I do not think it is necessary to spend much time or ink in endeavouring to prove that the author of these three poems must have been also the writer of the other poems contained in this volume. Unless it be contended that no conclusion as to authorship can be drawn from similarity of style, sentiment, and peculiarities of expression, I do not see how it is possible for any one who carefully considers the matter to entertain a reasonable doubt about it. Not even the hypothesis of imitation by one author of the style of another can here be entertained—for no man can imitate what is not known to him.
Every poet has his special topics, his favourite terms of expression, his peculiar vocabulary, and even his pet rhymes, which are bound to appear often in his verse. I think it may be truly said that there is nothing in the three poems taken from "A Serious and Patheticall Contemplation of the Mercies of God" which cannot be paralleled in the other poems contained in this volume. All are characterised by the same fervent piety, the same command of expression and musical diction, the same dwelling upon the ideas that though God is necessary to man, yet man also is necessary to God, and that the body (instead of being, according to the ordinary theological belief, a corpus vile of corruption) is "a spring of Joy" crowned with glory; and the same continual allusions to the great natural phenomena. When to these resemblances we add the many small coincidences of words and phrases which are always recurring in the poems, the evidence of common authorship becomes too strong to be resisted.
Perhaps it may be worth while to quote a few instances of these resemblances out of the many which might be given. In the second stanza of "The Person" we have
Men's hands than angels' wings
Are truer wealth even here below.
In "Life's Blessedness" we have
So greatly high our human bodies are
That Angels scarcely may with them compare.
In the fifth stanza of "The Estate" we have
The laws of God, the Works he did create,