Cleek: the Man of the Forty Faces

by Thomas W. Hanshew

Narkom screwed round on his heel, looked at the Belgian, and lost faith in Miss Morrison's powers of discrimination instantly. On the dressing-table stood Carboys' picture—heavy-jowled, sleepy-eyed, dull-looking—and on the threshold stood a man with the kindest eyes, the sweetest smile, and the handsomest and most sympathetic countenance he had seen in many a day. If the eyes are the mirror of the soul, if the face is the index of the character, then here was a man weak as water, as easily led as any lamb, and as guileless.

"You are just the man I want to see, Mr. Van Nant," said Cleek, after the first formalities were over, and assuming, as he always did at such times, the heavy, befogged expression of incompetence. "I confess this bewildering affair altogether perplexes me; but you, I understand, were Mr. Carboys' close friend and associate, and as I can find nothing in the nature of a clue here, I should like, with your permission, to look over his home quarters and see if I can find anything there."

If he had looked for any sign of reluctance or of embarrassment upon Van Nant's part when such a request should be made, he was wholly disappointed, for the man, almost on the point of tears, seized his hand, pressed it warmly, and said in a voice of eager entreaty: "Oh, do, Mr. Headland, do. Search anywhere, do anything that will serve to find my friend and to clear up this dreadful affair. I can't sleep for thinking of it; I can't get a moment's peace night or day. You didn't know him or you would understand how I am tortured—how I miss him. The best friend, the dearest and the lightest-hearted fellow that ever lived. If I had anything left in this world, I'd give it all—all, Mr. Headland, to clear up the mystery of this thing and to get him back. One man could do that, I believe, could and would if I had the money to offer him."

"Indeed? And who may he be, Mr. Van Nant?"

"The great, the amazing, the undeceivable man, Cleek. He'd get at the truth of it. Nothing could baffle and bewilder him. But—oh, well, it's the old, old tale of the power of money. He wouldn't take the case—a high-and-mighty 'top-notcher' like that—unless the reward was a tempting one, I'm sure."

"No, I'm afraid he wouldn't," agreed Cleek, with the utmost composure. "So you must leave him out of your calculations altogether, Mr. Van Nant. And now, if you don't mind accompanying us and showing the chauffeur the way, perhaps Mr. Narkom will take us over to your house in his motor."

"Mind? No, certainly I don't mind. Anything in the world to get at a clue to this thing, Mr. Headland, anything. Do let us go at once."

Cleek led the way from the room. Halfway down the stairs, however, he excused himself on the plea of having forgotten his magnifying glass, and ran back to get it. Two minutes later he rejoined them in the little drawing-room, where the growling Captain was still demanding the whole time and attention of his daughter, and, the motor being ready, the three men walked out, got into it, and were whisked away to the house which once had been the home of the vanished George Carboys.

It proved to be a small, isolated brick house in very bad condition, standing in an out-of-the-way road somewhere between Putney and Wimbledon. It stood somewhat back from the road, in the midst of a little patch of ground abounding in privet and laurel bushes, and it was evident that its cheapness had been its chief attraction to the two men who had rented it, although, on entering, it was found to possess at the back a sort of extension, with top and side lights, which must have appealed to Van Nant's need of something in the nature of a studio. At all events, he had converted it into a very respectable apology for one; and Cleek was not a little surprised by what it contained.

Rich stuffs, bits of tapestry, Persian draperies, Arabian prayer-mats—relics of his other and better days and of his Oriental wanderings—hung on the walls and ornamented the floor; his rejected pictures and his unsold statues, many of them life-sized and all of clay, coated with a lustreless paint to make them look like marble, were disposed about the place with an eye to artistic effect, and near to an angle, where stood (on a pedestal, half concealed, half revealed by artistically arranged draperies) the life-size figure of a Roman senator, in toga and sandals, there was the one untidy spot, the one utterly inartistic thing the room contained.