During his last illness he went out of his bed-chamber into the next room to hear it; seemed well pleased with the sound, blessed God who had favored him in life to hear it, and observed at the same time that it was his "own passing-bell." He then retired to his chamber, and never left it again till he was carried to his grave.

That bell still sounds from the tower. The same decorations present themselves, and by these the good bishop yet speaketh. Unfortunate are the visitors who, amid scenes and sounds like these, having eyes, see not, and having ears, do not hear.

The war history of one cathedral is the history of all, for each was desecrated, and each has had some Bishop Hackett; though not every restorer was as capable as he in purse and brain. Restorations were everywhere begun, and in many instances the new work exceeded the old; but superstition and ignorance were common even among the high clergy, and oppression accompanied their daily life, as it did that of our New England ancestry.

At 10.20 a. m. of Thursday, May 30, we left for that peculiarly named town, Stoke-upon-Trent.


CHAPTER XI.

STOKE-UPON-TRENT—STAFFORDSHIRE—MANCHESTER—LEEDS—CARLISLE.

We arrived at Stoke-upon-Trent at noon. Our valises deposited at the coat-room of the station, we sallied out for a restaurant dinner and a visit to the pottery of the Mintons. There are many places of crockery manufacture here, all having a dingy look; most of them are of brick or stone, and two or three stories high. The buildings are not large, but each establishment has several, with chimneys forty to sixty feet high, tapering largely as they rise. The greatest facilities are furnished for visiting the works. We greatly enjoyed our visit, and theoretically know just how it is done; yet we couldn't excel practically the youngest apprentice. It is hardly in order to give lessons, but some information may be worth a passing word.

The clay is uncommon and found in but few places. It has also to be peculiarly prepared. When ready to be moulded it looks very much like putty or wheaten dough. The dish is made in the usual manner, on the potter's wheel, or on a mould. It is partially dried and then baked in a great oven, from which it comes out white as chalk. If it is to be white and undecorated, it is then dipped into a tank of liquid sizing, in appearance like dirty milk. It drips off, and is then put again into an oven and subjected to intense heat. The sizing melts or vitrifies, and turns into glazing. The oven cools off slowly, and the ware is taken out glossy and ready for sale.