No wonder the Princess's heart beat high with pride and pleasure during that last triumphal stage of her journey to her husband's arms; for he was not only the handsomest man, with "the best shaped leg in Europe," he was by common consent the "greatest gentleman" any Court could show. Picture him as he made his first appearance at a Court ball. "His coat," we are told, "was of pink silk, with white cuffs; his waistcoat of white silk, embroidered with various-coloured foil and adorned with a profusion of French paste. And his hat was ornamented with two rows of steel beads, five thousand in number, with a button and a loop of the same metal, and cocked in a new military style." See young "Florizel" as he makes his smiling and gracious progress through the avenues of courtiers; note the winsomeness of his smiles, the inimitable grace of his bows, his pleasant, courtly words of recognition, and say if ever Royalty assumed a form more agreeable to the eye and captivating to the senses.
"Florizel" was indeed the most splendid Prince in the world, and the most "perfect gentleman." He was also, though his bride-to-be little knew it, the most dissolute man in Europe, the greatest gambler and voluptuary—a man who was as false to his friends as he was traitor to every woman who crossed his path, a man whom no appeal of honour or mercy could check in his selfish pursuit of pleasure.
"I look through all his life," Thackeray says, "and recognise but a bow and a grin. I try and take him to pieces, and find silk stockings, padding, stays, a coat with frogs and a fur collar, a star and blue ribbon, a pocket handkerchief prodigiously scented, one of Truefitt's best nutty brown wigs reeking with oil, a set of teeth and a huge black stock, under-waistcoats, more under-waistcoats, and then—nothing. French ballet-dancers, French cooks, horse-jockeys, buffoons, procuresses, tailors, boxers, fencing-masters, china, jewel and gimcrack-merchants—these were his real companions."
Such was the husband Princess Caroline came so light-heartedly, with laughter on her lips, from Brunswick to wed, little dreaming of the disillusion and tears that were to await her on the very threshold of the life to which she had looked forward with such high hopes.
We get the first glimpse of Caroline some twelve years earlier, when Sir John Stanley, who was making the grand tour, spent a few weeks at her father's Court. He speaks of her as a "beautiful girl of fourteen," and adds, "I did think and dream of her day and night at Brunswick, and for a year afterwards I saw her for hours three or fours times a week, but as a star out of my reach." Years later he met her again under sadly changed conditions. "One day only," he writes, "when dining with her and her mother at Blackheath, she smiled at something which had pleased her, and for an instant only I could have fancied she had been the Caroline of fourteen years old—the lovely, pretty Caroline, the girl my eyes had so often rested on, with light and powdered hair hanging in curls on her neck, the lips from which only sweet words seemed as if they would flow, with looks animated, and always simply and modestly dressed."
Lady Charlotte Campbell, too, gives us a glimpse of her in these early and happier years, before sorrow had laid its defacing hand on her. "The Princess was in her early youth a pretty girl," Lady Charlotte says, "with fine light hair—very delicately formed features, and a fine complexion—quick, glancing, penetrating eyes, long cut and rather small in the head, which gave them much expression; and a remarkably delicately formed mouth."
It was in no happy home that the Princess had been cradled one May day in 1768. Her father, Charles William, Duke of Brunswick, was an austere soldier, too much absorbed in his military life and his mistress, to give much thought to his daughters. Her mother, the Duchess Augusta, sister of our own George III., was weak and small-minded, too much occupied in self-indulgence and scandal-talking to trouble about the training of her children.
Princess Caroline herself draws an unattractive picture of her home-life, in answer to Lady Charlotte Campbell's question, "Were you sorry to leave Brunswick?" "Not at all," was the answer; "I was sick tired of it, though I was sorry to leave my fader. I loved my fader dearly, better than any oder person. But dere were some unlucky tings in our Court which made my position difficult. My fader was most entirely attached to a lady for thirty years, who was in fact his mistress. She was the beautifullest creature and the cleverest, but, though my fader continued to pay my moder all possible respect, my poor moder could not suffer this attachment. And de consequence was, I did not know what to do between them; when I was civil to one, I was scolded by the other, and was very tired of being shuttlecock between them."
But in spite of these unfortunate home conditions Caroline appears to have spent a fairly happy girlhood, thanks to her exuberant spirits; and such faults as she developed were largely due to the lack of parental care, which left her training to servants. Thus she grew up with quite a shocking disregard of conventions, running wild like a young filly, and finding her pleasure and her companions in undesirable directions. Strange stories are told of her girlish love affairs, which seem to have been indiscreet if nothing worse, while her beauty drew to her many a high-placed wooer, including the Prince of Orange and Prince George of Darmstadt, to all of whom she seems to have turned a cold shoulder.
But the wilful Princess was not to be left mistress of her own destiny. One November day, in 1794, Lord Malmesbury arrived at the Brunswick Court to demand her hand for the Prince of Wales, whom his burden of debts and the necessity of providing an heir to the throne of England were at last driving reluctantly to the altar. And thus a new and dazzling future opened for her. To her parents nothing could have been more welcome than this prospect of a crown for their daughter; while to her it offered a release from a life that had become odious.