Fig. 152.
DETAIL OF CYPRIAN VASE.
Sunhawk, lotus, solar disk, and Swastikas.
Böhlau, Jahrbuch, 1886, pl. 8; Reinach, Revue Archæologique,
1885, II, p. 360; Perrot and Chipiez, “History of Art in Phenicia
and Cyprus,” II; Goodyear, “Grammar of the Lotus,” pl. 45, fig. 3.
Fig. 153.
DETAIL OF GREEK GEOMETRIC VASE WITH SWASTIKAS AND FIGURES OF HORSES.
Thera. Leyden Museum. Goodyear, “Grammar of the Lotus,” pl. 61, fig. 4.
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| Fig. 154. BRONZE FIBULA WITH LARGE SWASTIKA ON SHIELD. Greece. Musée St. Germain. De Mortillet, “Musée Préhistorique,” fig. 1264. ½ natural size. | Fig. 155. GREEK VASE, OINOCHOË, WITH TWO PAINTED SWASTIKAS. De Mortillet, “Musée Préhistorique,” fig. 1244. ¼ natural size. | |
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| Fig. 156. CYPRIAN VASE WITH SWASTIKAS AND FIGURE OF ANIMAL.[173] Cesnola, “Cyprus, its Ancient Cities, Tombs, and Temples,” pl. 45, fig. 36. | Fig. 157. ARCHAIC GREEK POTTERY FRAGMENT. Santorin, Ancient Thera. Waring, “Ceramic Art in Remote Ages,” pl. 42 fig. 2. |
Figs. [133] and [134], from Naukratis, afford palpable evidence of the different origin of the Swastika and the Greek fret. Evidently Grecian vases, though found in Egypt, these specimens bear side by side examples of the fret and the Swastika, used contemporaneously, and both of them complete and perfect. If one had been parent of the other, they would have belonged to different generations and would not have appeared simultaneously on the same specimen. Another illustration of simultaneous use is in [fig. 194], which represents an Etruscan vase[174] ornamented with bronze nail heads in the form of Swastikas, but associated with it is the design of the Greek fret, showing them to be of contemporaneous use, and therefore not, as Professor Goodyear believes, an evolution of one from the other. The specimen is in the Museum at Este, Italy.