this vicinity after dark, and then consigning them to the dark depths of the deserted reservoir. The reservoir is now occupied during the day by a number of Jewish silk-weavers, who work here on account of the dampness and coolness being beneficial to the silk. The tomb of Mahmoud is next visited on the way to the Bazaar. The several coffins of the Sultan Mahmoud and his Sultana and princesses are surrounded by massive railings of pure silver; monster wax candles are standing at the head and foot of each coffin, in curiously wrought candlesticks of solid silver that must weigh a hundred pounds each at least; ranged around the room are silver caskets, inlaid with mother-of-pearl, in which rare illumined copies of the Koran are carefully kept, the attendant who opened one for my inspection using a silk pocket-handkerchief to turn the leaves. The Stamboul Bazaar well deserves its renown, since there is nothing else of its kind in the whole world to compare with it. Its labyrinth of little stalls and shops if joined together in one straight line would extend for miles; and a whole day might be spent quite profitably in wandering around, watching the busy scenes of bargaining and manufacturing. Here, in this bewildering maze of buying and selling, the peculiar life of the Orient can be seen to perfection; the "mysterious veiled lady" of the East is seen thronging the narrow traffic-ways and seated in every stall; water-venders and venders of carpooses (water-melons) and a score of different eatables are meandering through. Here, if your guide be an honest fellow, he can pilot you into stuffy little holes full of antique articles of every description, where genuine bargains can be picked up; or, if he be dishonest, and in league with equally dishonest tricksters, whose places are antiquaries only in name, he can lead you where everything is basest imitation. In the former case, if anything is purchased he comes in for a small and not undeserved commission from the shopkeeper, and in the latter for perhaps as much as thirty per cent. I am told that one of these guides, when escorting a party of tourists with plenty of money to spend and no knowledge whatever of the real value or genuineness of antique articles, often makes as much as ten or fifteen pounds sterling a day commission.
On the way from the Bazaar we call at the Pigeon Mosque, so called on account of being the resort of thousands of pigeons, that have become quite tame from being constantly fed by visitors and surrounded by human beings. A woman has charge of a store of seeds and grain, and visitors purchase a handful for ten paras and throw to the pigeons, who flock around fearlessly in the general scramble for the food. At any hour of the day Mussulman ladies may be seen here feeding the pigeons for the amusement of their children. From the Pigeon Mosque we ascend the Saraka Tower, the great watch-tower of Stamboul, from the summit of which the news of a fire in any part of the city is signalled, by suspending huge frame-work balls covered with canvas from the ends of projecting poles in the day, and lights at night. Constant watch and ward is kept over the city below by men snugly housed in quarters near the summit, who, in addition to their duties as watchmen, turn an honest cherik occasionally by supplying cups of coffee to Visitors.
No fairer site ever greeted human vision than the prospect from the Tower of Saraka. Stamboul, Galata, Pera, and Scutari, with every suburban village and resort for many a mile around, can be seen to perfection from the commanding height of Saraka Tower. The guide can here point out every building of interest in Stamboul-the broad area of roof beneath which the busy scenes of Stamboul Bazaar are enacted from day to day, the great Persian khan, the different mosques, the Sultan's palaces at Pera, the Imperial kiosks up the Bosphorus, the old Grecian aqueduct, along which the water for supplying the great reservoir of the thousand and one columns used to be conducted, the old city walls, and scores of other interesting objects too numerous to mention here. On the opposite hill, across the Golden Horn, Galata Watch-tower points skyward above the mosques and houses of Galata and Pera. The two bridges connecting Stamboul and Galata are seen thronged with busy traffic; a forest of masts and spars is ranged all along the Golden Horn; steamboats are plying hither and thither across the Bosphorus; the American cruiser Quinnebaug rides at anchor opposite the Imperial water-side palace; the blue waters of the Sea of Marmora and the Gulf of Ismidt are dotted here and there with snowy sails or lined with the smoke of steamships; all combined to make the most lovely panorama imaginable, and to which the coast-wise hills and more lofty mountains of Asia Minor in the distance form a most appropriate background.
