But he tired of that, as he tired of everything else; and a chance visit to Jimmy, and the sight of Jimmy driving a pen furiously, while a printer's boy dangled his legs and strove not to whistle between his teeth, spurred Charlie to the knowledge that perhaps after all he had made another mistake, and that there was no reason why printers' boys should not wait on him. He went home, to fling easel and canvas and brushes aside, and to look for a pen that absolutely suited his hand.
He wrote something, and took it down to practical Jimmy; and practical Jimmy scanned it thoughtfully, and made suggestions—something on the lines of those given to himself some years back, by the young man in a certain office of a certain paper—the first for which Jimmy had worked. Charlie was deeply grateful, and took the thing away; looked at it on reaching home, and decided that Jimmy was altogether wrong about it; and pitched it into a corner after the easel and the canvases.
Yet he tried again—and yet again; flinging into each effort a fierce energy that carried him on feverishly for an hour or so; and then dropping the work, and never going back to it with any energy at all. Now and then he railed against his ill-luck; more often he laughed, and said it didn't matter. And slowly saw the fifty pounds dwindling, and told himself—or tried to tell himself—that that didn't matter. If only he had had the chance that Jimmy had had; if only he had had to fight his way as Jimmy had done; if only it had happened that he had not possessed a dear good father (much too good for him, he added sometimes in generous moments); he might really have done something. People had been a jolly sight too good to him—all the dear people he had met in the world had made the mistake of not treating him seriously. However, if once he did see the sort of work that would suit his temperament—well, he would astonish some people; and then they'd be sorry for some of the things they had said!
Weak himself, he carried with him a very pestilence of weakness; painted the world in grey and feeble colours for other people. Moira, seeing him apparently striving against dreadful odds, pitied him, and called the world hard for his sake; those who succeeded had been but lucky, she thought, and good-natured, laughing Charlie had been bruised by the world, and had not deserved his bruises. In a sense, setting the one man against the other, she wavered a little in her favour of Charlie; seemed to see in him one of those failures that yet are half-successes, because the failure is taken with a shrug, good-humouredly, and because he who fails is not strong enough to fight against it. Jimmy was all right; Jimmy had seemed to succeed from the very first, and his moments of poverty had been mere light accidents, to be set aside and forgotten. She knew but little of Jimmy's fight; she had only touched his life, as it were, when first that life blossomed, however humbly, into print.
The starved heart of the girl longed and hoped always for love; hoped unconsciously, just as it had done in the old days, when she had struggled so fiercely to be first with Old Paul. Above all, it has to be remembered that Charlie had come into her life—full of gaiety and light-heartedness—at a moment when that life was dull and grey and commonplace; and he bore upon him always, either in failure or success, the stamp of youth, and hope and cheeriness. On the darkest mornings, when the streets outside were hideous, and the young spirit of the girl was fighting fiercely against the restraint of those few sombre rooms, it was Charlie who could always come up the stairs two at a time; Charlie who could burst into the room with a laugh and a joke; Charlie who could drag her out into the streets for a walk; Charlie whose cheery tongue was never still. It was what she needed; it was more than food and drink to her then.
Jimmy, in a sense, stood aloof; Jimmy was on quite another plane. Once or twice, when she had mustered courage to go round to his rooms, he had been either very busy or else not there at all; she had had the long tramp back to Locker Street, Chelsea, with the thought uppermost in her mind that Jimmy was slipping away from her. She had hoped so much at the first; she was to draw Jimmy into that magic circle again; to open up afresh the half-worked gold mines of their childhood. But Jimmy was in a sense inaccessible.
To be put to the account of Charlie Purdue was his poverty, and the disaster that had fallen upon him. Moira made no count of right or wrong in such a matter as this; her friend was in trouble, and that was sufficient. Charlie had only to point to all he had endeavoured to do—his medical knowledge, in the right use of which he had failed (or so he told her) on a mere technical quibble of the examiners; his easel and brushes, in the use of which again he had failed because he had not had a fair start; his manuscripts—in which he had not been so lucky as a certain Jimmy Larrance. Only give him an opportunity, he asserted passionately again and again, and he'd soon show them.
But the opportunity did not come, and the money steadily dwindled. Charlie became for the first time in his life a little careless in regard to his dress, and a little shabby; took to sitting in his room the greater part of the day, staring into the fire, and smoking much. Moira would creep down to see him; opening the door a little way, and looking in, and calling to him softly; on which he would look round, and make a valiant effort to call up something resembling the old genial smile; and tell her with a nod that "it was all right; he was thinking about things." And she would go away heavy-hearted.
She went down one night, to find him sitting in the light of the fire, with his chin cocked in his hands; he did not look round as she entered. She crossed the room softly, and stood near him; put out a hand nervously, and touched him on the shoulder. He looked round at her with a whimsical smile; then stared again into the flames.
"Charlie—Charlie!" she whispered. "What are you going to do?"