Trieste is a white splash between high wooded mountains and a dark precipice rising from a sea intense as the blue of the gentian. The population was about 140,000, mostly Italian speaking. Nominally they were Catholics, and of genuine Catholics there might have been 20,000, chiefly women. "Trieste," said Burton, "is a town of threes—three quarters, three races (Italian, Slav and Austrian), and three winds (Sirocco, Bora, and Contraste)." One brilliant man of letters had been connected with the town, namely Marie-Henry Beyle, better known by his pen name, Stendhal, [273] who, while he was French Counul here, pumice polished and prepared for the press his masterpiece, La Chartreuse de Parme, which he had written at Padua in 1830. To the minor luminary, Charles Lever, we have already alluded. Such was the town in which the British Hercules was set to card wool. The Burtons occupied ten rooms at the top of a block of buildings situated near the railway station. The corridor was adorned with a picture of our Saviour, and statuettes of St. Joseph and the Madonna with votive lights burning before them. This, in Burton's facetious phrase, was "Mrs. Burton's joss house;" and occasionally, when they had differences, he threatened "to throw her joss house out of the window." Burton in a rage, indeed, was the signal for the dispersal of everybody. Furniture fell, knick-knacks flew from the table, and like Jupiter he tumbled gods on gods. If, however, he and his wife did not always symphonize, still, on the whole, they continued to work together amicably, for Mrs. Burton took considerable pains to accommodate herself to the peculiarities of her husband's temperament, and both were blessed with that invaluable oil for troubled waters—the gift of humour. "Laughter," Burton used to say, and he had "a curious feline laugh," "animates the brain and stimulates the lungs." To his wife's assumption of the possession of knowledge, of being a linguist, of being the intellectual equal of every living person, saving himself, he had no objection; and the pertinacity with which she sustained this role imposed sometimes even on him. He got to think that she was really a genius in a way, and saw merit even in the verbiage and rhodomontade of her books. But whatever Isabel Burton's faults, they are all drowned and forgotten in her devotion to her husband. It was more than love—it was unreasoning worship. "You and Mrs. Burton seem to jog along pretty well together," said a friend. "Yes," followed Burton, "I am a spoilt twin, and she is the missing fragment."
Burton, of course, never really took to Trieste, his Tomi, as he called it. He was too apt to contrast it with Damascus: the wind-swept Istrian hills with the zephyr-ruffled Lebanon, the dull red plains of the Austrian sea-board with the saffron of the desert, the pre-historic castellieri or hill-forts, in which, nevertheless, he took some pleasure, with the columned glories of Baalbak and Palmyra. "Did you like Damascus?" somebody once carelessly asked Mrs. Burton.
"Like it!" she exclaimed, quivering with emotion, "My eyes fill, and my heart throbs even at the thought of it."
Indeed, they always looked back with wistful, melancholy regret upon the two intercalary years of happiness by the crystalline Chrysorrhoa, and Mrs. Burton could never forget that last sad ride through the beloved Plain of Zebedani. Among those who visited the Burtons at Trieste, was Alfred Bates Richards. After describing Mrs. Burton's sanctuary, he says: "Thus far, the belongings are all of the cross, but no sooner are we landed in the little drawing-rooms than signs of the crescent appear. These rooms, opening one into another, are bright with Oriental hangings, with trays and dishes of gold and burnished silver, fantastic goblets, chibouques with great amber mouth-pieces, and Eastern treasure made of odorous woods." Burton liked to know that everything about him was hand-made. "It is so much better," he used to say, than the "poor, dull work of machinery." In one of the book-cases was Mrs. Burton's set of her husband's works, some fifty volumes. [274]
Mr. Richards thus describes Burton himself, "Standing about five feet eleven, his broad, deep chest and square shoulders reduce his apparent height very considerably, and the illusion is intensified by hands and feet of Oriental smallness. The Eastern and distinctly Arab look of the man is made more pronounced by prominent cheek-bones (across one of which is the scar of a javelin cut), by closely-cropped black hair, just tinged with grey, and a pair of piercing, black, gipsy-looking eyes." Out of doors, in summer, Burton wore a spotlessly white suit, a tie-pin shaped like a sword, a pair of fashionable, sharply-pointed shoes, and the shabbiest old white beaver hat that he could lay his hands upon. On his finger glittered a gold ring, engraved with the word "Tanganyika." [275] In appearance, indeed, he was a compound of the dandy, the swash-buckler and the literary man. He led Mr. Richards through the house. Every odd corner displayed weapons—guns, pistols, boar-spears, swords