"Ah, didn't I? Nobody knew of my affair with Katie outside of my father, and my father has a typewriter ready to hand, and typewriters don't betray anybody's 'fist.' I went to the lodgekeeper. No messenger had passed him to-day. I went to Hawkins and Hamer. No messenger had brought any letter that they knew of to the house. I couldn't ask Johnston, because this is his evening off; but no doubt that when I do ask him he'll say the same. Well, now, you put all those things together, Barch, and see for yourself what they make. As nobody but my father knew anything about the girl, and nobody gave him a letter, and he has a typewriter ready to hand, why there you are. He wrote the letter, that's what. And if he wrote it to get me away and keep me away until late at night, why he's got a devilish good reason for it; and if he has got a reason for doing things at night that he doesn't want other people to know about and doesn't want his own son to discover, then he's playing a double game. And last, when a man sets himself up for a howling saint in the virtue line and yet plays a double game, why he's a rotter and a hypocrite, whether he's my father or not, and I'm not going to stand it." He nodded with drunken solemnity. "I'm going to have it out with him to-night, you'll see. Come with me if you like——"
"Not I, old man, I've promised to join the ladies, see you later, eh?" said Cleek, and with a look of unseen contempt at the drink-sodden figure, he turned abruptly and left the youth to continue his potations at his own sweet will.
CHAPTER TWENTY-ONE
WHEN TWO AND TWO MAKE FOUR
It would not be overstating the case if one were to say that Cleek's mind was absolutely in a whirl when he closed the door of the dining-room behind him and stood alone in the brilliantly lighted hall; for, added to the loathing contempt he felt for the young reprobate he had just left, there was the knowledge that this new and unexpected development threatened to destroy the whole fabric of his theories in almost every particular.
Not for one moment, heretofore, had he looked upon young Raynor as other than a shallow, empty-headed wastrel; a mere cuckoo hatched in an eagle's nest; a thing to be scorned, not dreaded; a mere mischievous atom that hadn't the courage to be a bird of prey, nor blood enough in its veins to be dangerous. Now, however—— God! what a riddle life is! You never know!
The door that led out into the grounds of the Grange was but a rope's cast distant. He felt that he couldn't trust himself to go in and face the ladies just yet a while; that he must think over this new and staggering turn which events had taken: think over it for a time in the hush and darkness of the outer world; and, turning on his heel, went swiftly to the door and let himself out.
By this time the night had closed in, the moon had risen, and the gardens were simply a shadowy place of dark and fragrant mystery, with here and there a silver arabesque on the earth where the moonlight shafted through the boughs of trees, and here and there a streak of yellower radiance where the windows of the house threw man-made light across the lawn and against the massed green of crowded leaves. Cleek took to the grass that his footsteps might not be heard, and there, in the darkest shadow of all the darkened land, walked up and down, up and down, with his lower lip pinched up between his thumb and forefinger, his brows knotted, and the elbow of one arm in the hand of the other: a quiet, slow-moving figure, as silent as the other soundless shades that were about it.
So that was how the cat jumped, was it? Directing suspicion—not openly, not with any positive hint of what, but with deadly seriousness, considering that last night a man had been mysteriously murdered and the police were out for the assassin—directing suspicion against his own father, and at such an appallingly significant time.