CHARLES ELIOT NORTON

It is a tradition in the city of Cambridge, Massachusetts, that Howells used to exult, on arriving from his Western birthplace, in having at length met for the first time, in Charles Eliot Norton, the only man he had ever seen who had been cultivated up to the highest point of which he was capable. To this the verdict of all Cambridge readily assented. What the neighbors could not at that time foresee was that the man thus praised would ever live to be an octogenarian, or that in doing so he would share those attractions of constantly increasing mildness and courtesy which are so often justly claimed for advancing years. There was in him, at an earlier period, a certain amount of visible self-will, and a certain impatience with those who dissented from him,—he would not have been his father’s son had it been otherwise. But these qualities diminished, and he grew serener and more patient with others as the years went on. Happy is he who has lived long enough to say with Goethe, “It is only necessary to grow old to become more indulgent. I see no fault committed which I have not committed myself.” This milder and more genial spirit increased constantly as Norton grew older, until it served at last only to make his high-bred nature more attractive.

He was born in Cambridge, November 16, 1827, and died in the very house where he was born, October 21, 1908. He was descended, like several other New England authors, from a line of Puritan clergymen. He was the son of Professor Andrews Norton, of Harvard University, who was descended from the Rev. John Norton, born in Ipswich, Massachusetts, in 1651. The mother of the latter was the daughter of Emanuel Downing, and the niece of Governor John Winthrop. Mrs. Bradstreet, the well-known Puritan poetess, was also an ancestress of Charles Norton. His mother, Mrs. Caroline (Eliot) Norton, had also her ancestry among the most cultivated families in New England, the name of Eliot having been prominent for successive generations in connection with Harvard College. His parents had a large and beautiful estate in Cambridge, and were (if my memory serves me right) the one family in Cambridge that kept a carriage,—a fact the more impressed upon remembrance because it bore the initials “A. & C. N.” upon the panels, the only instance I have ever seen in which the two joint proprietorships were thus expressed. This, and the fact that I learned by heart in childhood Wordsworth’s poem, “The White Doe of Rylstone, or The Fate of the Nortons,” imparted to my youthful mind a slight feeling of romance about the Cambridge household of that name, which was not impaired by the fact that our parents on both sides were intimate friends, that we lived in the same street (now called Kirkland Street), and that I went to dancing-school at the Norton house. It is perhaps humiliating to add that I disgraced myself on the very first day by cutting off little Charlie’s front hair as a preliminary to the dancing lesson.

The elder Professor Norton was one of the most marked characters in Cambridge, and, although never a clergyman, was professor in the Theological School. It was said of him by George Ripley, with whom he had a bitter contest, that “He often expressed rash and hasty judgments in regard to the labors of recent or contemporary scholars, consulting his prejudices, as it would seem, rather than competent authority. But in his own immediate department of sacred learning he is entitled to the praise of sobriety of thought and profoundness of investigation” (Frothingham’s “Ripley,” 105). He was also a man of unusual literary tastes, and his “Select Journal of Foreign Periodical Literature,” although too early discontinued, took distinctly the lead of all American literary journals up to that time.

The very beginning of Charles Norton’s career would seem at first sight singularly in contrast with his later pursuits, and yet doubtless had formed, in some respects, an excellent preparation for them. Graduating at Harvard in 1846, and taking a fair rank at graduation, he was soon after sent into a Boston counting-house to gain a knowledge of the East India trade. In 1849 he went as supercargo on a merchant ship bound for India, in which country he traveled extensively, and returned home through Europe in 1851. There are few more interesting studies in the development of literary individuality than are to be found in the successive works bearing Norton’s name, as one looks through the list of them in the Harvard Library. The youth who entered upon literature anonymously, at the age of twenty-five, as a compiler of hymns under the title of “Five Christmas Hymns” in 1852, and followed this by “A Book of Hymns for Young Persons” in 1854, did not even flinch from printing the tragically Calvinistic verse which closes Addison’s famous hymn, beginning “The Lord my pasture shall prepare,” with a conclusion so formidable as death’s “gloomy horrors” and “dreadful shade.” In 1855 he edited, with Dr. Ezra Abbot, his father’s translations of the Gospels with notes (2 vols.), and his “Evidences of the Genuineness of the Gospels” (3 vols.). Charles Norton made further visits to Europe in 1855-57, and again resided there from 1868 until 1873; during which time his rapidly expanding literary acquaintanceships quite weaned his mind from the early atmosphere of theology.

