Two Cabalists were begging me to take a glimpse of the most famous of Renaissance villas, one moreover that was obstinately closed to the public and that had to be peered at from the road half a mile away. I turned to the Duchess and bowing low accepted her invitation. Whereupon she kissed the shoulder of my coat, murmured with a beautiful smile: Christiano! Christiano! and bidding us good night, passed bowing from the room.
I shall see you Sunday at Tivoli, said Miss Grier, and tell you all about it there.
During the next few days my mind lay under the dread of the two engagements that lay ahead of me: the week-end at the Villa Horace and the missionary enterprise at the Villa Colonna. I stayed in my rooms, depressed, reading a little, or took long walks through the Trasteverine underworld, thinking about Connecticut.
The car that called for me Saturday morning already contained a fellow-guest. He introduced himself as M. Léry Bogard, adding that Mlle. de Morfontaine had offered to send for us separately, but that he had taken the liberty of requesting that we be called for together, not only because any company in crossing the Campagna is better than none, but because he had heard many things of me that led him to believe that we would not be uncongenial. I replied in that language wherein all courtesy sounds sincere, that the possibility of being congenial to so distinguished a member of the French Academy and to so profound a scholar was a greater honor than I dared hope for. These overtures did not tend to chill the encounter. M. Bogard was a fragile elderly gentleman, immaculately dressed. His face was delicately tinted by exquisite reading and expensive food, russet and violet about the eyes, his cheeks a pale plum from which rose the ivory-white of his nose and chin. His manner was soft and conciliatory, expressed for the most part in the play of his eyelids and hands both of which fluttered in unison like petals about to fall upon the breeze. I spoke hesitantly of the pleasure I had derived from his works, especially from those pages, so faintly tinctured with venom, on Church History. But now he cried out at once: Do not mention them! My early indiscretions! Horrible! What would I not give to withdraw them. Can that nonsense have reached as far as America? You must let your friends know, young man, that those books no longer represent my attitude. Since then I have become an obedient son of the Church and nothing would give me greater comfort than to hear that they had been burned.
What may I tell my friends now represents your real views? I asked.
Why read me at all? he cried in mock grief. There are too many books in the world already. Let us read no more, my son. Let us seek out some congenial friends. Let us sit about a table (well-spread, pardi!) and talk of our church and our king and perhaps of Virgil.
My face must have shown a trace of the suffocation I experienced at this plan of life, for M. Bogard became at once more impersonal. The country we are traversing now, he said, has known stirring times ... and he began an instructive travelogue, as though I were some stupid acquaintance, his hostess' son, and as though he were not, nor ever had been, a distinguished scholar.
On arriving at the Villa we were met by the steward and shown to our rooms. The Villa had been a monastery for many years and in purchasing it Mlle. de Morfontaine had obtained likewise the adjoining church which still served the peasants of the hillside. She claimed that the Villa was the very one that Maecenas had given to Horace: local tradition affirmed it; the foundations were of the best opus reticulatum; and the location fulfilled the rather vague requirements of classical allusion; even onomatopoea testified, declared our hostess, asserting that from her window the waterfall could be literally heard to lisp
"... domus Albuniae resonantis
Et praeceps Anio ac Tibumi locus et uda
Mobilibus pomaria rivis."
In furnishing her monastery our hostess had combined, as best she could, a delight in æsthetic effects and a longing for severity. A long low rambling plaster building, without grace of line, was the Villa Horace. Disordered rose gardens surrounded it, with intentionally neglected gravel paths, and chipped marble benches. One entered a long hall at the end of which several steps descended to a library. The hall was lined with doors at regular intervals on both sides, doors to what had once been cells now thrown together into reception rooms. Many of these doors stood open during the day and the long corridor paved with russet tile, was striped with the sunshine that fell across it. The ceiling had been coffered, and like the doors touched with dark green and gilt, and with that rich wasted brick-red that is the color of Neapolitan tiles. The walls were yellow white, of caked and crumbling plaster, and the beauty of the view with the optical illusion of distance and the depth and the lightness of the library seen like some great green-golden well at the further end, appealed to that sense of balance and one's tactile imagination as do the vistas in the paintings of Raphael whose spell is said to reside in that secret. To the left lay the reception rooms, carpeted in one color, hung with tabernacles and Italian primitives, while huge candelabra, pots of flowers and tables covered with brocades and crystals and uncut jewels, relieved the severity of unfreshened walls. Towards the end of the hall at the right one ascended a few steps to the refectory, the barest room in the house. By day the refectory was a meaningless casual club-room. Luncheon was a negligible affair at the Villa; one's conversation must be saved for dinner; at luncheon one barely looked at one another, one talked about the last rains and the next drought, or any subject that did not faintly allude to the devouring passions of the house, religion and aristocracy and literature. The beauty of the refectory was purely a matter of lighting and at eight o'clock the greatness of the room lay in the pool of wine-yellow light that was shed on the red table cloth, the dark green crested plates, the silver and the gold, the wineglasses, the gowns and decorations of the guests, the ambassadorial ribbons, the pontifical violets, and the little army of satin-clad footmen that suddenly appeared from nowhere.