From Asia we come to Africa, and to Egypt, that wonderful land with a lithographed history at least five thousand years old; a land that basked in the sunshine of civilization and culture when nearly the whole world without was in shadow and gloom. The mighty pyramid of Gizeh still stands, a monument of former national greatness, and a marvel to the admirer of sublimity in design and perfection in execution. "The setting of the sides to the cardinal points is so exact as to prove that the Egyptians were excellent observers of the elementary facts of astronomy." [183] But they went farther. Diodorus says: "The first generation of men in Egypt, contemplating the beauty of the superior world, and admiring with astonishment the frame and order of the universe, judged that there were two chief gods that were eternal, that is to say, the sun and the moon, the first of which they called Osiris, and the other Isis." [184] This passage is proof that the Greeks and Romans had a very limited acquaintance with Egyptian mythology; for the historian was indubitably in error in supposing Osiris and Isis to be sun and moon. But he was right in calling the sun and moon the first gods of the Egyptians. Rawlinson says: "The Egyptians had two moon-gods, Khons or Khonsu, and Tet or Thoth." [185] Dr. Birch has translated an inscription relating to Thoth, which reads: "All eyes are open on thee, and all men worship thee as a god." [186] And M. Renouf says: "The Egyptian god Tehuti is known to the readers of Plato under the name of Thōyth. He represents the moon, which he wears upon his head, either as crescent or as full disk." [187] The same learned Egyptologist tells us that Khonsu or Chonsu was one of the triad of Theban gods, and was the moon one of his attributes being the reckoner of time. [188] Of the former divinity, Rawlinson relates an instructive myth. "According to one legend Thoth once wrote a wonderful book, full of wisdom and science, containing in it everything relating to the fowls of the air, the fishes of the sea, and the four-footed beasts of the mountains. The man who knew a single page of the work could charm the heaven, the earth, the great abyss, the mountains and the seas. This marvellous composition he inclosed in a box of gold, which he placed within a box of silver; the box of silver within a box of ivory and ebony, and that again within a box of bronze; the box of bronze within a box of brass; and the box of brass within a box of iron; and the book, thus guarded, he threw into the Nile at Coptos. The fact became known, and the book was searched for and found. It gave its possessor vast knowledge and magical power, but it always brought on him misfortune. What became of it ultimately does not appear in the manuscript from which this account is taken; but the moral of the story seems to be the common one, that unlawful knowledge is punished by all kinds of calamity." [189] There is also a story of the moon-god Chonsu, which is worthy of repetition. Its original is in the Bibliothèque Nationale at Paris, and for its first translation we are indebted to Dr. Birch, of the British Museum. [190] A certain Asiatic princess of Bechten, wherever that was, was possessed by a spirit. Being connected, through her sister's marriage, with the court of Egypt, on her falling ill, an Egyptian practitioner was summoned to her aid. He declared that she had a demon, with which he himself was unable to cope. Thereupon the image of the moon-god Chonsu was despatched in his mystic ark, for the purpose of exorcising the spirit and delivering the princess. The demon at once yielded to the divine influence; and the king of Bechten was so delighted that he kept the image in his possession for upwards of three years. In consequence of an alarming dream he then sent him back to Egypt with presents of great value. Whatever evil powers the moon may have exerted since, we must credit him with having once ejected an evil spirit and prolonged a royal life.
Returning to Thoth, we find the following valuable hints in the great work of Baron Bunsen:--"The connection between Tet and the moon may allude, according to Wilkinson, to the primitive use of a lunar year. The ancients had already remarked that the moon in Egyptian was masculine, not feminine, as the Greeks and Romans generally made it. Still we have no right to suppose a particular moon-god, separate from Thoth. We meet with a deity called after the moon (Aah) either as a mere personification, or as Thoth, in whom the agency of the moon and nature become a living principle. We find him so represented in the tombs of the Ramesseum, opposite to Phre; a similar representation in Dendyra is probably symbolical. According to Champollion he is often seen in the train of Ammon, and then he is Thoth. He makes him green, with the four sceptres and cup of Ptah, by the side of which, however, is a sort of Horus curl, the infantine lock, as child or son. In the inscriptions there is usually only the crescent, but on one occasion the sign nuter (god) is added. In the tombs a moon-god is represented sitting on a bark, and holding the sceptre of benign power, to whom two Cynocephali are doing homage, followed by the Crescent and Nuter god. Lastly, the same god is found in a standing posture, worshipped by two souls and two Cynocephali." [191]
With these "dog-headed" worshippers of the moon may be associated another animal that from an early date has been connected with the luminaries of the day and night. We saw that the Australian moon-myth of Mityan was of a native cat. Renouf says: "It is not improbable that the cat, in Egyptian mäu, became the symbol of the Sun-god, or Day, because the word mäu also means light." [192] Charles James Fox, with no thought of Egyptian, told the Prince of Wales that "cats always prefer the sunshine." The native land of this domestic pet, or nuisance, is certainly Persia, and some etymologists assign pers as the origin of puss. Be this as it may, the pupil of a cat's eye is singularly changeable, dilating from the narrow line in the day-time to the luminous orb in the dark. On this account the cat is likened to the moon. But in Egypt feline eyes shine with supernatural lustre. Mr. Hyde Clarke tells us that "the mummies of cats, which Herodotus saw at Bubastis, attested then, as they do now, to the dedication of the cat to Pasht, the moon, and the veneration of the Egyptians for this animal. The cat must have been known to man, and have been named at least as early as the origin of language. The superstition of its connection with the moon is also of pre-historic date, and not invented by the Egyptians. According to Plutarch, a cat placed in a lustrum denoted the moon, illustrating the mutual symbology. He supposes that this is because the pupils of a cat's eyes dilate and decrease with the moon. The reason most probably depends, as before intimated, on another phenomenon of periodicity corresponding to the month. Dr. Rae has, however, called my attention to another possible cause of the association, which is the fact that the cat's eyes glisten at night or in the dark. It is to be observed that the name of the sun in the Malayan and North American languages is the day-eye, or sky-eye, and that of the moon the night-eye." [193] Our own daisy, too, is the day's eye, resembling the sun, and opening its little pearly lashes when the spring wakes to newness of life.
