"Que toujours, dans mon cœur,

Jésus soit le vainqueur!"

and a member of Parliament exclaimed on reading it, "Where the devil will religion lodge next!"

He was condemned by Parliament on the 2d of May, 1610, to a death so appalling that one wonders how the mere words of the sentence can have been pronounced. Our own ancient penalty for high treason was a mild infliction in comparison with this. Before being led to execution, Ravaillac did penance in the streets of Paris, wearing a shirt only and carrying a lighted torch or candle, two pounds in weight. Taken next to the Place de Grève, he was stripped for execution, and the dagger with which he had twice struck the King was placed in his right hand. He was then put to death in the following manner. His flesh was torn in eight places with red-hot pincers, and molten lead, pitch, brimstone, wax, and boiling oil were poured upon the wounds. This done, his body was torn asunder by four horses; the trunk and limbs were burned to ashes, and the ashes were scattered to the winds.

Eight assassins had preceded Ravaillac in attempts on the life of Henri IV., and six of them had paid this outrageous forfeit. The torments of the Conciergerie and the Place de Grève were bequeathed by these to the regicide of 1610, and Ravaillac left them a legacy to Robert François Damiens.

The Tower of Ravaillac was equally the Tower of Damiens. François Damiens, a bilious and pious creature of the Jesuits, not unfamiliar with crime, pricked Louis, as his Majesty was starting for a drive, with a weapon scarcely more formidable than a penknife. He was seized on the spot, and there were found on him another and a larger knife, thirty-seven louis d'or, some silver, and a book of devotions,—the assassins of the Kings of France were always pious men. "Horribly tortured," he confessed nothing at first, and it is by no means certain what was the nature or importance of his subsequent avowals. But, although there is little question that Damiens was merely the instrument of a conspiracy more or less redoubtable, no effort was made to arraign, arrest, or discover his supposed accomplices. The examination and trial, conducted with none of the publicity which such a crime demanded, were in the hands of persons chosen by the court, "persons suspected of partiality," says Dulaure, "and bidden to condemn the assassin without concerning themselves about those who had set him on—which gives colour to the belief, that they were too high to be touched" (que ces derniers étaient puissans).

One hundred and forty-seven years had passed since the Paris Parliament's inhuman sentence on Ravaillac, but not a detail of it was spared to Damiens on the 28th of March, 1757. Enough of such atrocities.

In the days of the Regency there was in one of the suburbs of Paris a tea-garden which was at once popular and fashionable under the name of La Courtille. In the groves of La Courtille, on summer evenings, amid lights and music, russet-coated burghers might almost touch elbows with "high-rouged dames of the palace"; and here one night Mesdames de Parabère and de Prie brought a party of elegant revellers. As one of the guests strolled apart, humming an air, he was approached softly from behind, and a hand was laid upon his shoulder.

"My gallant mask, I know you! So you have left Normandy, eh? Well, you have made us suffer much, but I fancy it will be our turn now. One of our cells has long been ready for you, and you shall sleep at the Conciergerie to-night. Cartouche!"

Yes, it was indeed the great Cartouche whom a deft detective had trapped on the sward of La Courtille. The capture was a notable one, and the next day and for many days to come Paris could not make enough of it,—Paris which had suffered beatings, plunderings, and assassinations at the hands of Cartouche and his band for ten years past. He lay three months at the Conciergerie, and every day his fame increased. The Regent's finances and the "ministerial rigours" of Dubois were disregarded; Cartouche was a godsend to rhymesters, journalists, wits, and diners-out; pretty lips repeated the dubious history of his amours, and a theatrical gentleman announced a "comedy" named after the distinguished cut-throat. Cartouche awaited stoically enough death by breaking on the wheel. It required a severe application of the Question to bring him to a betrayal of his band, but "his tongue once loosed, he passed an entire night in naming the companions of his crimes." The villain even denounced "three pretty women who had been his mistresses."