Nothing could be more delightful on the evening of a fine summer day than to wander about the town and to view the church tower and castle walls from different angles. Our favorite walk was over the castle bridge and along the river, whose waters beyond the weir lay broad and still, reflecting the gray towers far above. One will find few more romantic sights than the rugged bulk of Ludlow Castle, standing on its clifflike eminence in sharp outline against the evening sky. Just beneath rise the ranks of stately lime trees bordering the pleasant walk cut in the hill slope, which falls sharply to a narrow bank along the river. One may complete the circuit by following the path between the trees and making a rather steep descent to the road along the bank.
The river above the weir is radiant with the reflected glories of the skies; and the rush of the falling water alone breaks on the evening stillness. We linger long; the crimson fades from the heavens and river, but a new, almost ethereal beauty possesses the scene under the dominance of a full summer moon. The walls and towers lose their traces of decay in the softened light, and one might easily imagine Ludlow Castle, proud and threatening, as it stood in the good old times. Did we catch a glint of armor on yonder grim old tower, or a gleam of rushlight through its ruinous windows? But our reverie vanishes as the notes of “Home Sweet Home” come to us, clear and sweet from the church tower chime.
LUDLOW CASTLE, THE WALK BENEATH THE WALL.
I wish I might write the fuller story of the castle, but its eight hundred years were too eventful for the limits of my book. A few scattered incidents of its romance are all that I may essay—and one can but keenly regret that Walter Scott did not throw the enchantment of his story over Ludlow rather than the less deserving Kenilworth.
The castle was built soon after the Conquest, and its warlike history begins with a siege by King Stephen, who wrested it from its founders, the Mortimers, and presented it to his favorite, the doughty warrior, Joce de Dinan. He greatly enlarged and improved it, but was sorely troubled by Hugh Mortimer, the erstwhile lord of the castle, who soon made open war upon its new possessor. Joce was no match for his adversary in men and wealth, but managed to capture Mortimer by strategy and imprisoned him in the tower which still bears his name. His captivity was not of long duration, since Joce allowed him to purchase his freedom at the cost of a large part of his wealth.
After this, according to the old chronicles, began the bloody strife between de Dinan and the DeLacys over a portion of an estate in the valley of the Teme. Finally, after many fierce conflicts, the two feudal lords met face to face under the walls of Ludlow and engaged in deadly combat. The redoubtable Joce had just worsted his opponent when three of the latter’s followers appeared on the scene, and finding the lord of Ludlow already wounded and quite exhausted, his defeat and even death at the hands of his enemies seemed imminent. From the castle towers his lady and fair daughters, Sybil and Hawyse, who had watched the fray with sinking hearts, now rent the air with their cries of despair, but the castle was deserted by the men-at-arms, and only Fulke Fitzwarrene, a youth of seventeen, who was considered too young and inexperienced for bearing arms, remained. He was of noble birth, lord of the manor of Whittington in Salop—and did we not see the ivy-clad ruin of his castle?—and he had been placed in the family of de Dinan to be trained in the noble art of warfare, the only one considered fit for a gentleman of those days. When he responded to the cries of the distressed ladies, the fair Hawyse, whose beauty had already wrought havoc with the heart of the bashful Fulke, turned upon him with all the fury she could summon:
“Coward, what doest thou loitering here when my father, who gives thee shelter and protection, is being done to death in yonder valley?”
Stung by the maiden’s words, Fulke paused not for reply. He snatched a rusty helmet and battleaxe from the great hall and, no war steeds being in the castle, flung himself on a lumbering draught horse and galloped away to his patron’s rescue. Shall we tell of his doughty deeds in the quaint language and style of the old chronicler?