Love affairs of the Courts of Europe

by Thornton Hall

It was to all seeming a strange whim that caused Cardinal Mazarin, one day in the year 1653, to summon his nieces, daughters of his sister, Hieronyme Mancini, from their obscurity in Italy to bask in the sunshine of his splendours in Paris.

At the time of this odd caprice, Richelieu's crafty successor had reached the zenith of his power. His was the most potent and splendid figure in all Europe that did not wear a crown. He was the avowed favourite and lover of Anne of Austria, Queen of France, to whose vanity he had paid such skilful court—indeed it was common rumour that she had actually given him her hand in secret marriage. The boy-King, Louis XIV., was a puppet in his strong hands. He was, in fact, the dictator of France, whose smiles the greatest courtiers tried to win, and before whose frowns they trembled.

In contrast to such magnificence, his sister, Madame Mancini, was the wife of a petty Italian baron, who was struggling to bring up her five daughters on a pathetically scanty purse—as far removed from her magnificent brother as a moth from a star. There was, on the face of things, every reason why the great and all-powerful Cardinal should leave his nieces to their genteel poverty; and we can imagine both the astonishment and delight with which Madame Mancini received the summons to Paris which meant such a revolution in life for her and her daughters.

If the Mancini girls had no heritage of money, they had at least the dower of beauty. Each of the five gave promise of a rare loveliness—with the solitary exception of Marie, Madame's third daughter, who at fourteen was singularly unattractive even for that awkward age. Tall, thin, and angular, without a vestige of grace either of figure or movement, she had a sallow face out of which two great black eyes looked gloomily, and a mouth wide and thin-lipped. She was, in addition, shy and slow-witted to the verge of stupidity. Marie, in fact, was quite hopeless, the "ugly duckling" of a good-looking family, and for this reason an object of dislike and resentment to her mother.

Certainly, said Madame, Marie must be left behind. Her other daughters would be a source of pride to their uncle; he could secure great matches for them, but Marie—pah! she would bring discredit on the whole family. And so it was decided in conclave that the "ugly duckling" should be left in a nunnery—the only fit place for her. But Marie happily had a spirit of her own. She would not be left behind, she declared; and if she must go to a nunnery, why there were nunneries in plenty in France to which they could send her. And Marie had her way.

She was not, however, to escape the cloister after all, for to a Paris nunnery she was consigned when her Cardinal uncle had set eyes on her. "Let her have a year or two there," was his verdict, "and, who knows, she may blossom into a beauty yet. At any rate she can put on flesh and not be the scarecrow she is." And thus, while her more favoured sisters were revelling in the gaieties of Court life, Marie was sent to tell her beads and to spend Spartan days among the nuns.

Nearly two years passed before Mazarin expressed a wish to see his ugly niece again; and it was indeed a very different Marie who now made her curtsy to him. Gone were the angular figure, the awkward movements, the sallow face, the slow wits. Time and the healthy life of the cloisters had done their work well. What the Cardinal now saw was a girl of seventeen, of exquisitely modelled figure, graceful and self-possessed; a face piquant and full of animation, illuminated by a pair of glorious dark eyes, and with a dazzling smile which revealed the prettiest teeth in France. Above all, and what delighted the Cardinal most, she had now a sprightly wit, and a quite brilliant gift of conversation. It was thus a smiling and gratified Cardinal who gave greeting to his niece, now as fair as her sisters and more fascinating than any of them. There was no doubt that he could find a high-placed husband for her, and thus—for this was, in fact, his motive for rescuing his pretty nieces from their obscurity—make his position secure by powerful family alliances.

It was not long before Mazarin fixed on a suitor in the person of Armande de la Porte, son of the Marquis de la Meilleraye, one of the most powerful nobles in France. But alas for his scheming! Armande's heart had already been caught while Marie was reciting her matins and vespers: He had lost it utterly to her beautiful sister, Hortense; he vowed that he would marry no other, and that if Hortense could not be his wife he would prefer to die. Thus Marie was rescued from a union which brought her sister so much misery in later years, and for a time she was condemned to spend unhappy months with her mother at the Louvre.

To this period of her life Marie Mancini could never look back without a shudder. "My mother," she says, "who, I think, had always hated me, was more unbearable than ever. She treated me, although I was no longer ugly, with the utmost aversion and cruelty. My sisters went to Court and were fussed and fêted. I was kept always at home, in our miserable lodgings, an unhappy Cinderella."

But Fortune did not long hide his face from Cinderella. Her "Prince Charming" was coming—in the guise of the handsome young King, Louis XIV. himself. It was one day while visiting Madame Mancini in her lodgings at the Louvre that Louis first saw the girl who was to play such havoc with his heart; and at the first sight of those melting dark eyes and that intoxicating smile he was undone. He came again and again—always under the pretext of visiting Madame, and happy beyond expression if he could exchange a few words with her daughter, Marie; until he soon counted a day worse than lost that did not bring him the stolen sweetness of a meeting.