Les Englais quida touz manger,
Mès ore ne set que fere.
This bishop was Peter de Aigueblanche, one of the foreign favourites, who had been intruded into the see of Hereford, to the exclusion of a better man, and had been an oppressor of those who were under his rule. The barons seized him, threw him into prison, and plundered his possessions, and at the time this song was written, he was suffering under the imprisonment which appears to have shortened his life.
The universities and the clerical body in general were deeply involved in these political movements of the thirteenth century; and our earliest political songs now known are composed in Latin, and in that form and style of verse which seems to have been peculiar to the goliards, and which I venture to call goliardic. Such is a song against the three bishops who supported king John in his quarrel with the pope about the presentation to the see of Canterbury, printed in my Political Songs. Such, too, is the song of the Welsh, and one or two others, in the same volume. And such, above all, is that remarkable Latin poem in which a partisan of the barons, immediately after the victory at Lewes, set forth the political tenets of his party, and gave the principles of English liberty nearly the same broad basis on which they stand at the present. It is an evidence of the extent to which these principles were now acknowledged, that in this great baronial struggle our political songs began to be written in the English language, an acknowledgment that they concerned the whole English public.
We trace little of this class of literature during the reign of Edward I.; but, when the popular feelings became turbulent again under the reign of his son and successor, political songs became more abundant, and their satire was directed more even than formerly against measures and principles, and was less an instrument of mere personal abuse. One satirical poem of this period, which I had printed from an imperfect copy in a manuscript at Edinburgh, but of which a more complete copy was subsequently found in a manuscript in the library of St. Peter’s College, Cambridge,[64] is extremely curious as being the earliest satire of this kind written in English that we possess. It appears to have been written in the year 1320. The writer of this poem begins by telling us that his object is to explain the cause of the war, ruin, and manslaughter which then prevailed throughout the land, and why the poor were suffering from hunger and want, the cattle perished in the field, and the corn was dear. These he ascribes to the increasing wickedness of all orders of society. To begin with the church, Rome was the head of all corruptions, at the papal court false-hood and treachery only reigned, and the door of the pope’s palace was shut against truth. During the twelfth and following centuries these complaints, in terms more or less forcible, against the corruptions of Rome, are continually repeated, and show that the evil must have been one under which everybody felt oppressed. The old charge of Romish simony is repeated in this poem in very strong terms. “The clerk’s voice shall be little heard at the court of Rome, were he ever so good, unless he bring silver with him; though he were the holiest man that ever was born, unless he bring gold or silver, all his time and anxiety are lost. Alas! why love they so much that which is perishable?”
Voys of clerk shall lytyl be heard at the court of Rome,
Were he never so gode a clerk, without silver and he come;
Though he were the holyst man that ever yet was ibore,
But he bryng gold or sylver, al hys while is forlore
And his thowght.