XVI
THE HAUNTS OF MILTON AND PENN
Leaving London by the Harrow road, in course of an hour we came to the famous college town, which lies about fifteen miles north of the city. It is known chiefly for its boys' school, which was founded early in the reign of Queen Elizabeth and at which many great Englishmen received their early education. The school is situated on the top of a hill, one of the most commanding positions in the vicinity of London, and on the very summit is the Norman church. The view from this churchyard is one of the finest in England. For many miles the fertile valley of the Thames spreads out like a great park, exhibiting the most pleasing characteristics of an English landscape. On one side the descent is almost precipitous, and at the edge, in the churchyard, stands a gigantic elm—now in the late stages of decay—which still bears the sobriquet of "Byron's Elm." It is said that Byron, during his days at Harrow, would sit here for hours at a time and contemplate the beautiful scene which spread out before him. A descendant of one of the poet's friends has placed near the spot a brass tablet, inscribed with the somewhat stilted lines, On a Distant view From Harrow Churchyard,
"Spot of my youth, whose hoary branches sigh,
Swept by the breeze that fans the cloudless sky;
O! as I trace again thy winding hill,
Mine eyes admire, my heart adores thee still.
Thou drooping elm! Beneath whose boughs I lay,
And frequent mused the twilight hours away;
How do thy branches, moaning to the blast,
Invite this bosom to recall the past,
And seem to whisper, as they gently swell,
'Take, while thou canst, a lingering, last farewell'"
We reached Harrow too late to attend church as we had hoped, the morning services just closing as we entered the churchyard. We saw everywhere numbers of students in Sunday garb, and an odd appearance these boys of from fifteen to eighteen presented in a costume very nearly the counterpart of an ordinary dress suit, usually set off by a high silk hat. Harrow is associated with the names of many men who attained high rank in English history and literature, some of whom strove in their boyhood days to anticipate immortality by carving their names on the wooden desks. Among these may still be seen the rudely cut letters of the names of Byron, Sheridan and Peele.
The town, which slopes away from the top of the hill, has an up-to-date appearance and is a favorite place for suburban residences of wealthy Londoners. The road leading down the hill from the church turned sharply out of view, and just as we were beginning the descent a gentleman hastened to us and cautioned us not to undertake it. He said that numerous motors had been wrecked in the attempt. We went down by a roundabout way, but when we came to pass the hill at its foot, we found it was not nearly so steep as some we had already passed over.
Two or three hours over narrow and generally bad roads for England brought us to the village of Chalfont St. Giles, where John Milton made his residence while writing "Paradise Lost." It is a retired little place, mere lanes leading into it. The shriek of the railroad train does not disturb its quietude, the nearest station being several miles away. The village doubtless appears much as it did in Milton's time, three hundred years ago, and the cottage which he occupied stands practically unaltered. A notice posted outside stated that the cottage would not be shown on Sunday. But such announcements had little terror for us by this time, and we found no difficulty in gaining admittance to the quaint little building. It is in the Elizabethan style, with half-timber frame and sagging tile roof. The windows have small, diamond-shaped panes of leaded glass set in rude iron frames and open on a typical English flower garden. The villagers purchased the cottage by public subscription and its preservation is thus fortunately insured. The tenant acts as caretaker and apparently takes pride in keeping the place in order. The poet's room, directly on the right when entering, is rather dark, and has a low-beamed ceiling. There is a wide fireplace with the old time appliances accompanying it, and one can imagine the blind poet sitting by his fireside on winter days or enjoying the sweetness that in summertime came through the antique windows from the flower garden. Here he dictated "Paradise Lost" to his daughter, who acted as his secretary. One can not help contrasting the unsurpassed majesty and dignity of the great poem with the humble and even rude surroundings of the cottage. Milton came here in 1665 to escape the plague which was then devastating London. His eldest daughter was at that time about seventeen years of age, and there is reason to believe that she was with him during his stay in St. Giles. We were delighted with the place, for we had seen little else more typical of old-time England than this cottage, which would have been worth seeing aside from its connection with the great epic poet. In front was the garden, a blaze of bright colors, and the walls were half hidden by climbing rose-vines in full boom—for the roses in England stay much later in the summer than they do with us. The entrance to the cottage fronts on the garden. There is no door next the street, the great chimney built on the outside leaving no room for one.
