The splendid dark-oak paneling that reached to the ceiling of the dining room and the richly carved mantel-piece, they told us, were once in rooms of Ludlow Castle. As we sat at our late dinner, a familiar melody from the sonorous chimes of the church-tower came through the open window to our great delight. "O, what a nuisance those bells are," said the neat waiting maid, "and a bad thing for the town, too. Why, the commercials all keep away from Ludlow. They can't sleep for the noise." "Do the chimes ring in the night?" we asked. "At midnight and at four o'clock in the morning," she said, and I was fearful that we would not awake. But we did, and the melody in the silence of the night, amid the surroundings of the quaint old town, awakened a sentiment in us no doubt quite different from that which vexed the soul of the commercial. But we felt that credit was due the honest people of Ludlow, who preferred the music of the sweet-toned bells to sordid business; and, as the maid said, the bells did not awaken anyone who was used to them—surely a fit reward to the citizens for their high-minded disregard of mere material interests.

I said we were fortunate at Ludlow. The gray, chilly weather and almost continual rain which had followed us for the last few days vanished and the next morning dawned cool and fair, with sky of untainted blue. Our steps were first turned towards the castle, which we soon reached. There was no one to admit us. The custodian's booth was closed, but there was a small gate in the great entrance and we walked in. We had the noble ruin to ourselves, and a place richer in story and more beautiful and majestic in decay we did not find elsewhere. A maze of gray walls rose all around us, but fortunately every part of the ruin bore a printed card telling us just what we wanted to know. The crumbling walls surrounded a beautiful lawn, starred with wild flowers—buttercups and forget-me-nots—and a flock of sheep grazed peacefully in the wide enclosure. We wandered through the deserted, roofless chambers where fireplaces with elaborate stone mantels and odd bits of carving told of the pristine glory of the place. The castle was of great extent, covering the highest point in Ludlow, and before the day of artillery must have been well-nigh impregnable. The walls on the side toward the river rise from a cliff which drops down a sharp incline toward the edge of the water but leaving room for a delightful foot path between rows of fine trees. The stern square tower of the keep, the odd circular chapel with its fine Norman entrance, the great banqueting hall, the elaborate stone fireplaces and the various apartments celebrated in the story of the castle interested us most. From the great tower I saw what I still consider the finest prospect in England, and I had many beautiful views from similar points of vantage. The day was perfectly clear and the wide range of vision covered the fertile valleys and wooded hills interspersed with the villages, the whole country appearing like a vast beautifully kept park. The story of Ludlow Castle is too long to tell here, but no one who delights in the romance of the days of chivalry should fail to familiarize himself with it. The castle was once a royal residence and the two young princes murdered in London Tower by the agents of Richard III dwelt here for many years. In 1636 Milton's "Mask of Comus," suggested by the youthful adventures of the children of the Lord President, was performed in the castle courtyard. The Lord of the castle at one time was Henry Sidney, father of Sir Philip, and his coat-of-arms still remains over one of the entrances. But the story of love and treason, of how in the absence of the owner of the castle, Maid Marion admitted her clandestine lover, who brought a hundred armed men at his back to slay the inmates and capture the fortress, is the saddest and most tragic of all. We saw high up in the wall, frowning over the river, the window of the chamber from which she had thrown herself after slaying her recreant lover in her rage and despair. A weird story it is, but if the luckless maiden still haunts the scene of her blighted love, an observant sojourner who fitly writes of Ludlow in poetic phrase never saw her. "Nearly every midnight for a month," he says, "it fell to me to traverse the quarter of a mile of dark, lonely lane that leads beneath the walls of the castle to the falls of the river, and a spot more calculated to invite the wanderings of a despairing and guilty spirit, I never saw. But though the savage gray towers far above shone betimes in the moonlight and the tall trees below rustled weirdly in the night breeze and the rush of the river over the weir rose and fell as is the wont of falling water in the silence of the night, I looked in vain for the wraith of the hapless maiden of the heath and finally gave up the quest."

When we left the castle, though nearly noon, the custodian was still belated, and we yet owe him sixpence for admittance, which we hope to pay some time in person. A short walk brought us to the church—"the finest parish church in England," declares one well qualified to judge. "Next to the castle," he says, "the glory of Ludlow is its church, which has not only the advantage of a commanding site but, as already mentioned, is held to be one of the finest in the country." It is built of red sandstone and is cruciform in shape, with a lofty and graceful tower, which is a landmark over miles of country and beautiful from any point of view. I have already mentioned the chime of bells which flings its melodies every few hours over the town and which are hung in this tower. The monuments, the stained-glass windows and the imposing architecture are scarcely equalled by any other church outside of the cathedrals.

We had made the most of our stay in Ludlow, but it was all too short. The old town was a revelation to us, as it would be to thousands of our countrymen who never think of including it in their itinerary. But for the motor car, it would have remained undiscovered to us. With the great growth of this method of touring, doubtless thousands of others will visit the place in the same manner, and be no less pleased than we were.

