NEAR THE PLAZA.
[CHAPTER XI.]
LOST ARTS IN MEXICO.—GOLDSMITHS' WORK IN THE TIME OF CORTEZ.—SILVER FILIGREE.—MODELLING IN WAX AND CLAY.—NATIVE TASTE FOR MUSIC.—NATIONAL CONSERVATORY OF MUSIC.—MUSEUM OF ANTIQUITIES.—THE SACRIFICIAL STONE.—SACRIFICES AMONG THE ANCIENT MEXICANS.—GLADIATORIAL STONE.—A BRAVE SOLDIER.—OBSIDIAN KNIVES AND RAZORS.—AZTEC METALLURGY.—STATUE OF THE GOD OF WAR.—SHIELD AND CLOAK OF MONTEZUMA.—AZTEC WARFARE AND DOMESTIC LIFE.—RELICS OF HIDALGO AND MAXIMILIAN.—MAX'S STATE COACH.—NATIONAL PALACE.—HALL OF THE AMBASSADORS.—MEXICAN PAINTINGS.—THE MONTE DE PIEDAD.—AN EXTENSIVE PAWN-SHOP.—LOCKING UP MEN AS SECURITY.—FORMALITIES OF THE SALESROOM.
Fine as is the artistic taste of the Indians of Mexico to-day, it is far behind that of the people whom Cortez found there. According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details. All this art seems to be lost, with the exception of the working of silver filigree, which still holds high rank. Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.
