"Drive to Clarges Street! I must see Cleek! Full speed now! Don't let the devil himself stop you!" he cried; and in a moment they were bounding away townward at a fifty-mile clip that ate up the distance like a cat lapping cream.
CHAPTER THREE
THE SHADOW THAT LAY BEHIND
It had but just gone midnight when the car slowed down before the house in Clarges Street. Here in company with his faithful henchman, Dollops, and attended upon by an elderly housekeeper and a deaf-and-dumb maid of all work, there dwelt—under the name and guise of "Captain Horatio Burbage," a superannuated seaman—that strange and original genius who chose to call himself "Hamilton Cleek," but who was known to the police of two continents by the sobriquet of "The Man of the Forty Faces."
In the merest fraction of a minute Narkom was out of the limousine, had crossed the narrow pavement, mounted the three shallow steps, and was standing in the shadow of a pillared porch, punching a signal on the button of an electric bell. In all he could not have been kept waiting more than a minute, but it seemed forty times that length when he at last heard a bolt slip, and saw, in the gap of the open door, the figure of a slim, red-headed youth arrayed in a bed quilt, a suit of pink flannelette pajamas, and a pair of white canvas tennis shoes.
"Come in, sir, come in quick!" this young man whispered, in the broadest of Cockney accents, as he opened the door just wide enough for Narkom to sidle into the semi-dark passage.
"Where's your master, Dollops?" put in the superintendent. "Speak up! Is he in? I've got to see him at once!"
The voice which answered came, not from Dollops, but from the dark top of the dim staircase.
"Come up, Mr. Narkom," it said. "I thought that young beggar had gone to bed ages ago and was just coming down myself to let you in. Come along up. You know the way."