UNFINISHED PILLARS.
"The causeway was paved with blocks of sandstone, and the edifice throughout is of the same material. All the stone for the work was brought from a quarry thirty miles away, and the transportation alone was an enormous affair. The blocks were brought in a rough state, and were not finished until they had been put in the positions where they were to remain. The temple was never completely finished, as there are several columns that remain just as they came from the quarry, and a careful observer can indicate the exact spot where the workman turned away from his labor. It is supposed that the stone was brought on boats in a canal, as there is no road that could have served for purposes of transit.
COLUMNS IN THE TEMPLE.
"It is impossible to describe in detail all the halls, and corridors, and sculptured walls of this wonderful temple. There are several halls composed of rows of solid columns, like the great hall of the temple at Thebes. I remember standing astonished at Thebes as I looked at the great hall, with its one hundred and thirty-four columns, and learned that, originally, the temple contained nearly three hundred columns of different sizes. In the Cambodian temple of Nagkon Wat, one thousand five hundred and thirty two solid columns have been counted; and it is estimated that there are not less than six thousand columns in the entire mass of ruins in and around the temple. Most of these columns are made from single blocks of stone, and all of them are beautifully carved, just as the Egyptian ones are beautifully painted.
SCULPTURES ON THE WALLS OF WAGKON WAT.
"It would not be at all difficult for a stranger to lose his way in Nagkon Wat, and wander for hours, unable to find an exit. He might spend days and days in the study of the beautiful sculptures that adorn the place; and when I tell you that the walls are covered with sculptures from one end of the temple to the other, and you remember the enormous size of the building, you can understand what a gigantic picture-gallery it is. The scenes represented are mostly from the Hindoo mythology; they illustrate battles and triumphal processions, sacrifices and festivals, and also the contests of some of the Hindoo deities with each other, and with mortals. There is one gallery alone that has half a mile of pictures cut in stone, and it is estimated that at least one hundred thousand human figures are engraved there. Here is a picture of some of them, and you may judge by it of the general excellence of the work throughout."