Houston engraved a portrait of Maria after a drawing by J. St. Liotard. This is a three-quarter length figure. Her hair is in large plaits twined with a muslin veil on her head. The dress is open at the throat, showing a necklace. There is a wide belt with large clasps. Her left elbow rests on her knee. Perhaps the most satisfactory pictures of the Beauties are those by Catharine Read, who died, in 1786; and who is chiefly known by her winsome delineations of the graces of the Gunning girls. We could readily judge from these that the girls were attractive. There is a genial graciousness in the face of she of Coventry, while the Scotch duchess is possessed of a persuasive sweetness of mien. The mob-cap frames a face almost faultless in the regularity of its features. For all the pleasant flavor of these facial charms, there is absent that peerless, regal loveliness, that compelling magnificence of presence, that hauteur which dazzles and enthrals.
The originals of these various portraits have been retained at Croome Court, near Worcester; the seat of the Coventry family, at Inverary Castle, Argyllshire; and at Hamilton Palace.
Three weeks after the romantic marriage of her younger sister, Maria Gunning was married to George William, who was Lord Deerhurst—"that grave young Lord," Walpole calls him—until 1750, when he succeeded to the Earldom of Coventry. He had been dangling about her for some time, and seemed nerved to the wedding by his Grace of Hamilton's precipitate action. The Earl took her for a trip on the Continent in company with Lady Caroline Petersham, that other great beauty. Neither caused much comment abroad, and Paris did not ratify the repute of London. My Lady was at a disadvantage from her ignorance of the French language. She complained, too, of the arbitrary rule of her husband in not allowing her red nor powder, so much in vogue with the Parisian beauties. It is told how he saw her appear at a dinner with some on, and took out his handkerchief, and there tried to rub it off. But her fame abated not in England. Crowds continued to mob her whenever she appeared on the street. The King was pleased to order that whenever my Lady Coventry walked abroad she should be attended by a guard of soldiers. Shortly after this she simulated great fright at the curiosity of the mob, and asked for escort. She then paraded in the park, accompanied by her husband and Lord Pembroke, preceded by two sergeants, and followed by twelve soldiers. Surely this outdoes the advertising genius of any latter-day American actress! A shoemaker at Worcester gained two guineas and a half by exhibiting at a penny a head a shoe he had made for the Countess. She was in much favor at Court, and always circulated in an atmosphere of adulation and sensation. The Duke of Cumberland was an admirer, as was also, more emphatically, Fred St. John, Viscount Bolingbroke,—"Billy and Bully" these two blades were termed. There was rumor, at one time, of the Earl seriously resenting the attentions of Bolingbroke. The old King, too, showed her some courtesies; and the most oft-told anecdote of her is about His Majesty asking if she were not sorry the masquerades were over. She assured him she was surfeited with pageants,—there was but one she wished yet to see, and that was a coronation. She saw it not, for the King outlived her by a fortnight. Had she but abstained from the use of paint and powder, her career would not have ended at the early age of twenty-seven. Blood-poisoning came from the use of it. Her beauty paled rapidly. My lady lay on a couch, a pocket-glass constantly in hand, grieving at the gradual decay. The room was darkened, that others might not discern that which so chagrined her. Then the curtains of the bed were drawn to guard her from pitying gaze; and then, on a September day, in 1760, the pathetic end came. Over ten thousand people viewed her coffin. Sensationalism even after the drop of the curtain! The Countess left four children, two sons and two daughters. Of these, Anne, four years old at her mother's death, was one of the children whom George Selwyn showed much kindness to. The Earl married again, the second Countess being Barbara, daughter of Lord St. John of Bletsoe. George William, the son of Maria, came to the earldom in 1809.
In an ode on the death of Maria the poet Mason wrote:—
"For she was fair beyond your brightest bloom (This Envy owns, since now her bloom is fled): Fair as the Forms that wove in Fancy's loom, Float in light vision round the Poet's head. Whene'er with soft serenity she smiled, Or caught the orient blush of quick surprise, How sweetly mutable, how brightly wild. The liquid lustre darted from her eyes! Each look, each motion, waked a new-born grace That o'er her form its transient glory cast: Some lovelier wonder soon usurped the place, Chased by a charm still lovelier than the last."
In these latter days can we imagine a lawsuit, costing contestants thousands of pounds, over the right to a certain heraldic charge? In the fourteenth century Sir Robert Grosvenor was the defendant in such a suit, and we read of Chaucer, John of Gaunt, Owen Glendower, and Hotspur being witnesses before the High Court of Chivalry. Sir Robert established his defence, and since those days the Grosvenors have ever held a high rank in the nobility of England. Quite as proud a patrician position was held through the centuries by the family of Gower. In the early part of this century, the heir of the Grosvenors espoused the most beautiful daughter of the House of Gower,—Lady Elizabeth Mary Leveson Gower. This lady was the youngest daughter of George, the second Marquis of Stafford, who married, in 1785, Elizabeth, who was Countess of Sutherland and Baroness Strathnaver in her own right. The Marquis was created Duke of Sutherland in 1833.