Fig. 53.—Conventionalized representation of bird on vessel shown in plate [17].
Mound No. 16 was situated about 2 miles due north of the last-described mound, close to the north bank of the Rio Hondo, within the territory of Quintana Roo. It was discovered by an Indian, who had cut a piece of virgin bush with the object of making a milpa. The mound was 35 feet in height by 250 feet in circumference at the base; in shape it resembled a truncated cone, the flattened summit of which measured 30 feet in one direction by 6 feet in the other. The mound was composed throughout of rough blocks of limestone, the interstices of which were filled in with limestone dust and an unusually large quantity of light-brown earth. Excavation was commenced at the top of the mound; for the first 6 feet nothing except a few potsherds was found. Scattered through the next 2 feet of the mound the following objects were brought to light; these were mingled indiscriminately with the limestone blocks of which the mound was built, quite unprotected by cist or chamber: (a) A basin-shaped vessel 20 cm. in diameter, 10 cm. in height (pl. [17]), covered by a round conical lid with a semicircular handle. Both basin and cover are painted black and polished, inside and out. Upon the outer surface of the vase and the upper surface of the lid are incised in low relief a series of pictographs, identical upon both. From the nature of the design and the fact that the vase contained a number of fragments of human bones, it seems probable that it was intended for a cinerary urn. The design is of considerable interest and worthy of detailed consideration. The most prominent object upon both the lid and the vase itself is a naked human figure in a recumbent position, with the arms flexed over the chest and abdomen and the knees and thighs semiflexed. The ornaments worn consist of an elaborate feather-decorated headdress, a labret, or nose ornament (it is somewhat difficult to determine which), and large bead anklets and wristlets. Below the head, on the body of the vase, is the conventionalized representation of a bird (fig. [53]) with extended drooping wings, and a rectangular object occupying the position of the beak. On the lid, probably from lack of room, this bird is represented only by the rectangular object, beneath which is seen the conventionalized serpent's head, represented only by the upper jaw, from which project the head and hand of a human being, whom it is in the act of swallowing. This monster, with a human head projecting from its mouth, is frequently represented in mounds in this area, usually in the form of a clay figurine.
Fig. 54.—Decoration on vessel shown in plate [17].
The next figure is probably intended to represent Quetzalcoatl, the Cuculcan of the Maya, and God B of the Codices. It is the shrunken bearded face of an old man, with a single tooth in the lower jaw, very prominent nose, and a bird's head (probably that of the owl) in the headdress. These are all well-recognized characteristics of this god. At the back part of the headdress of the god, and connected with it, is a human face. Immediately above the head of Cuculcan is depicted a fish, with a flower-like object in front of its mouth (fig. [54]), which is probably connected with this god, who is frequently associated with objects connoting water, vegetation, and fertility, as fish, flowers, water plants, leaves, and shells.
The next figure probably represents Schellhas's God K of the Codices. This god possesses an elaborate foliated nose, and is usually closely associated with God B, as he is in the present instance; indeed Brinton and Fewkes regard him as being merely a special manifestation of the latter god, while Spinden is of the opinion that his face is derived from that of the serpent so constantly associated with God B.[42] The lower jaw of the god seems to consist of a dry bone.