In the composition and mythical animation of the world, whether by special personifications or by those which are typical, and by the sensations corresponding to them, man makes a fanciful classification of phenomena, he observes and studies their beneficial or injurious effects on himself, and in this empirical way is able to estimate their value. On the other hand, he rises in the social scale by means of his superstitious and religious feelings, which act as a stimulus and symbol, so far as he subjects his animal and perverse instincts to the deliberate precepts which he imagines to be expressed by these myths.
In so far as the empirical observation of things is irrational, and obedience is paid to the fanciful precepts of oracles, it is not the result of an explicit moral law, yet there is on the one side some knowledge of the qualities, habits, and periods of things, and on the other a civil and human order which is gradually formed and developed. In fact, in the case of the higher historical races it is important to make a more explicit and accurate study of the fetish religion, that is, of the mythical animation of any special phenomenon or thing. Although the scope of such religion is superstitious veneration, or abject fear, yet it is impossible that it should not induce a more precise and less confused notion of the relative condition of things. In this way observation becomes more accurate, and the intrinsic use of the thing is often recognized. By the gradual exercise of such analysis in the case of all or most phenomena, man obtains a clearer knowledge of his environment.
While a juster estimate of the empiric value of special objects is obtained in this manner, the subsequent, though sometimes mistaken classification of their specific types enables the mind to arrange his knowledge of natural things in a more synthetic and orderly way, and by such classification man is always tending towards a more universal unity: he places the general forms of phenomena in an ideal harmony, which fancifully symbolizes their laws.
In the succeeding chapters we shall see how this process is accomplished, and how it leads up to the explicit exercise of the reason. A more definite empiric knowledge, and the harmonious classification of specific types with a view to unity, are a proof of a relatively greater improvement, both in civilization and morality. This is abundantly shown in all those peoples who have attained to an altogether anthropomorphic polytheism, either among the Aryans, prior to their dispersion, in the Vedic period in India, among the Celts, Græco-Latins, Germans, Slavs, or in the Finnish races, Mongols, Chinese, Assyrians, Egyptians, Mexicans, and Peruvians, as well as among the barbarous peoples of modern times.
The imagination, the faculty which creates and excites phantasms in man, is not, as is erroneously supposed, the primary source of myths, but only that which in a secondary degree elaborates and perfects their spontaneous forms; and precisely because it is near akin to this primordial mythical faculty, it goes on to organize and classify these polytheistic myths. By a moral and necessary development an approximation is made, if not to truth itself, at any rate to its symbols; whence reason is afterwards more easily infused into myth on the one side, and on the other it is resolved into rational ideas and cosmic laws. It was in this way that poets perfected myth in its influence on virtue and civilization, and by them it was directed into the paths of science and of truth.
As Dr. Zeller has well said in his lecture on the development of monotheism in Greece herself, the great Greek poets were her first thinkers, her sages, as they were afterwards called. They sang of Zeus, and exalted him as the defender of righteousness, the representative of moral order. Archilocus says that Zeus weighs and measures all the actions of good and evil men, as well as those of animals. He is, said Terpandros somewhat later, the source and ruler of all things. According to Simonides of Amorgos, the principle of all created things rests with him, and he rules the universe by his will. Thus, as time went on, Zeus became, in the general conception, the personification of the world's government, which was delivered from the fatality of destiny and from the promptings of caprice. Destiny which, according to the early mythical representation, it was impossible to escape, is resolved into the will of Zeus, and the other gods which were at first supposed to be able to oppose him, become his faithful ministers. Such is the teaching of Solon and of Epicharmos. "Be assured that nothing escapes the eyes of the divinity; God watches over us, and to him nothing is impossible."
This impulse of the imaginative faculty combined with the process of reason is most plainly seen in the conceptions of the three great poets of the fifth century, Pindar, Æschylus, and Sophocles. In the words of Pindar: "All things depend on God alone; all which befalls mortals, whether it be good or evil fortune, is due to Zeus: he can draw light from darkness, and can veil the sweet light of day in obscurity. No human action escapes him: happiness is found only in the way which leads to him; virtue and wisdom flow from him alone."
We find the same order and manner of thought in Æschylus, although he remained faithful to the polytheistic creed, which indeed confirms the truth of our theory. The moral law was gradually developed and purified by this long succession of poets, and it clearly appears from Æschylus and his successors how man reaps that which he has sown: he whose heart and hands are pure lives his life unmolested, while guilt sooner or later brings its own punishment with it. The Erynnyes rule the fates of men, and may be said to sap the vital forces of the guilty; they cleave to them, excite and stimulate them to madness until death comes. The ancient and mysterious mythical tradition of the strife between the old gods and the new was astutely used by Æschylus to teach us how the terrible vengeance of the Eumenides gradually gave place to a gentler and more humane law; just as the primitive despotism of Zeus was gradually transformed into a providential and moral rule of the universe.
Sophocles attained to a higher degree of perfection in the paths of gentleness. No ancient poet has spoken more nobly of the Deity, although his language is altogether polytheistic. He shows the highest reverence to the gods, whose power and laws rule all human life. On them all things depend, both good and evil, nor could any one violate with impunity the eternal order of things. No act or thought escapes the gods; they are the source of wisdom and happiness. Man must meekly comply with their precepts, and must offer up his pains and sorrows to Zeus.
These utterances of the ancient poets never go beyond the range of polytheism, yet they show how far intrinsic morality and truth were developed, even by the imaginative and mythical faculty of the human mind, during the gradual historical evolution of the race. The plurality of gods appears to be the manifestation of the divine principle; their action on the world lost almost all trace of arbitrary power and of their former versatility and caprice. The superstition of polytheism remained, but it had an inward tendency to more rational conceptions and principles.