And from the effort to carry out the impression of extreme giddiness a curious thing came:

Clapping his hand to his head, and wheeling staggeringly round to make his way to the door, he had the good or ill fortune to blunder against a little table, upon which stood what was undoubtedly an earthenware tobacco jar, and to send it crashing to the ground. Instantly and out of it there rolled, on top of the quantity of spilled tobacco which had originally been used to cover it, a little silver box, which flew open as it fell and disgorged a photograph, a couple of letters in a woman's hand, and a fragment of pink gauze.

Cleek had just stooped to pick these things up and to lay them back upon the table, when a yet more curious thing happened.

"I say! You let those things alone!" snapped young Raynor excitedly; and springing forward, whisked them out of his hand. But not before Cleek had made a rather startling discovery: the letters were written in a woman's hand—a hand he recognized the instant he saw it—and the picture which accompanied them was a photograph of Margot. He had no longer a desire to hurry downstairs.

The rudeness of his act and of his manner of speaking seemed to dawn upon young Raynor almost as he snatched the photograph and letters, and he hastened to apologize.

"I say, don't think me stable-bred, Barch," he said, a flush of mortification reddening his face. "Didn't mean to rip out at you like that, b'gad! Fact is, I was a bit excited; forgot for a moment that you're a pal. So don't get your back up, please."

"I haven't the slightest intention of doing so, dear chap," replied Cleek, who, it must be confessed, was a little shaken by the discovery. "Every man has a right to cut up a bit rough when he thinks some other fellow is going to pry into his secrets. And I reckon this is one of your pet mashes—eh, what?"

"Yes, something like that. The latest—and a ripper. French, you know. That's what rattled me for the moment. The dad loathes French women. I'm extra careful to keep this one's picture out of sight. I say! Don't know what you'll think about my manners, but I forgot all about your asking to go down and get out into the air. Sorry, old chap! Come along! Take my arm, and I'll help you."

As the breaking of the tobacco jar had deprived Raynor of again making use of that as a means of hiding the little silver box and its contents, he had, while speaking, crammed the letters, the photograph, and the scrap of pink gauze into an inside pocket of his coat, and now came forward and took Cleek's arm with the amiable intention of leading him from the room.

There was, of course, in the circumstances nothing for it but to go, much as Cleek would have preferred to stop and trace the connection between young Raynor and Margot; but he was far too careful in his methods to cast any doubt regarding the genuineness of that sudden attack of a moment before by pretending that it had begun to abate, and therefore yielded himself to the inevitable.