Augustus is inseparably associated with the history of Saxony, and the antecedents of Dresden. He succeeded his father, John George III., as Elector of Saxony, though not until after his elder brother’s death, in 1694, and was elected to the throne of Poland, made vacant, two years later, by the decease of John Sobieski. The Polish nobles were unwilling to be ruled over by anybody but a Roman Catholic, and Augustus, whose theology was of a very accommodating quality, abandoned Protestantism for the sake of the crown.
Between his wars, his intrigues, and his parades, his sixty-three years of life were superlatively busy. He was highly educated for his time, and so much interested in art that he began the collection of pictures in the Dresden Gallery, and purchased many of the valuable curiosities now in the Green Vaults. His reign was marked by luxury and splendor, and his court was the constant resort of artists, alchemists, and adventurers of both sexes, on whom he lavished countless favors. The celebrated Countess of Königsmark was one of his many mistresses, and bore him a son, who subsequently figured so prominently in French history as Maurice, Count de Saxe.
ROMANTIC STORIES OF A KING.
Augustus was such a prodigal that he loaded Saxony with debt, and inspired the magnates of Poland to imitate his improvident example in Warsaw. Elegant, accomplished, daring, and unscrupulous, he made war on men and love to women to the end of his days. If all the accounts be true, he was as charming as Apollo and as strong as Hercules. The archives of Dresden attest his wonderful muscle to such a degree that Samson would have been no match for him. One of his pastimes was to become enamoured of some distinguished lady he had never seen; go in search of her; throw her husband, father, or brother, just as it happened, over high walls, and then carry her off in his arms as if she had been a feather weight.
These tales are interesting, but there are too many of them to be credible. I cannot tell how large the Saxon or Polish women were a century and a half ago, but I will lay a large wager that Augustus could not carry very far many of them I have seen recently. If he had the taste ascribed to him, I am sure he would not make the attempt, unless it should happen to be in the night, when darkness reduces beauties and beldames to the same level.
ROYAL PASTIMES.
Persons going to Dresden, or indeed to any part of Saxony, will spare themselves questions by presuming that Augustus has done nearly everything worth doing in the entire kingdom. He is to Saxony what St. Patrick is to the south of Ireland, King David to Scotland, or Charles V. to Belgium.
The eighth and last apartment entirely eclipses all the others in the richness and magnificence of its contents. One of the wonders of this cabinet, called the Court of the Great Mogul, was made by Dinglinger, an artist justly considered the Benvenuto Cellini of Saxony. The Court represents the Emperor Aurengzebe on his throne, surrounded by courtiers and soldiers,—about one hundred and forty figures,—in pure gold enamelled, attired in costumes appropriate to the country and the time. Each figure has its individual expression and character, as will be perceived by close observation.
This marvellous toy, which is really a work of the highest art, employed Dinglinger (he was the court jeweller during the early part of the eighteenth century) for nearly ten years, and cost one hundred thousand dollars. Another carving of a similar character portrays different artisans with a fineness and finish which no one would expect, considering its diminutive proportions. There are also other specimens of his exceeding skill that fully entitle him to the fame he has achieved.
A specimen of uncut Peruvian emeralds, bestowed by the Emperor Charles V. on the Elector of Saxony, is one of the finest in the world, and a mass of solid native silver from the Himmelfüst mine of Freiberg so well illustrates its richness as to enable me to believe that in fifty years nearly twenty-two hundred tons of silver were obtained from that single mine.