The Dance: Its Place in Art and Life

by Troy Kinney; Margaret West Kinney

DICTIONNAIRE DE DANSE: Charles Compan. 1802.—Detailed instructions in social dances of the period. (French.)

Note.—The above-named works are not arranged in order either of chronology or importance.

INDEX

[A], [B], [C], [D], [E], [F], [G], [H], [I], [J], [K], [L], [M], [N], [O], [P], [Q], [R], [S], [T], [V], [W], [Z]

Adagio, [95].
Albert, dancer, [109].
Albertieri, Luigi, ballet-master;
definition balloné, [74];
Century Opera Company, [314].
Alegrias, Spanish dance, [134].
Alexander VI, see Pope.
Allard, Mlle., dancer, [107].
Allemande, the, court dance, [52].
Almées, the, tribe of dancers, [210].
Anacreon, [8].
Anderson, John Murray, dancer;
old court dances, [52];
modern ball-room dances, [272-303].
Animals, danced representations of, [19].
Anisfeldt, Boris, designer stage decorations, [264].
Anne of Austria, [49].
Antoinette, Marie, [53].
Arabesque (posture), [78].
Arabs, dancing of, [196] et seq.
Arbeau, Thoinet (anagram of Jehan Tabourot), Canon of Langres, choreographic historian. Ridicules opposition to dancing, [31].
Hints on deportment, [55].
See also Church.
Ariosto, Suppositi, performance in Vatican, [44].
Aristides, [8].
Aristodemus, dancer as ambassador, [8].
Ark of Covenant; see David.
Arms, positions of, ballet, [67].
See also Flamenco, Arabs.
Artificiality, charge of against ballet, [62], [63].
Assemblé (step), [69].
Attitude, [84].
Awakening of the Soul, dance, Egyptian, [210], [211].
Bacchu-ber, Savoyard observance, [186].
Bacon, Francis, composer of masques, [48].
Bakst, Léon; designer stage decorations, costumes, choreographer. Compared to Noverre, [105].
Part in Romantic movement, [248].
Ballet Academy, French National. Founded, [49];
Influence, [100].
Ballet Academy, Metropolitan Opera, see Metropolitan Opera.
Ballet Academy, Russian Imperial, see Russian.
Ballet, Classic, its artistic function, [60], [61]; [89-91], [96].
See also Expression.
Ballet dancers, effects of scarcity in America, [308-312].
Ballet Theater, American, outline for conduct of, [317-322].
Ballet (le) Comique de la Reine, [46].
Ballet technique, ballet steps, [65-97].
Ballet, Russian, see Russian Ballet.
Bolm, dancer, [247].
Balloné, [60], [73].
Baltarazini. See Beaujoyeulx.
Bathyllus, [25] et seq.
Battement, [71], [72].
Beaujoyeulx, ballet-master, (ex. see Blasis below) [45].
Belgium, dances of, [182] et seq.
Bible, The; references to dancing, [5].
Black Crook, The, [231] et seq.
Blasis, Carlo, ballet-master, writer on dancing, [110].
Bolero, the, Spanish dance, [146], [148].
Bolm, Adolf, dancer, [248].
Bonfanti, Marie, dancer, teacher, [232].
Boston, The, social dance; relation to other social dances, [272].
Execution, [284-288] incl.
Boston Dip, see Dip.
Boston Waltz. See Boston.
Boucher, designed stage decorations, [104].
Bourrée, la, French dance, [52], [54], [183].
Branle, family of dances; B. du Haut Barrois, B. des Lavandières, B. des Ermites, B. des Flambeaux, [55].
Brisé (step), [73].
Brunelleschi, stage decorations, [44].
Bulerias, Spanish dance, [134].
Burlesque, [229].
Cabriole, [72].
Cachucha, the, Spanish dance, [111], [140].
Canadian Royal Opera Company, ballet, [314].
Camargo, dancer, [50] et seq.
Place in art, [59] et seq.
Influence on costume, [100].
Quality of work, [107].
Can-Can, The, dance of Montmartre, [229].
Cansino, Antonio, teacher, [124].
Cansino, Elisa, dancer, [135].
Cansino, Eduardo, dancer, observer of work of Gipsies, [126], [134].