>From this vantage-point the guide will not neglect whetting the curiosity of his charge for more sight-seeing by pointing out everything that he imagines would be interesting; he points out a hill above Scutari, whence, he says, a splendid view can be had of "all Asia Minor," and "we could walk there and back in half a day, or go quicker with horses or donkeys;" he reminds you that to-morrow is the day for the howling dervishes in Scutari, and tells you that by starting at one we can walk out to the English cemetery, and return to Scutari in time for the howling dervishes at four o'clock, and manages altogether to get his employer interested in a programme, which, if carried out, would guarantee him employment for the next week. On the way back to Galata we visit the tomb of Sulieman I, the most magnificent tomb in Stamboul. Here, before the coffins of Sulieman I., Sulieman II, and his brother Ahmed, are monster wax candles, that have stood sentry here for three hundred and fifty years; and the mosaic dome of the beautiful edifice is studded with what are popularly believed to be genuine diamonds, that twinkle down on the curiously gazing visitor like stars from a miniature heaven. The attendant tells the guide, in answer to an inquiry from me, that no one living knows whether they are genuine diamonds or not, for never, since the day it was finished, over three centuries and a half ago, has anyone been permitted to go up and examine them. The edifice was go perfectly and solidly built in the beginning, that no repairs of any kind have ever been necessary; and it looks almost like a new building to-day.
Not being able to spare the time for visiting all the objects of interest enumerated by the guide, I elect to see the howling dervishes as the most interesting among them. Accordingly we take the ferry-boat across to Scutari on Thursday afternoon in time to visit the English cemetery before the dervishes begin their peculiar services. We pass through one of the largest Mussulman cemeteries of Constantinople, a bewildering area of tombstones beneath a grove of dark cypresses, so crowded and disorderly that the oldest gravestones seem to have been pushed down, or on one side, to make room for others of a later generation, and these again for still others. In happy comparison to the disordered area of crowded tombstones in the Mohammedan graveyard is the English cemetery, where the soldiers who died at the Scutari hospital during the Crimean war were buried, and the English residents of Constantinople now bury their dead. The situation of the English cemetery is a charming spot, on a sloping bluff, washed by the waters of the Bosphorus, where the requiem of the murmuring waves is perpetually sung for the brave fellows interred there. An Englishman has charge; and after being in Turkey a month it is really quite refreshing to visit this cemetery, and note the scrupulous neatness of the grounds. The keeper must be industry personified, for he scarcely permits a dead leaf to escape his notice; and the four angels beaming down upon the grounds from the national monument erected by England, in memory of the Crimean heroes, were they real visitors from the better land, could doubtless give a good account of his stewardship.
The howling dervishes have already begun to howl as we open the portals leading into their place of worship by the influence of a cherik placed in the open palm of a sable eunuch at the door; but it is only the overture, for it is half an hour later when the interesting part of the programme begins. The first hour seems to be devoted to preliminary meditations and comparatively quiet ceremonies; but the cruel-looking instruments of self-flagellation hanging on the wall, and a choice and complete assortment of drums and other noise-producing but unmelodious instruments, remind the visitor that he is in the presence of a peculiar people. Sheepskin mats almost cover the floor of the room, which is kept scrupulously clean, presumably to guard against the worshippers soiling their lips whenever they kiss the floor, a ceremony which they perform quite frequently during the first hour; and everyone who presumes to tread within that holy precinct removes his over-shoes, if he is wearing any, otherwise he enters in his stockings. At five o'clock the excitement begins; thirty or forty men are ranged around one end of the room, bowing themselves about most violently, and keeping time to the movements of their bodies with shouts of "Allah. Allah." and then branching off into a howling chorus of Mussulman supplications, that, unintelligible as they are to the infidel ear, are not altogether devoid of melody in the expression, the Turkish language abounding in words in which there is a world of mellifluousness. A dancing dervish, who has been patiently awaiting at the inner gate, now receives a nod of permission from the priest, and, after laying aside an outer garment, waltzes nimbly into the room, and straightway begins spinning round like a ballet-dancer in Italian opera, his arms extended, his long skirt forming a complete circle around him as he revolves, and his eyes fixed with a determined gaze into vacancy. Among the howlers is a negro, who is six feet three at least, not in his socks, but in the finest pair of under-shoes in the room, and whether it be in the ceremony of kissing the floor, knocking foreheads against the same, kissing the hand of the priest, or in the howling and bodily contortions, this towering son of Ham performs his part with a grace that brings him conspicuously to the fore in this respect. But as the contortions gradually become more-violent, and the cry of "Allah akbar. Allah hai!" degenerates into violent grunts of " h-o-o-o-o-a-hoo-hoo," the half-exhausted devotees fling aside everything but a white shroud, and the perspiration fairly streams off them, from such violent exercise in the hot weather and close atmosphere of the small room. The exercises make rapid inroads upon the tall negro's powers of endurance, and he steps to one side and takes a breathing-spell of five minutes, after which he resumes his place again, and, in spite of the ever-increasing violence of both lung and muscular exercise, and the extra exertion imposed by his great height, he keeps it up heroically to the end.
