"There are some manufactures in the Cambodian capital," their informant continued, "but they are not numerous. The people are famous for their manufactures of silk, which is an important article of export, both in its raw and in its finished state. They are skilful workers of gold and silver, and I could show you some exquisite specimens of their production. Wait a moment and I will bring one."
SPECIMEN OF CAMBODIAN GOLD-WORK.
He went to his room, which was situated just off the veranda, and returned in a few moments with a small box resembling a flattened orange, or, more properly, a melon. The boys took it to the light, and examined it with care.
The gold, as well as the workmanship, was Cambodian; some of it was the natural color of the metal, and other parts were stained to various degrees of redness. On the top there was a cluster of leaves, and the end of the stem contained a topaz, which had been purposely left unfinished.
The leaves were in fine filigree, and some of the wires were so delicate that they resembled golden hairs. The whole surface of the box was covered with flowers and leaves in the most tasteful designs; and both the boys were of opinion that the jewellers of New York would not find it easy to imitate this production of the Asiatic barbarians.
"The king has a fine collection of these things," the gentleman continued, "and he generally gives one of them to any stranger of importance who visits him. It is lucky for his treasury that it is not easy to go to Panompin, as otherwise he might find these presents a serious expense.