Carmencita, dancer, [139].
Influence in America, [239].
Carnaval, le, ballet drama, [268].
Caryatis, dance. Sacred to Diana, [13].
Castanets, Spanish use of, [131], [147], [148], [151], [152].
Castle, Mr. and Mrs. Vernon, dancers, [277].
Castle Walk, see Castle.
Caucasus, The, dancing in, [217].
Cavallazi, Malvina, preface.
Cecca, stage decorations, [44].
Ceccetti, E., ballet-master, teacher, [74], [89].
Cerezo, teacher, [146].
Cerito, Fanny, dancer, [118].
Chaconne, the, court dance, [52], [55].
Changement (step), [69].
Chaplin, Nellie, reviver of old English dances, teacher, [173].
Opinion concerning ball-room dancing of to-day, [303].
Characteristic dancing, contribution to ballet, [53].
Charles I, King of England, [48].
Chassé, [68].
China, dancing in, [224].
Chirinski-Chichmatoff, Princess, dancer; defines characteristic dancing, [193].
Russian Court Dance, [195].
Dancing in the Caucasus, [217].
Church, the Christian, St. Basil attributes dancing to angels, Emperor Julian reproved by St. Gregory, [30].
Canon of Langres ridicules opposition to dancing, [31].
Mozarabic mass, St. Isidore, [32].
Abuses complained of, [33].
Anecdote of the Fandango, [141].
Lerida Cathedral, Seville Cathedral, [142].
Scotland, [167].
Church, the Christian, relation to dancing, see also Pope.
Cicero, [27].
Ciociara, the, Italian dance, [162].
Clayton, Bessie, dancer, [93].
Cleopatre, ballet drama, [266].
Cobblers’ Dance, the, Swedish, [182].
Cobra Dance (India), [220].
Coles, Miss Cowper, reviver of old English dances, teacher, [173].
Collins, Lottie, dancer, [230].
Columbina, [157].
Composition (choreographic, general principles), [89], [90], [91].
Noverre’s influences, [105].
Arabic, [196] et seq., [204].
Fokine (hypothetical example), [264].
See also Expression.
Contredanse, type of dance, [184].
Coopers, Munich’s dance of, [186].
Cordax, Ancient Greek dance, [20].
Corybantes, taught mankind, to dance, [7].
Coppini, Ettore, dancer, ballet-master, [233].
Corte, the, figure of Argentine Tango, [295].
Cossack Dance, the, Russian, [190].
Cou-de-pied, sur le, see Pirouette.
Counter-time, Spanish use of, [126], [130].
Country dance, see Contredanse.
Coupé, [68].
Courante, the, court dance, [52], [56].
Court Dances, seventeenth century, [52] et seq.
Influence on modern ball-room dances, [303].
Crawford, Margaret, [53], [169].
Cybele. See Corybantes.
Czardas, the, Hungarian dance, [190], [192].
Daldans, the, Swedish dance, [182].
Danse caracteristique, la. See characteristic dancing.
Dauberval, dancer, [108].
da Vinci, Leonardo, stage decorations, [44].
David, danced before Ark of Covenant, [5].
de Botta, Bergonzio, ballet masque, [37] et seq.
de Medici, Catherine. Place in history
of ballet, [44];
organizer of, performer in, grand ballet, [46].
de Medici, Lorenzo, [45].
Decoration, analogy to dance, p. 2 of preface, [96], [97], [98].
Arabic, [196] et seq.
Egyptian, [209], [212].
See also Composition; Bakst.
de Staël, Madame, appreciation of Tarantella, [160].
de Valois, Marguerite, [54].
del Sarto, Andrea, stage decorations, [44].
Dervishes (Whirling), [90], [216].
See also Religions, non-Christian.
Developpé, [84].
Diagilew, Sergius, manager, [251], [252].
Dieu (le) Bleu, ballet drama, [268].
Dionysia, dances, sacred to Bacchus, [13].
Dip: the; of One-Step, [278];
of Boston, [285], [286], [287].
Duncan, Isadora, dancer. Source of inspiration, [11].
Her artistic beliefs, [241] et seq.;
early career, [243] et seq.;
influence on ballet, [246].
