CHAPTER IV

ÆSTHETICS

A portion of Schopenhauer's system by which its pessimism is considerably mitigated is his theory of the Beautiful and of Fine Art. The characteristic of æsthetic contemplation is, he finds, that intellect throws off the yoke and subsists purely for itself as clear mirror of the world, free from all subjection to practical purposes of the will. In this state of freedom, temporary painlessness is attained.

The theory starts from his adaptation of the Platonic Ideas. Regarded purely as an æsthetic theory, it departs from Plato, as he notes; for, with the later Platonists, who took up the defence of poetic myths and of the imitative arts as against their master, he holds that Art penetrates to the general Idea through the particular, and hence that the work of art is no mere 'copy of a copy.' The difference of the Idea from the Concept is that it is not merely abstract and general, but combines with generality the characters of an intuition.

The Ideas, as we have seen, constitute the determinate stages of objectivation of the Will. The innumerable individuals of which the Ideas are the patterns are subject to the law of sufficient reason. They appear, that is to say, under the forms of time, space, and causality. The Idea is beyond these forms, and therefore is clear of plurality and change. Since the law of sufficient reason is the common form under which stands all the subject's knowledge so far as the subject knows as individual, the Ideas lie outside the sphere of knowledge of the individual as such. If, therefore, the Ideas are to be the object of knowledge, this can only be by annulling individuality in the knowing subject.

As thing-in-itself, the Will is exempt even from the first of the forms of knowledge, the form of being 'object for a subject.' The Platonic Idea, on the other hand, is necessarily an object, something known, a presentation. It has laid aside, or rather has not taken on, the subordinate forms; but it has retained the first and most general form. It is the immediate and most adequate possible objectivity of the Will; whereas particular things are an objectivation troubled by the forms of which the law of sufficient reason is the common expression.

When intellect breaks loose from the service of the will, for which it was originally destined in the teleology of nature, then the subject ceases to be merely individual and becomes pure will-less subject of knowledge. In this state the beholder no longer tracks out relations in accordance with the principle of sufficient reason—which is the mode of scientific as well as of common knowledge—but rests in fixed contemplation of the given object apart from its connection with anything else. The contemplator thus 'lost' in the object, it is not the single thing as such that is known, but the Idea, the eternal form, the immediate objectivity of the Will at this stage. The correlate of this object—the pure Subject exempt from the principle of sufficient reason—is eternal, like the Idea.

The objectivation of the Will appears faintly in inorganic things,—clouds, water, crystals,—more fully in the plant, yet more fully in the animal, most completely in man. Only the essential in these stages of objectivation constitutes the Idea. Its development into manifold phenomena under the forms of the principle of sufficient reason, is unessential, lies merely in the mode of knowledge for the individual, and has reality only for this. It is not otherwise with the unfolding of that Idea which is the completest objectivation of the Will. To the Idea of Man, the occurrences of human history are as unessential as the shapes they assume to the clouds, as the figures of its whirlpools and foam-drift to the stream, as its frost-flowers to the ice. The same underlying passions and dispositions everlastingly recur in the same modes. It is idle to suppose that anything is gained. But also nothing is lost: so the Earth-spirit might reply to one who complained of high endeavours frustrated, faculties wasted, promises of world-enlightenment brought to nought; for there is infinite time to dispose of, and all possibilities are for ever renewed.