“That matters not; defend yourself or die.” And with these words the impetuous young nobleman rushed upon the object of his wrath. But Friedrich was no insignificant antagonist; he had served in the army and had acquired the tricks of sword-play, and for a contest that required a cool indifference to life or death, his mood was far the better of the two. Little caring what his fate might be and without further words he coolly met the onslaught of his unknown enemy. Such was Heinrich’s fury that he quite disregarded caution in his desire to overcome an opponent whom he despised. Such a contest could not be of long duration. In a violent lunge which the artist avoided, the nobleman’s foot slipped on the sward and he was transfixed by his adversary’s rapier. With scarce a groan he expired and Friedrich, hardly looking at his prostrate foe, exclaimed:
“You fool, you have brought your fate upon yourself!” and, as he sheathed his sword, added, “Who you were and why you did so set upon me I cannot conceive, but it matters not; I doubt not that the confessor to whom I go will readily absolve me from this deed.”
He pursued his lonely way to the river’s edge, where he stepped into a small boat and as he moved from the shore he muttered, “O, Elsa, Elsa, he who would give an earthly life for love might be counted a madman; what then of one who seeks to barter eternity for thee?” He soon reached the opposite bank of the river and began the steep ascent to the ruined castle. He beheld, in the gathering twilight, the same romantic scenes that had so thrilled him but two days ago and could scarce believe himself the same man. Darkness was rapidly gathering and by the time he reached the ruin the last glow of sunset had faded from the sky. He crossed the tottering bridge over the empty moat and entered the desolate courtyard. Here, in the uncertain gloom of the lonely ruin, he must wait the coming of midnight and wear away as best he could the ghostly monotony of the passing hours. But his purpose was fixed; his desperation had been only increased by the events of the day, and seating himself on a fragment of the wall he determined to endure whatever came. He heard the great cathedral bell of the distant town toll hour after hour and when midnight drew near he unfalteringly entered the vast deserted hall of state. Here he lighted his small lamp, whose feeble beams struggled fitfully with the shadows of the huge apartment. He drew forth the parchment—he had not mustered courage to look at it since morning—and as the last stroke of the great bell died in the gloom, he muttered the strange language of the incantation. Suddenly there came a rushing sound as of a gust of wind, which extinguished his lamp, and, forgetting that he must repeat the fatal words, he let the parchment fall. The wind whiffed it he knew not whither. No visible shape came before him, but in a moment he felt the awful presence and a voice sepulchral and stony came out of the darkness:
“Mortal, who art thou that dost thus summon me? What wilt thou?”
Sick with terror and yet determined even to death, Friedrich answered: “And knowest thou not? Men speak thee omniscient. But I can tell thee of my hopeless love—”
“Nay, I know all,” continued the voice. “Relight thy lamp and I will tell thee how thou mayst gain thy desire.”
Trembling, Friedrich obeyed and looked wildly about, expecting the visible form of the Fiend, but he saw nothing. Yet he felt the horrid presence and knew that his awful visitant was near at hand.
From out of the darkness a heavy iron-clasped book fell at his feet and the voice continued: “Open a vein and sign thy name in the book with blood.”
Friedrich with changeless determination obeyed and the book disappeared.
“Take this gold,” said his dreadful monitor, and a heavy bag fell at the artist’s feet with a crash, “and I will give thee graces to win the fair one’s heart. Repeat the incantation that I may depart.”