See also Russian Ballet; Expression.
Échappé, [70].
Egypt, Ancient, dancing in, [4].
Egypt, latter-day, dancing in, [209] et seq.
Eggs, Dance of (India), [220].
Eight, the, figure of One-Step, [279].
Elevation, defined, [75].
Elizabeth, Queen of England, [48].
Ellsler, Fanny, dancer, [110] et seq.
In America, [116].
Episode leading to retirement, [117].
Influence, [228].
See also Taglioni.
Emmeleia, group of ancient Greek dances, [11].
Enchainement, defined, its function in composition, [61].
Endymatia, group of ancient Greek dances, [11], [12].
Entrechat, step, used by Camargo, [60].
Execution, [72], [73].
Relation to ballet costume, [100].
Question of origin, [146].
Ethologues, school of pantomimists, [16].
Expression, abstract, [60], [61].
In ballet composition, [89], [90], [91].
Noverre’s ideals, [105].
Spanish Gipsy, [124] et seq.
Sevillanas, [138], [139].
See also Decoration, Composition.
St. Denis, [221].
Duncan, [243-246].
Bakst, [248], [249].
Russian re-creation of best Greek dramatic form, [251].
Extravaganza, [229].
Fandango, the, Spanish dance, [141], [142], [154].
Fantaisie, Fantasia (Arab), [207].
Farandole, the, French dance, [183].
Farruca, the, Spanish dance, [127] et seq.
Fatma, dancer, [199].
Feet, positions of. Ballet, [66].
Social dancing, [276].
Feis, Irish festival, [177-179].
Feu, la Danse de, see Fuller.
Fight with Shadow. Ancient Greek dance, [19].
Flamenco, type of Spanish dance, [124] et seq.
Fling, see Highland Fling.
Flour Dance, The (Arab), [205].
Fokine, Mikail, choreographer, teacher, dancer, ballet-master, [246].
Heads Romantic movement, [247].
Hypothetical instance of composition, [264].
Folk-dancing, influences upon it.
Place in dancing, etc., [164] et seq.
See also Characteristic Dancing.
Forlana, the, Italian dance, [156] et seq.
Fouetté, [75], [76].
France, folk-dances of, [183] et seq.
Fuller, Loïe, dancer, [235] et seq.
Gaditanae: see Spanish dancing.
Gaelic League, the, attitude toward dancing, [178].
Gaillarde, the, court dance, [43], [52], [55].
Galeazzo, Duke of Milan. See de Botta.
Galli, Rosina, dancer, [314].
Gardel, Maximilian, dancer.
Rebelled against mask, [102].
Example of effect of French Revolution, [108].
Garrotin, the, Spanish dance, [127], [134].
Gautier, Theophile, appreciation of Ellsler, [110].
Gavotte, the, court dance, [52], [53].
Geltzer, Katarina, dancer, [254].
Genée, Adeline, instance of virtuosity, [84].
Influence, [239].
Genée, Adeline, re-creations of art of historic dancers, [59].
Germany, dancing in, [184].
Geisha, [225].
Gigue, the, Italian dance, [43], [162].
See also Jig.
Ginsberg, Baron, [252].
Gipsy, Spanish, type of dancing, [124].
Pantomime, [125], [126].
Relation to Spanish dancing, [128] et seq.
Gitanita, La, dancer, [94] et seq.
Glazounow, musical composer, [248].
Glissade, Glissé, [68].
Gluck, musical composer, [105].
Grahn, Lucille, dancer, [118].
Grape-Vine, the, figure of One-Step, [278].
Greece, ancient, dancing in, [6] et seq.
Present day, [189], [190].
Grisi, Carlotta, dancer, [118].
Guimard, Madeleine, Dancer, [107].
Guerrero, Rosario, dancer, influence, [239].
Guerrero, Rosario, dancer, [139].
Gustavus III, King of Sweden, influence on dancing, [181].
Greeting, Dance of (Arab), [202].
Gymnopædia, group of ancient Greek dances, [11], [12].
Hamadsha, Mohammedan observance, [208] et seq.
See also Religions.
Handkerchief Dance, The (Arab), [205].
Harlequin, [157].
Hazélius, Dr., [180].
