Love affairs of the Courts of Europe

by Thornton Hall

After two days of rapturous honeymooning Napoleon was on his way to join his army in Italy, as reluctant a bridegroom as ever left Cupid at the bidding of Mars. At every change of horses during the long journey he dispatched letters to the wife he had left behind—letters full of passion and yearning. In one of them he wrote, "When I am tempted to curse my fate, I place my hand on my heart and find your portrait there. As I gaze at it I am filled with a joy unutterable. Life seems to hold no pain, save that of severance from my beloved."

At Nice, amid all the labours and anxieties of organising his rabble army for a campaign, his thoughts are always taking wings to her; her portrait is ever in his hand. He says his prayers before it; and, when once he accidentally broke the glass, he was in an agony of despair and superstitious foreboding. His one cry was, "Come to me! Come to my heart and to my arms. Oh, that you had wings!"

Even when flushed with the surrender of Piedmont after a fortnight's brilliant fighting, in which he had won half a dozen battles and reaped twenty-one standards, he would have bartered all his laurels for a sight of the woman he loved so passionately. But while he was thus yearning for her in distant Italy, Madame was much too happy in her beloved Paris to lend an ear to his pleadings. As wife of the great Napoleon she was a veritable Queen, fawned on and flattered by all the great ones in the capital. Hers was the place of honour at every fête and banquet; the banners her husband had captured were presented to her amid a tumult of acclamation; when she entered a theatre the entire house rose to greet her with cheers. She was thus in no mood to leave her Queendom for the arms of her husband, whose unattractive person and clumsy ardour only repelled her.

When his letters calling her to him became more and more imperative, she could no longer ignore them. But she could, at least, invent an excellent excuse for her tarrying. She wrote to tell him that she was expecting to become a mother. This at least would put a stop to his importunity. And it did. Napoleon was full of delight—and self-reproach at the joyful news. "Forgive me, my beloved," he wrote. "How can I ever atone? You were ill and I accused you of lingering in Paris. My love robs me of my reason, and I shall never regain it.... A child, sweet as its mother, is soon to lie in your arms. Oh! that I could be with you, even if only for one day!"

To his brother Joseph he writes in a similar strain: "The thought of her illness drives me mad. I long to see her, to hold her in my arms. I love her so madly, I cannot live without her. If she were to die, I should have absolutely nothing left to live for."

When, however, he learns that Madame's illness is not sufficient to interfere with her Paris gaieties, a different mood seizes him. Jealousy and anger take the place of anxious sympathy. He insists that she shall join him—threatens to resign his command if she refuses. Josephine no longer dares to keep up her deception. She must obey. And thus, in a flood of angry tears, we see her starting on her long journey to Italy, in company with her dog, her maid, and a brilliant escort of officers. Arrived at Milan, she was welcomed by Napoleon with open arms; but "after two days of rapture and caresses," he was face to face with the great crisis of Castiglione. His army was in imminent danger of annihilation; his own fate and fortune trembled in the balance. Nothing short of a miracle could save him; and on the third day of his new honeymoon he was back again in the field at grips with fate.

But even at this supreme crisis he found time to write daily letters to the dear one who was awaiting the issue in Milan, begging her to share his life. "Your tears," he writes, "drive me to distraction; they set my blood on fire. Come to me here, that at least we may be able to say before we die we had so many days of happiness." Thus he pleads in letter after letter until Josephine, for very shame, is forced to yield, and to return to her husband, who, as Masson tells us, "was all day at her feet as before some divinity."

Such days of bliss were, however, few and far between for the man who was now in the throes of a Titanic struggle, on the issue of which his fortunes and those of France hung. But when duty took him into danger where his lady could not follow, she found ample solace. Monsieur Charles, Leclerc's adjutant, was all the cavalier she needed—an Adonis for beauty, a Hercules for strength, the handsomest soldier in Napoleon's army, a past-master in all the arts of love-making. There was no dull moment for Josephine with such a squire at her elbow to pour flatteries into her ears and to entertain her with his clever tongue.

But Monsieur Charles had short shrift when Napoleon's jealousy was aroused. He was quickly sent packing to Paris; and Josephine was left to write to her aunt, "I am bored to extinction." She was weary of her husband's love-rhapsodies, disgusted with the crudities of his passion. She had, however, a solace in the homage paid to her everywhere. At Genoa she was received as a Queen; at Florence the Grand Duke called her "cousin"; the entire army, from General to private, was under the spell of her beauty and the graciousness that captivated all hearts. She was, too, reaping a rich harvest of costly presents and bribes, from all who sought to win Napoleon's favour through her.

The Italian campaign at last over, Madame found herself back again in her dear Paris, raised to a higher pinnacle of Queendom than ever, basking in the splendours of the husband whose glories she so gladly shared, though she held his love in such light esteem. But for him, at least, there was no time for dallying. Within a few months he was waving farewell to her again, from the bridge of the Océan which was carrying him off to the conquest of Egypt, buoyed by her promise that she would join him when his work was done. And long before he had reached Malta she was back again in the vortex of Paris gaiety, setting the tongue of scandal wagging by her open flirtation with one lover after another.