The Nubians "pay adoration to the moon; and that their worship is performed with pleasure and satisfaction, is obvious every night that she shines. Coming out from the darkness of their huts, they say a few words upon seeing her brightness, and testify great joy, by motions of their feet and hands, at the first appearance of the new moon." [194] The Shangalla worship the moon, and think that "a star passing near the horns of the moon denotes the coming of an enemy." [195] In Western Africa moon-worship is very prevalent. Merolla says: "They that keep idols in their houses, every first day of the moon are obliged to anoint them with a sort of red wood powdered. At the appearance of every new moon, these people fall on their knees, or else cry out, standing and clapping their hands, 'So may I renew my life as thou art renewed.'" [196]
H. H. Johnston, Esq., F.Z.S., F.R.G.S., who had just returned from the region of the Congo, related the following curious incident before the Anthropological Institute, in January, 1884. It looks remarkably like a relic of ancient worship, which gave the fruit of the body for the sin of the soul, and committed murder on earth to awaken mercy in heaven! "At certain villages between Manyanga and Isangila there are curious eunuch dances to celebrate the new moon, in which a white cock is thrown up into the air alive, with clipped wings, and as it falls towards the ground it is caught and plucked by the eunuchs. I was told that originally this used to be a human sacrifice, and that a young boy or girl was thrown up into the air and torn to pieces by the eunuchs as he or she fell, but that of late years slaves had got scarce or manners milder, and a white cock was now substituted." [197]
The Mandingoes are more attracted to the varying moon than to the sun. "On the first appearance of the new moon, which they look upon to be newly created, the Pagan natives, as well as Mahomedans, say a short prayer; and this seems to be the only visible adoration which the Kaffirs offer up to the Supreme Being." The purport of this prayer is "to return thanks to God for His kindness through the existence of the past moon, and to solicit a continuation of His favour during that of the new one." [198] Park writes on another page: "When the fast month was almost at an end, the Bushreens assembled at the Misura to watch for the appearance of the new moon; but the evening being rather cloudy, they were for some time disappointed, and a number of them had gone home with a resolution to fast another day, when on a sudden this delightful object showed her sharp horns from behind a cloud, and was welcomed with the clapping of hands, beating of drums, firing muskets, and other marks of rejoicing." [199] The Makololo and Bechuana custom of greeting the new moon is curious. "They watch most eagerly for the first glimpse of the new moon, and when they perceive the faint outline after the sun has set deep in the west, they utter a loud shout of 'Kuā!' and vociferate prayers to it." [200] The degraded Hottentots have not much improved since Bory de St. Vincent described them as "brutish, lazy, and stupid," and their worship of the moon is still demonstrative, as when Kolben wrote: "These dances and noises are religious honours and invocations to the moon. They call her Gounja. The Supreme they call Gounja-Gounja, or Gounja Ticquoa, the god of gods, and place him far above the moon. The moon, with them, is an inferior visible god--the subject and representation of the High and Invisible. They judge the moon to have the disposal of the weather, and invoke her for such as they want. They assemble for the celebration of her worship at full and change constantly. No inclemency of the weather prevents them. And their behaviour at those times is indeed very astonishing. They throw their bodies into a thousand different distortions, and make mouths and faces strangely ridiculous and horrid. Now they throw themselves flat on the ground, screaming out a strange, unintelligible jargon. Then jumping up on a sudden, and stamping like mad (insomuch that they make the ground shake), they direct, with open throats, the following expressions, among others, to the moon: 'I salute you; you are welcome. Grant us fodder for our cattle and milk in abundance.' These and other addresses to the moon they repeat over and over, accompanying them with dancing and clapping of hands. At the end of the dance they sing 'Ho! Ho! Ho! Ho!' many times over, with a variation of notes; which being accompanied with clapping of hands makes a very odd and a very merry entertainment to a stranger." [201] In reality they hold a primitive watch-night service; their welcome of the new moon being very similar to our popular welcome of the new year. Nor should it be omitted that the ancient Ethiopians worshipped the moon; and that those who lived above Meroë admitted the existence of eternal and incorruptible gods, among which the moon ranked as a chief divinity.
Descending the Nile and crossing the Mediterranean, we come to Greece.
"The isles of Greece, the isles of Greece
Where burning Sappho loved and sung,
Where grew the arts of war and peace,
Where Delos rose, and Phoebus sprung
Eternal summer gilds them yet,
But all, except their sun, is set." [202]
Yes, Pericles and Plato, Sophocles and Pheidias, are dust; and much of their nation's pristine glory has "melted into the infinite azure of the past": but the sun shines as youthful yet as on that eventful day when unwearied he sank in ocean, "loth, and ere his time:
"So the sun sank, and all the host had rest
From onset and the changeful chance of war." [203]