From Ludlow we had a fine run to Worcester, though the road was sprinkled with short, steep hills noted "dangerous" in the road-book. Our fine weather was very transient, for it was raining again when we reached Worcester. We first directed our steps to the cathedral, but when nearly there beheld a large sign, "This way to the Royal Porcelain Works," and the cathedral was forgotten for the time by at least one member of our party. The Royal Porcelain Works it was, then, for hadn't we known of Royal Worcester long before we knew there was any cathedral—or any town, for that matter? It is easy to get to the Royal Porcelain Works: a huge sign every block will keep you from going astray and an intelligent guide will show you every detail of the great establishment for only a sixpence. But it is much harder and more costly to get away from the Royal Worcester Works, and when we finally did we were several guineas poorer and were loaded with a box of fragile ware to excite the suspicions of our amiable customs officials. Nevertheless, the visit was full of interest. Our guide took us through the great plant from the very beginning, showing us the raw materials—clay, chalk and bones—which are ground to a fine powder, mixed to a paste, and deftly turned into a thousand shapes by the skilled potter. We were shown how the bowl or vase was burned, shrinking to nearly half its size in the process. We followed the various steps of manufacture until the finished ware, hand-painted, and burned many times to bring out the colors, was ready for shipment. An extensive museum connected with the works is filled with rare specimens to delight the soul of the admirer of the keramic art. There were samples of the notable sets of tableware manufactured for nearly every one of the crowned heads of Europe during the last century, gorgeous vases of fabulous value, and rare and curious pieces without number.

When we left the porcelain works it was too late to get into the cathedral, and when we were ready to start in the morning it was too early. So we contented ourselves with driving the car around the noble pile and viewing the exterior from every angle. We took the word of honest Baedeker that the interior is one of the most elaborate and artistic in England but largely the result of modern restoration. The cathedral contains the tomb of King John, who requested that he be buried here, though his life was certainly not such as to merit the distinction. Here, too, is buried the elder brother of King Henry VIII, Prince Arthur, who died at Ludlow Castle in 1502; and had he lived to be king in place of the strenuous Henry, who can say what changes might have been recorded in English history? All these we missed; nor did we satisfy ourselves personally of the correctness of the claim that the original entry of the marriage contract of William Shakespeare and Anne Hathaway is on file in the diocese office near the gateway of the cathedral. Along with the other notable places of the town mentioned in the guide-book as worthy of a visit is the great factory where the fiery Worcestershire sauce is concocted, but this did not appeal to our imagination as did the porcelain works. Our early start and the fine, nearly level road brought us to Stratford-upon-Avon well before noon. Here we did little more than re-visit the shrines of Shakespeare—the church, the birthplace, the grammar school—all familiar to the English-speaking world. Nor did we forget the Red Horse Inn at luncheon time, finding it much less crowded than on our previous visit, for we were still well in advance of the tourist season. After luncheon we were lured into a shop across the street by the broad assurance made on an exceedingly conspicuous sign that it is the "largest souvenir store on earth." Here we hoped to secure a few mementos of our visit to Stratford by motor car. We fell into a conversation with the proprietor, a genial, white-haired old gentleman, who, we learned, had been Mayor of the town for many years—and is it not a rare distinction to be Mayor of Shakespeare's Stratford? The old gentleman bore his honors lightly indeed, for he said he had insistently declined the office but the people wouldn't take no for an answer.

It is only a few miles to Warwick over winding roads as beautiful as any in England. One of these leads past Charlecote, famous for Shakespeare's deer-stealing episode, but no longer open to the public. We passed through Warwick—which reminded us of Ludlow except for the former's magnificent situation—without pausing, a thing which no one would do who had not visited that quaint old town some time before. In Leamington, three miles farther on, we found a modern city of forty thousand inhabitants, noted as a resort and full of pretentious hotels. After we were located at the Manor House there was still time for a drive to Kenilworth Castle, five miles away, to which a second visit was even more delightful than our previous one. For the next day we had planned a circular tour of Warwickshire, but a driving, all-day rain and, still more, the indisposition of one of our party, confined us to our hotel. Our disappointment was considerable, for within easy reach of Leamington there were many places that we had planned to visit. Ashow Church, Stoneleigh Abbey, George Eliot's birthplace and home near Nuneaton, the cottage of Mary Arden, mother of Shakespeare, Rugby, with its famous school, and Maxstoke Castle—an extensive and picturesque ruin—are all within a few miles of Leamington.

From Leamington to London was nearly an all-day's run, although the distance is only one hundred miles. A repair to the car delayed us and we went several miles astray on the road. It would have been easier to have returned over the Holyhead Road, but our desire to see more of the country led us to take a route nearly parallel to this, averaging about fifteen miles to the southward. Much of the way this ran through narrow byways and the country generally lacked interest. We passed through Banbury, whose cross, famous in nursery rhyme, is only modern. At Waddesdon we saw the most up-to-date and best ordered village we came across in England, with a fine new hotel, the Five Arrows, glittering in fresh paint. We learned that this village was built and practically owned by Baron Rothschild, and just adjoining it was the estate which he had laid out. The gentleman of whom we inquired courteously offered to take us into the great park, and we learned that he was the head landscape gardener. The palace is modern, of Gothic architecture, and crowns an eminence in the park. It contains a picture gallery, with examples of the works of many great masters, which is open to the public on stated days of the week.