For twenty-five minutes by my watch, the one lone dancing dervish - who appears to be a visitor merely, but is accorded the brotherly privilege of whirling round in silence while the others howl-spins round and round like a tireless top, making not the slightest sound, spinning in a long, persevering, continuous whirl, as though determined to prove himself holier than the howlers, by spinning longer than they can keep up their howling - a fair test of fanatical endurance, so to speak. One cannot help admiring the religious fervor and determination of purpose that impel this lone figure silently around on his axis for twenty-five minutes, at a speed that would upset the equilibrium of anybody but a dancing dervish in thirty seconds; and there is something really heroic in the manner in which he at last suddenly stops, and, without uttering a sound or betraying any sense of dizziness whatever from the exercise, puts on his coat again and departs in silence, conscious, no doubt, of being a holier person than all the howlers put together, even though they are still keeping it up. As unmistakable signals of distress are involuntarily hoisted by the violently exercising devotees, and the weaker ones quietly fall out of line, and the military precision of the twists of body and bobbing and jerking of head begins to lose something of its regularity, the six "encouragers," ranged on sheep-skins before the line of howling men, like non-commissioned officers before a squad of new recruits, increase their encouraging cries of "Allah. Allah akbar" as though fearful that the din might subside, on account of the several already exhausted organs of articulation, unless they chimed in more lustily and helped to swell the volume.
Little children now come trooping in, seeking with eager anticipation the happy privilege of being ranged along the floor like sardines in a tin box, and having the priest walk along their bodies, stepping from one to the other along the row, and returning the same way, while two assistants steady him by holding his hands. In the case of the smaller children, the priest considerately steps on their thighs, to avoid throwing their internal apparatus out of gear; but if the recipient of his holy attentions is, in his estimation, strong enough to run the risk, he steps square on their backs, The little things jump up as sprightly as may be, kiss the priest's hand fervently, and go trooping out of the door, apparently well pleased with the novel performance. Finally human nature can endure it no longer, and the performance terminates in a long, despairing wail of "Allah. Allah. Allah!" The exhausted devotees, soaked wet with perspiration, step forward, and receive what I take to be rather an inadequate reward for what they have been subjecting themselves to - viz., the privilege of kissing the priest's already much-kissed hand, and at 5.45 P.M. the performance is over. I take my departure in time to catch the six o'clock boat for Galata, well satisfied with the finest show I ever saw for a cherik. I have already made mention of there being many beautiful sea-side places to which Constantinopolitans resort on Sundays and holidays, and among them all there is no lovelier spot than the island of Prinkipo, one of the Prince's Islands group, situated some twelve miles from Constantinople, down the Gulf of Ismidt. Shelton Bey (Colonel Shelton), an English gentleman, who superintends the Sultan's cannon-foundry at Tophana, and the well-known author of Shelton's " Mechanic's Guide," owns the finest steam-yacht on the Bosphorus, and three Sundays out of the five I remain here, this gentleman and his excellent lady kindly invite me to visit Prinkipo with them for the day.