Although one of the writers in the very first number of the “Atlantic Monthly,” he had no direct part in its planning. He wrote to me (January 9, 1899), “I am sorry that I can tell you nothing about the primordia of the ‘Atlantic.’ I was in Europe in 1856-57, whence I brought home some MSS. for the new magazine.” It appears from his later statement in the Anniversary Number that he had put all these manuscripts by English authors in a trunk together, but that this trunk and all the manuscripts were lost, except one accidentally left unpacked, which was a prose paper by James Hannay on Douglas Jerrold, “who is hardly,” as Norton justly says, “to be reckoned among the immortals.” Hannay is yet more thoroughly forgotten. But this inadequate service in respect to foreign material was soon more than balanced, as one sees on tracing the list of papers catalogued under Norton’s name in the Atlantic Index.

To appreciate the great variety and thorough preliminary preparation of Norton’s mind, a student must take one of the early volumes of the “Atlantic Monthly” and see how largely he was relied upon for literary notices. If we examine, for instance, the fifth volume (1860), we find in the first number a paper on Clough’s “Plutarch’s Lives,” comprising ten pages of small print in double columns. There then follow in the same volume papers on Hodson’s “Twelve Years of a Soldier’s Life in India,” on “Friends in Council,” on Brooks’s “Sermons,” on Trollope’s “West Indies and the Spanish Main,” on “Captain John Brown,” on Vernon’s “Dante,” and one on “Model Lodging-Houses in Boston.” When we remember that his “Notes of Travel and Study in Italy” was also published in Boston that same year, being reviewed by some one in a notice of two pages in this same volume of the “Atlantic,” we may well ask who ever did more of genuine literary work in the same amount of time. This was, of course, before he became Professor in the college (1874), and his preoccupation in that way, together with his continuous labor on his translations of Dante, explains why there are comparatively few entries under his name in Atlantic Indexes for later years. Again, he and Lowell took charge of the “North American Review” in 1864, and retained it until 1868, during which period Norton unquestionably worked quite as hard as before, if we may judge by the collective index to that periodical.

It is to be noticed, however, that his papers in the “North American” are not merely graver and more prolonged, but less terse and highly finished, than those in the “Atlantic”; while in the development of his mind they show even greater freedom of statement. He fearlessly lays down, for instance, the following assertion, a very bold one for that period: “So far as the most intelligent portion of society at the present day is concerned, the Church in its actual constitution is an anachronism. Much of the deepest and most religious life is led outside its wall, and there is a constant and steady increase in those who not only find the claims of the Church inconsistent with spiritual liberty, but also find its services ill adapted to their wants.... It becomes more and more a simple assemblage of persons gathered to go through with certain formal ceremonies, the chief of which consists in listening to a man who is seldom competent to teach.” It must be remembered that the expression of such opinions to-day, when all his charges against the actual Church may be found similarly stated by bishops and doctors of divinity, must have produced a very different impression when made forty years ago by a man of forty or thereabouts, who occupied twenty pages in saying it, and rested in closing upon the calm basis, “The true worship of God consists in the service of his children and devotion to the common interests of men.” It may be that he who wrote these words never held a regular pew in any church or identified himself, on the other hand, with any public heretical organization, even one so moderate as the Free Religious Association. Yet the fact that he devoted his Sunday afternoons for many years to talking and Scripture reading in a Hospital for Incurables conducted by Roman Catholics perhaps showed that it was safer to leave such a man to go on his own course and reach the kingdom of heaven in his own way.

Norton never wrote about himself, if it could be avoided, unless his recollections of early years, as read before the Cambridge Historical Society, and reported in the second number of its proceedings, may be regarded as an exception. Something nearest to this in literary self-revelation is to be found, perhaps, in his work entitled “Letters of John Ruskin,” published in 1904, and going back to his first invitation from the elder Ruskin in 1855. This was on Norton’s first direct trip to Europe, followed by a correspondence in which Ruskin writes to him, February 25, 1861, “You have also done me no little good,” and other phrases which show how this American, nine years younger than himself, had already begun to influence that wayward mind. Their correspondence was suspended, to be sure, by their difference of attitude on the American Civil War; but it is pleasant to find that after ten months of silence Ruskin wrote to Norton again, if bitterly. Later still, we find successive letters addressed to Norton—now in England again—in this loving gradation, “Dear Norton,” “My dearest Norton,” “My dear Charles,” and “My dearest Charles,” and thenceforth the contest is won. Not all completed, however, for in the last years of life Ruskin addressed “Darling Charles,” and the last words of his own writing traced in pencil “From your loving J. R.”

I have related especially this one touching tale of friendship, because it was the climax of them all, and the best illustration of the essential Americanism of Norton’s career.