And now a weird, dirge-like note creeps down the sun-bathed street, and a murmur follows it through the craning, nudging crowd. The end, the crown, of the pageant is suddenly in view. It is all shining celestial white now, as the choristers sweep slowly by in their spotless lawn and lace, chanting their pseudo-requiem as they move. Behind them a bevy of major priests, of comfortable figure, gorgeously caparisoned. Little scarlet-robed acolytes walking backwards and strewing the way with rich-hued flowers; swinging censers vouchsafing their hallow of dim smoke upon the common air. And then at last—under the great square baldacchino—the old Roman bishop himself, holding aloft the precious monstrance, like a glittering captive star.
A vision now of billowing white and gold; and the low, sad chant swelling, falling; and the languorous fragrance of the incense and the trampled flowers. Wrapped to the eyes in his heavy, gilt-encrusted cope, the old priest grasps his cherished burden with all the little might of his trembling blue-veined hands. His eyes are on the gold-rayed treasure-casket, held but an inch or two beyond his flushed, illuminated face. A trance-like stupor seems to be upon him as he moves, guided on either side by those other two, almost as splendidly robed as himself, who keep a grip on the fringe of his silken coat, and lead him onward in his passionate ecstasy, treading thin air, enrapt, magnificent with other-worldly light.
It is over now. The great canopy has moved on, its bearers keeping ceremonious step and step. More richly accoutred priests follow in a holy rear-guard. Then the crowd closes up eagerly behind, and surges after them, bare-headed, jostling together; catching now and again a phrase of the mournful melody, and giving it an echo that sobs away into silence far in the sunny length of the street.
As I stand apart, here in the deep shadow of the convent wall, the thronging multitude sweeps by, growing thinner with every moment. The gleaming star of the monstrance sends back a last clear flash of sunlight as it turns the distant foot of the hill. Soon the straggling human fringe of the procession vanishes after it. A debris of blossom litters the long deserted way. Flags and streamers wave their bright hues over the dusty solitude. The street is forsaken, quiet again; save for the bells in the upper air, and the wind in the trees.
JUNE
I
This morning, for the first time in the year, I found myself unconsciously taking the shady side of the way. It was a small thing, truly; but it stood as an index of something great, perhaps the most portentous thing that happens annually in the life of him who is a countryman at heart and not merely by name. Summer had come in. It was not only that the calendar told me the month was June. I felt it in the sunbeams, saw it in the hedgerows and trees, read it in the pure azure of the summer sky. I took the shady side of the lane unthinkingly, and laughed because I did it;—not that I laughed for that alone, but because gladness was welling up within me unbidden, irresistible: I laughed for the same reason that the nightingale sang in the green brier-thicket hard by.
I stopped to listen to the song. It was June, and the nightingales would not be singing much longer. Perhaps in a week’s time, at the worst, their music would be done. I silenced my footfall in the long grass by the wayside, and crept up close to the nightingale’s bower.
Every year a nightingale came to this brier-bush, and sang there as she was singing now. The hedge was a very old one, lifting its dense green barrier ten feet or more against the sunny southern sky; and, in all the years I could recall, the brier-bush had never been without its nightingale. This one must have her nest close by, where all her ancestors must have built their nests, for how many generations back, who can say? The life of this old hedge, towering far above me, and nearly as broad as it was high, could not be compassed by a man’s life. It was thick and tall when the oldest in the village was but a child. At long irregular intervals of years it had been trimmed, cut back; but the growth of the gnarled old stems, where they sprang from the ground, had not been checked. There its age stood recorded; and it would be little wide of the truth to think of it as already thick and tall, already the traditional singing-place of this race of nightingales, a full hundred years ago.
The brier-bush stood on the shady side of the way. The nightingale had her perch in the sunshine beyond, so that the song filtered down to me through the tangle of intervening leaves. And yet it was not so much a song as a detached, occasional reverie on the summer’s morning. There is always this about the music of the summer migrant birds. They are creatures of eternal sunshine. Their life is no give-and-take of good and evil, like that of the birds who stay with us all the year through. They have no need to hearten themselves with memories of bygone sunbeams, to bring brightness from within when all without is lowering and grey. Wisely following the sun about the world from season to season, they ensure for themselves that the joy they sing of is never a memory, but always the expression of the moment’s living fact: they have but to turn the vision, the aspect of the hour, into its equivalent of music.