May 1st. I visited the office of the camp paper to-day and found it to be an extremely hectic place. In the course of a conversation with the Chief I chanced to look up and caught two shining eyes staring malevolently at me from a darkened corner of the room. This creature blinked at me several times very rapidly, wiggled its mustache and suddenly disappeared into the thick shadows.
"Who is that?" I cried, startled.
"That's our mad photographer," said the Chief. "What do you think of him?"
"Do you keep him in there?" I asked, pointing to the coal-black cupboard-like room into which this strange creature had disappeared.
"Yes," said the Chief, "and he likes it. Often he stays there for days at a time, only coming out for air." At this juncture there came from the dark room the sounds of breaking glass, which was immediately followed by strange animal-like sounds as the mad photographer burst out of his den and proclaimed to all the world that nothing meant very much in his life and that it would be absolutely immaterial to him if the paper and its entire staff should suddenly be visited with flood, fire and famine. After this gracious and purely gratuitous piece of information he again withdrew, but strange mutterings still continued to issue forth from his lair. While I was sitting in the office the editor happened to drift in from the adjacent room crisply attired in a pair of ragged, disreputable trousers and a sleeveless gray sweater which was raveling in numerous places. It was the shock of my life.
"Where's our yeoman?" he grumbled, at which the yeoman, who somehow reminded me of some character from one of Dickens's novels, edged out of the door, but he was too late. Spying him, the editor launched forth on a violent denunciation, in which for no particular reason the cartoonist and sporting editor joined. There they stood, the three of them, abusing this poor simple yeoman in the most unnecessary manner as far as I could make out. Three harder cut-throats I have never encountered. While in the office, I came upon a rather elderly artist crouched over in a corner writhing as if he was in great pain. He was in the throes of composition, I was told, and he looked it. Poor wretch, he seemed to have something on his mind. The only man I saw who seemed to have anything like a balanced mind was the financial shark, a little ferret-eyed, onery-looking cuss whom I wouldn't have trusted out of my sight. He was sitting with his nose thrust in some dusty volume totally oblivious of the pandemonium that reigned around him. He either has a great mind or none at all—probably the latter. I fear I would never make an editor. The atmosphere is simply altogether too strenuous for me.
May 4th. There seems to be no place in the service for me; I cannot decide what rating to select. To be a quartermaster one must know how to signal, and signaling always tires my arms. One must know how to blow a horrid shrill little whistle in order to become a boatswain mate, and my ears could never stand this. To be a yeoman, it is necessary to know how to rattle papers in an important manner and disseminate misinformation with a straight face, and this I could never do. I fear the only thing left for me is to try for a commission. I'm sure I would be a valuable addition to any wardroom.
May 6th. "Man the drags! Hey, there, you flannel-footed camel, stop galloping! What are you doing, anyway—playing horses?"
"Don't be ridiculous," I cried out, hot with rage and humiliation; "you know perfectly well I'm not playing horse. I realize as well as you do that this is a serious—"