One day they saw a glittering troop of horsemen approaching along the shore and knew that they were their own kindred, though from far generations back, the Dedannen or Fairy Host. They greeted each other with joy, for the Fairy Host had been sent to seek for the swans; and on returning to their chiefs they narrated what had passed, and the chiefs said, "We cannot help them, but we are glad they are living; and we know that at last the enchantment will be broken and that they will be freed from their sorrows." So passed their lives until Finola sang, one day, "The Second Woe has passed—the second period of three hundred years," when they flew out on the broad ocean, as was decreed, and went to the island of Inis Glora. There they spent the next three hundred years, amid yet wilder storms and yet colder winds. No more the peaceful shepherds and living neighbors were around them; but often the sailor and fisherman, in his little coracle, saw the white gleam of their wings or heard the sweet notes of their song and knew that the children of Lir were near.
But the time came when the nine hundred years of banishment were ended, and they might fly back to their father's old home, Finnahà. Flying for days above the sea, they alighted at the palace once so well known, but everything was changed by time—even the walls of their father's palace were crumbled and rain-washed. So sad was the sight that they remained one day only, and flew back to Inis Glora, thinking that if they must be forever solitary, they would live where they had lived last, not where they had been reared.
One May morning, as the children of Lir floated in the air around the island of Inis Glora, they heard a faint bell sounding across the eastern sea. The mist lifted, and they saw afar off, beyond the waves, a vision of a stately white-robed priest, with attendants around him on the Irish shore. They knew that it must be St. Patrick, the Tailkenn, or Tonsured One, who was bringing, as had been so long promised, Christianity to Ireland. Sailing through the air, above the blue sea, towards their native coast, they heard the bell once more, now near and distinct, and they knew that all evil spirits were fleeing away, and that their own hopes were to be fulfilled. As they approached the land, St. Patrick stretched his hand and said, "Children of Lir, you may tread your native land again." And the sweet swan-sister, Finola, said, "If we tread our native land, it can only be to die, after our life of nine centuries. Baptize us while we are yet living." When they touched the shore, the weight of all those centuries fell upon them; they resumed their human bodies, but they appeared old and pale and wrinkled. Then St. Patrick baptized them, and they died; but, even as he did so, a change swiftly came over them; and they lay side by side, once more children, in their white night-clothes, as when their father Lir, long centuries ago, had kissed them at evening and seen their blue eyes close in sleep and had touched with gentle hand their white foreheads and their golden hair. Their time of sorrow was ended and their last swan-song was sung; but the cruel stepmother seems yet to survive in her bat-like shape, and a single glance at her weird and malicious little face will lead us to doubt whether she has yet fully atoned for her sin.
IV — USHEEN IN THE ISLAND OF YOUTH
The old Celtic hero and poet Usheen or Oisin, whose supposed songs are known in English as those of Ossian, lived to a great old age, surviving all others of the race of the Feni, to which he belonged; and he was asked in his last years what had given him such length of life. This is the tale he told:—
After the fatal battle of Gavra, in which most of the Feni were killed, Usheen and his father, the king, and some of the survivors of the battle were hunting the deer with their dogs, when they met a maiden riding on a slender white horse with hoofs of gold, and with a golden crescent between his ears. The maiden's hair was of the color of citron and was gathered in a silver band; and she was clad in a white garment embroidered with strange devices. She asked them why they rode slowly and seemed sad, and not like other hunters; and they replied that it was because of the death of their friends and the ruin of their race. When they asked her in turn whence she came, and why, and whether she was married, she replied that she had never had a lover or a husband, but that she had crossed the sea for the love of the great hero and bard Usheen, whom she had never seen. Then Usheen was overcome with love for her, but she said that to wed her he must follow her across the sea to the Island of Perpetual Youth. There he would have a hundred horses and a hundred sheep and a hundred silken robes, a hundred swords, a hundred bows, and a hundred youths to follow him; while she would have a hundred maidens to wait on her. But how, he asked, was he to reach this island? He was to mount her horse and ride behind her. So he did this, and the slender white horse, not feeling his weight, dashed across the waves of the ocean, which did not yield beneath his tread. They galloped across the very sea, and the maiden, whose name was Niam, sang to him as they rode, and this so enchantingly that he scarcely knew whether hours passed or days. Sometimes deer ran by them over the water, followed by red-eared hounds in full chase; sometimes a maiden holding up an apple of gold; sometimes a beautiful youth; but they themselves rode on always westward.
At last they drew near an island which was not, Niam said, the island they were seeking; but it was one where a beautiful princess was kept under a spell until some defender should slay a cruel giant who held her under enchantment until she should either wed him or furnish a defender. The youth Usheen, being an Irishman and not easily frightened, naturally offered his services as defender, and they waited three days and nights to carry on the conflict. He had fought at home—so the legend says—with wild boars, with foreign invaders, and with enchanters, but he never had quite so severe a contest as with this giant; but after he had cut off his opponent's head and had been healed with precious balm by the beautiful princess, he buried the giant's body in a deep grave and placed above it a great stone engraved in the Ogham alphabet—in which all the letters are given in straight lines.
After this he and Niam again mounted the white steed and galloped away over the waves. Niam was again singing, when soft music began to be heard in the distance, as if in the centre of the setting sun. They drew nearer and nearer to a shore where the very trees trembled with the multitude of birds that sang upon them; and when they reached the shore, Niam gave one note of song, and a band of youths and maidens came rushing towards them and embraced them with eagerness. Then they too sang, and as they did it, one brought to Usheen a harp of silver and bade him sing of earthly joys. He found himself chanting, as he thought, with peculiar spirit and melody, but as he told them of human joys they kept still and began to weep, till at last one of them seized the silver harp and flung it away into a pool of water, saying, "It is the saddest harp in all the world."