The Endymatia crossed the border-line between the sacred and profane. They were brightly costumed dances, and in demand for general entertainment. In connection with this group we find the first allusion to the highly modern institution of dancers’ “private engagements”—professionals aiding in the entertainment of dinner-parties. The Greek and Roman custom of seeing dancers instead of listening to after-dinner speeches is too well known to justify more than a mention.
These four groups are the fundamentals from which numberless other dances were derived, to be variously dedicated to gods, public events, abstract qualities, crops, and fighting. If no particular occasion offered, people would dance for the good reason that they felt like it, as Neapolitans dance the Tarantella to-day. To the
