Chapter XXIII. 20th May 1882-July 1883, The Meeting of Burton and Payne

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Bibliography

66. Lord Beaconsfield. 67. To the Gold Coast for Gold. 2 vols. 1883. 68. Stone Implements from the Gold Coast. Burton and Cameron.

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106. Mrs. Grundy begins to roar. May 1882.

In May 1882, Burton called on Mr. Payne, and the matter of The Arabian Nights was fully discussed. It then transpired that Burton's project was still entirely in nubibus. He told Mr. Payne that he had no manuscript of any kind beyond "a sheet or two of notes," [356] and it was afterwards gathered from his words that these notes were a mere syllabus of the contents of the Boulac edition of the Nights—the only one of the four printed texts (Calcutta, Macnaghten, Boulac and Breslau) used and combined by Mr. Payne with which Burton was then acquainted. [357] Mr. Payne's first volume was completely in type and had for some weeks been held over for Burton's return to England. Of the remaining volumes three were ready for press, and the rest only awaited fair copying. Burton's thoughts, however, were then completely occupied with the Gold Coast, consequently the whole project of collaboration fell through. Mr. Payne's first volume duly appeared; and as the result of further conversations it was arranged that Burton should read Mr. Payne's subsequent proofs, though he declined to accept any remuneration unless it should turn out that his assistance was necessary. In June, Mr. Payne submitted the first proofs of Vol. ii. to Burton. Meantime the literalism of Mr. Payne's translation had created extraordinary stir, and Burton wrote thus forcefully on the matter (June 3rd): "Please send me a lot of advertisements. [358] I can place a multitude of copies. Mrs. Grundy is beginning to roar; already I hear the voice of her. And I know her to be an arrant w—— and tell her so, and don't care a ——- for her."

The event at Trieste that summer was the opening of a Grand International Exhibition—the hobby of the Governor of the town—Baron de Pretis, and Burton thus refers to it in a letter written to Mr. Payne, 5th August (1882). "We arrived here just in time for the opening of the Exhibition, August 1st. Everything went off well, but next evening an Orsini shell was thrown which killed one and wounded five, including my friend Dr. Dorn, Editor of the Triester Zeitung. The object, of course, was to injure the Exhibition, and the effect will be ruinous. I expect more to come and dare not leave my post. So while my wife goes to Marienbad, I must content myself with the Baths at Monfalcone, [359] distant only one hour by rail" In the next letter (August 14th) Burton refers to a proposed special quarto (large paper) edition of Mr. Payne's Nights, the scheme for which, however, fell through. "I am delighted with the idea," he says, "for though not a bibliophile in practice (£ s. d. preventing) I am entirely in theory." There is also an amusing reference to a clergyman who after giving his name for a copy withdrew it. Says Burton, "If the Rev. A. miss this opportunity of grace he can blame only himself. It is very sad but not to be helped.... And now good luck to the venture." Later he observes, "The fair sex appears wild to get at the Nights. [360] I have received notes from two upon the nice subject, with no end of complaints about stern parients, brothers and brothers-in-law."

In September Burton asks for the loan of Payne's copy of the Calcutta Edition (Macnaghten) and enquires after Vol. i. He says "What news of Vol. i.? I am very anxious to see it, and so are many female correspondents. I look forward with great pleasure to the work."

It was now understood that an attack was to be made on Payne's volume in the press. Says Burton, September 29th (1882). "Perhaps it will be best to let ———- [361] sing his song. ———— has no end of enemies, and I can stir up a small wasp's nest without once appearing in the matter. The best answer will be showing up a few of Lane's mistakes, but this must be done with the greatest care, so that no hole can be picked in the critique. [362] I enclose three sonnets, a specimen of my next volume of Camoens, and should much like any suggestions from you. They are line for line and mostly word for word. But that is nothing; the question is, are they readable English? They'll be printed at my own expense, so they will ruin nobody. Switzerland has set you up and don't let the solicitor's office pull you down."