The bridal of the earth and sky,
The dews shall weep thy fall to-night,
For thou must die."
—Herbert, Virtue.
THE FIVE-LINE STANZA.
I am inclined to think this one of the most musical forms of the stanza we possess. It is capable of almost endless variety, and the proportions of rhymes, three and two, seem to be especially conducive to harmony. It would be curious to go into the question how many popular poems are in this form. Here are two examples—both of them from favourite pieces:—
"Go, lovely rose,
Tell her that wastes her time and me,
That now she knows
When I resemble her to thee,