Anxious moments these; the spirit of wanton mischief fairly bristles through the crowd, evidently needing but the merest friction to set it ablaze and render my situation desperate. My coat-tail is jerked, the bicycle stopped, my helmet knocked off, and other trifling indignities offered; but to these acts I take no exceptions, merely placing my helmet on again when it is knocked off, and maintaining a calm serenity of face and demeanor.

A dozen times during this trying trundle of a mile along the chief business thoroughfare of Kan-tchou-foo, the swelling whoops and yells of "Fankwae" seem to portend the immediate bursting of the anticipated storm, and a dozen times I breathe easier at the subsidence of its volume. The while I am still hoping faintly for a repetition in part of my delightful surprise at Chao-choo-foo, we arrive at a gate leading out on to a broad paved quay of the Kan-kiang, which flows close by the walls.

Here I first realize the presence of Imperial troops, and awaken to the probability that I am indebted to their known proximity for the self-restraint of the mob, and their comparatively mild behavior. These Celestial warriors would make excellent characters on the spectacular stage; their uniforms are such marvels of color and pattern that it is difficult to disassociate them from things theatrical. Some are uniformed in sky blue, and others in the gayest of scarlet gowns, blue aprons with little green pockets, and blue turbans or Tartar hats with red tassels. Their gowns and aprons are patterned so as to spread out to a ridiculous width at bottom, imparting to the gay warrior an appearance not unlike an opened fan, his head constituting the handle.

As a matter of fact, the soldiers of the Imperial army are the biggest dandies in the country; when on the march coolies are provided to carry their muskets and accoutrements. As seen today, beneath the walls of Kan-tchou-foo, they impress me far more favorably as dandies than as soldiers equal to the demand of modern warfare.

Like soldiers the whole world round, however, they seem to be a good-natured, superior class of men; no sooner does my presence become known than several of them interest themselves in checking the aggressive crowding of the people about me. Some of them even accompany me down to the ferry and order the ancient ferryman to take me across for nothing. This worthy individual, however, enters such a wordy protestation against this that I hand him a whole handful of the picayunish tsin. The soldiers make him give me back the over-payment, to the last tsin. The sordid money-making methods of the commercial world seem to be regarded with more or less contempt by the gallant sons of Mars everywhere, not excepting even the soldiers of the Chinese army.

The scene presented by the city and the camp from across the river is of a most pronounced mediaeval character, as well as one of the prettiest sights imaginable. The grim walla of the city extend for nearly a mile along the undulating bank of the Kan-kiang, with a narrow strip of greensward between the solid gray battlements and the blue, wind-rippled waters of the river. Along the whole distance, rising and falling with the undulations of the bank, are ranged a continuous row of gayly fluttering banners-red, purple, blue, green, yellow, and all these colors combined in others that are striped as prettily as the prettiest of barber-poles-probably not less than five hundred flags. These multitudinous banners flutter from long, spear-headed bamboo-staves, and of themselves present a wonderfully pretty effect in combination with the blue waters, the verdant bank, and the gray walls. But in addition to these are thousands of soldiers, equally gaudy as to raiment, reclining irregularly along the same greensward, each warrior a bright bit of coloring on the verdant groundwork of the bank.

Over variable paths and through numerous villages and hamlets my way now leads, my next objective point being Ki-ngan-foo. At first a country of curious red buttes, terraced rice-fields, and reservoirs of mountain-drift water, serving the double purpose of fish-ponds and irrigating reservoirs, it develops later into a more mountainous region, where the bicycle quickly degenerates into a thing more ornamental than useful.

On a narrow mountain-trail is met a gentleman astride of a chunky twelve-hand pony. This diminutive steed is almost concealed beneath a wealth of gay trappings, to which are attached hundreds of jingling bells that fill the air with music as he walks or jogs along. In his fright at the bicycle, or me, he charges wildly up the steep mountain-slope, unseating his rider and making for the mountain-top like the all-possessed. His rider takes the sensible course of immediately pursuing the pony, instead of wasting time in unprofitable fault-finding with me.

Few people of these obscure mountain-hamlets have ever seen a Fankwae; many, doubtless, have never even heard of the existence of such queer beings. They gather in a crowd about me when I stay to seek refreshments; the general query of "What is he? what is he?" passed from one to another, sometimes elicits the laconically expressed information of" Fankwae" from some knowing villager or traveller passing through, but often their question remains unanswered, because among the whole assembly there is nobody who really knows what I am.

The wonderful industry of these people is more apparent in this mountain-country than anywhere else. The valleys are very narrow, often little more than mere ravines between the mountains, and wherever a square yard of productive soil is to be found it is cultivated to its utmost capacity. In places the mountain-ravines are terraced, to their very topmost limits, tier after tier of substantial rock wall banking up a few square yards of soil that have been gathered with infinite labor and patience from the ledges and crevices of the rocky hills. The uppermost terrace is usually a pond of water, gathered by the artificial drainage of still higher levels, and reserved for the irrigation of the score or more descending "steps" of the rice-growing stairway beneath it.