Nor do I think he had any right to expect it. He had made his choice, and had reason to be satisfied. The very first essential for literary success is to decide what success means. If a young girl pines after the success of Marion Harland and Mrs. Southworth, let her seek it. It is possible that she may obtain it, or surpass it; and, though she might do better, she might do far worse. It is, at any rate, a laudable aim to be popular: popularity may be a very creditable thing, unless you pay too high a price for it. It is a pleasant thing, and has many contingent advantages,—balanced by this great danger, that one is apt to mistake it for success.
“Learning hath made the most,” said old Fuller, “by those books on which the booksellers have lost.” If this be true of learning, it is quite as true of genius and originality. A book may be immediately popular and also immortal, but the chances are the other way. It is more often the case, that a great writer gradually creates the taste by which he is enjoyed. Wordsworth in the last generation and Emerson in the present have been striking instances of this; and authors of far less fame have yet the same choice which they had. You can take the standard which the book-market offers, and train yourself for that. This will, in the present age, be sure to educate certain qualities in you,—directness, vividness, animation, dash,—even if it leaves other qualities untrained. Or you can make a standard of your own, and aim at that, taking your chance of seeing the public agree with you. Very likely you may fail; perhaps you may be wrong in your fancy, after all, and the public may be right: if you fail, you may find it hard to bear; but, on the other hand, you may have the inward “glory and joy” which nothing but fidelity to an ideal standard can give. All this applies to all forms of work, but it applies conspicuously to literature.
Instead, therefore, of offering to young writers the usual comforting assurance, that, if they produce any thing of real merit, it will be sure to succeed, I should caution them first to make their own definition of success, and then act accordingly. Hawthorne succeeded in his way, and Mr. M. T. Walworth in his way; and each of these would have been very unreasonable if he had expected to succeed in both ways. There is always an opening for careful and conscientious literary work; and, by such work, many persons obtain a modest support. There are also some great prizes to be won; but these are commonly, though not always, won by work of a more temporary and sensational kind. Make your choice; and, when you have got precisely what you asked for, do not complain because you have missed what you would not take.
LXIX.
“THE CAREER OF LETTERS.”
A young girl of some talent once told me that she had devoted herself to “the career of letters.” I found, on inquiry, that she had obtained a situation as writer of “society” gossip for a New York newspaper. I can hardly imagine any life that leads more directly away from any really literary career, or any life about which it is harder to give counsel. The work of a newspaper-correspondent, especially in the “society” direction, is so full of trials and temptations, for one of either sex, in our dear, inquisitive, gossiping America, that one cannot help watching with especial solicitude all women who enter it. Their special gifts as women are a source of danger: they are keener of observation from the very fact of their sex, more active in curiosity, more skilful in achieving their ends; in a world of gossip they are the queens, and men but their subjects, hence their greater danger.
In Newport, New York, Washington, it is the same thing. The unbounded appetite for private information about public or semi-public people creates its own purveyors; and these, again, learn to believe with unflinching heartiness in the work they do. I have rarely encountered a successful correspondent of this description who had not become thoroughly convinced that the highest desire of every human being is to see his name in print, no matter how. Unhappily there is a great deal to encourage this belief: I have known men to express great indignation at an unexpected newspaper-puff, and then to send ten dollars privately to the author. This is just the calamity of the profession, that it brings one in contact with this class of social hypocrites; and the “personal” correspondent gradually loses faith that there is any other class to be found. Then there is the perilous temptation to pay off grudges in this way, to revenge slights, by the use of a power with which few people are safely to be trusted. In many cases, such a correspondent is simply a child playing with poisoned arrows: he poisons others; and it is no satisfaction to know that in time he will also poison himself, and paralyze his own power for mischief.
There lies before me a letter written some years ago to a young lady anxious to enter on this particular “career of letters,”—a letter from an experienced New York journalist. He has employed, he says, hundreds of lady correspondents, for little or no compensation; and one of his few successful writers he thus describes: “She succeeds by pushing her way into society, and extracting information from fashionable people and officials and their wives.... She flatters the vain, and overawes the weak, and gets by sheer impudence what other writers cannot.... I would not wish you to be like her, or reduced to the necessity of doing what she does, for any success journalism can possibly give.” And who can help echoing this opinion? If this is one of the successful laborers, where shall we place the unsuccessful; or, rather, is success, or failure, the greater honor?
Personal journalism has a prominence in this country with which nothing in any other country can be compared. What is called publicity in England or France means the most peaceful seclusion, compared with the glare of notoriety which an enterprising correspondent can flash out at any time—as if by opening the bull’s-eye of a dark lantern—upon the quietest of his contemporaries. It is essentially an American institution, and not one of those in which we have reason to feel most pride. It is to be observed, however, that foreigners, if in office, take to it very readily; and it is said that no people cultivate the reporters at Washington more assiduously than the diplomatic corps, who like to send home the personal notices of themselves, in order to prove to their governments that they are highly esteemed in the land to which they are appointed. But, however it may be with them, it is certain that many people still like to keep their public and private lives apart, and shrink from even the inevitable eminence of fame. One of the very most popular of American authors has said that he never, to this day, has overcome a slight feeling of repugnance on seeing his own name in print.
LXX.
TALKING AND TAKING.
Every time a woman does any thing original or remarkable,—inventing a rat-trap, let us say, or carving thirty-six heads on a walnut-shell,—all observers shout applause. “There’s a woman for you, indeed! Instead of talking about her rights, she takes them. That’s the way to do it. What a lesson to these declaimers upon the platform!”