(a)
![[PNG]](#5102994518728001825_pag120_score1.png.id-1821759098031231570.wrap-0.html.html){kind=link}
(b)
![[PNG]](#5102994518728001825_pag120_score2.png.id-7061783148179400689.wrap-0.html.html){kind=link}
FIGURE XXXV.
At b in the above quotation will be found a short passage from the beginning of the development section of the same movement. This passage illustrates the detachment of a characteristic motive in a melody, and here the use of it in various keys as a means of setting forth, as it were, its latent possibilities. Here a certain element in the theme is freed and takes on an existence of its own, and until the very end of the section we hear it over and over again in different parts of the orchestra.
(a)