of every shape and make. On one cupboard was written "The Pharmacy." It contained the innocuous medicines for Mrs. Burton's poor—for she still continued to manufacture those pills and drenches that had given her a reputation in the Holy Land. "Why," asked Richards, "do you live in a flat and so high up?" "To begin with," was the reply, "we are in good condition, and run up and down the stairs like squirrels. If I had a great establishment, I should feel tied and weighed down. With a flat and two or three servants one has only to lock the door and go out." The most noticeable objects in the rooms were eleven rough deal tables, each covered with writing materials. [276] At one sat Mrs. Burton in morning neglige, a grey choga—the long, loose Indian dressing-gown of soft camel's hair—topped by a smoking cap of the same material. She observed, "I see you are looking at our tables. Dick likes a separate table for each book, and when he is tired of one he goes to another." He never, it seems, wrote more than eleven books at a time, unless stout pamphlets come under that category. Their life was a peaceful one, except on Fridays, when Mrs. Burton received seventy bosom and particular friends, and talked to them at the top of her voice in faulty German, Italian, which she spoke fluently, or slangy English. [277] In the insipid conversation of this "magpie sanhedrin," "these hen parties," as he called them, Burton did not join, but went on with his work as if no one was present. Indeed, far from complaining, he remarked philosophically that if the rooms had been lower down probably 140 visitors instead of 70 would have looked in. The Burtons usually rose at 4 or 5, and after tea, bread and fruit, gave their morning to study. At noon they drank a cup of soup, fenced, and went for a swim in the sea. Burton then took up a heavy iron stick with a silver knob [278] and walked to the Consulate, which was situated in the heart of the town, while Mrs. Burton, with her pockets bulging with medicines, and a flask of water ready for baptism emergencies hanging to her girdle, busied herself with charitable work, including the promotion of the Society for the Prevention of Cruelty to Animals. They generally dined at the table d'hote of the Hotel de la Ville, and dined well, for, as Burton says used to "Only fools and young ladies care nothing for the carte." [279] Having finished their coffee, cigarettes, and kirsch, outside the hotel, they went home to bed, where, conscious of a good day's work done, they took their rest merrily. Sometimes they interrupted the routine with excursions into the surrounding country, of which they both knew every stock and stone, pre-historic or modern. Of business ability, Burton had never possessed one iota, and his private affairs were constantly mis-managed. As at Fernando Po, Santos and Damascus, he promptly looked out for a sanitarium, his choice finally resting upon a loftily-situated village called Opcina.
Reviewing Burton's career, Mr. Alfred Bates Richards says: "He has done more than any other six men, and is one of the best, noblest and truest that breathes. While not on active service or on sick leave he has been serving his country, humanity, science, and civilisation in other ways, by opening up lands hitherto unknown, and trying to do good wherever he went. He was the pioneer for all other living African travellers."
If Trieste was not an ideal post for him, still it had the patent advantage of being practically a sinecure. He and his wife seem to have been able to get away almost at any time. They sometimes travelled together, but often went in different directions, and as Burton was as restless as a hyena, he never stayed in any one place many hours. Occasionally they met unexpectedly. Upon one of these meetings in a Swiss hotel, Burton burst out affectionately with, "And what the devil brought you here?" To which she replied, promptly but sweetly, "Ditto, brother." For study, Burton had almost unlimited time, and nothing came amiss to him. He lost himself in old sacramentaries, Oriental manuscripts, works on the prehistoric remains of Istria, Camoens, Catullus, The Arabian Nights, Boccaccio. His knowledge was encyclopaedic.
76. At the Vienna Exhibition, 1873.
Early in 1873 the Burtons visited Vienna chiefly in order to see the great Exhibition. The beauty of the buildings excited their constant admiration, but the dearness of everything at the hotels made Burton use forcible language. On one occasion he demanded—he never asked for anything—a beefsteak, and a waiter hurried up with an absurdly small piece of meat on a plate. Picking it up with the fork he examined it critically, and then said, quite amiably for him, "Yaas, yaas, [280] that's it, bring me some." Next he required coffee. The coffee arrived in what might have been either a cup or a thimble. "What's this?" demanded Burton. The waiter said it was coffee for one. "Then," roared Burton, with several expletives, "bring me coffee for twenty." Their bill at this hotel came to £163 for the three weeks.