Hebrews, dancing of, [5], [45].
Henry IV, King of France, [48].
Henry VIII, King of England, [48].
Herodias, daughter of, [5].
Hesitation Waltz, The, social dance: place in modern ballroom, [272];
execution, [289], [290], [291].
Highland Fling, the, Scotch dance, [167] et seq.
Hill, Thomas, dancer, [175] et seq.
Hippoclides, [20].
Historians, their neglect of dancing, [9] et seq.
Holland, dances of, [182] et seq.
Horace, [27].
Hormos, dance of ancient Greece, [7].
Hornpipe, the Sailor’s, characteristic dance, [171].
Hornpipe, the, Irish dance, [174] et seq.
Hula-Hula, The, Hawaiian dance, [223].
Hungary, see Slavonic dances.
Hyporchema, group of ancient Greek dances, [11].
Iambic, dance, sacred to Mars, [13].
India, dancing in, [218] et seq.
See also St. Denis.
Inns of Court, produced masque, [48].
Ireland, dances of, [174] et seq.
Italian characteristic dances, details of costume, [159].
Israel, children of. See Moses.
Jaleo, informal accompaniment. Spanish dancing, [126].
Jarrett and Palmer, producers, [231].
Japan, dancing in, [225] et seq.
Javillier, dancer, [108].
Jeté, [70], [71].
Jeté tour, j. en tournant, [71].
Jeremiah, Book of, [5].
Jig, the Irish dance, [174] et seq.
John the Baptist. See Herodias, daughter of.
Jones, Inigo, stage decoration, [48].
Jonson, Ben, composer of masques, [48].
Jota aragonesa, la, Spanish dance, [124], [150-152].
Jota valenciana, la, Spanish dance, [153].
Judges, Book of, [5].
Julian, Emperor, see Church.
Jump, effect of length analysed, [86], [87].
Kadriljs, the, Swedish dance, [181].
Karsavina, Tamar, dancer, [248].
Kiralfy brothers, dancers, producers, [232] et seq.
Kolia, ancient Greek dance, [19].
Kolo, the, Servian dance, [189].
Kyasht, Lydia, dancer, facing p. [247].
La Gai, Louise, dancer, definition balloné, [74];
in Italian dances, [157] et seq.
Lac (le) des Cygnes, ballet, [268].
Lany, dancer, [108].
Le Brun, Father Pierre, see Church.
Leo X, see Pope.
Lezginkà, dance of the Caucasus, [217].
Lou Gué, [37].
Louis XIII, performer in ballets, [48].
Louis XIV, see Ballet Academy, French National.
Lind, Jenny, singer, [118].
Long, Patrick J., dancer, [176].
Lopoukowa, Lydia, dancer. Basis of academic training, [89].
Slavonic dances, [191].
Part in Romantic movement, [248].
Metropolitan Opera, [254].
Describes curriculum Imperial Academy, [261] et seq.;
affected by American conditions, [308], [309].
Ludiones, [25].
Lycurgus, regulations and recommendations concerning dancing, [7], [8].
Lyon, Genevieve, dancer, [274].
Lyon Chassé, the, figure of Hesitation Waltz, [290].
Maccabees, [5].
Malagueña (la) y el Torero, Spanish dance, [143], [144].
Castanets in la Jota.
Malagueñas las, Spanish dance, [144].
Managers, influence on dancing: Chicago World’s Fair, [237];
Jarrett and Palmer, The Black Crook, etc., [232] et seq.;
imitators, [233].
Sergius Diagilew, [251], [252].
Public’s share in blame for American conditions, [305].
Exceptional undesirables, [307].
Commercial exigencies, [308].
Manchegas, Spanish dance, [144].
Mandelkern, Joseph, manager, [248].
Mary, Queen of Scotland, [169].
Mascagni, Theodore, dancer, [156].
Marianas, Spanish dance, [134].
Mask, Origin, 18 (inference of Mme. L. Nelidow), [249].
Persistence, [101], [102].
Masque, early steps and elaboration, [36] et seq.
Mâtelot, the, Dutch dance, [182].
Mazurka, the, Russian dance, [190], [192].
Maxixe, the, Brazilian, social dance: place in modern ball-room, [272];
execution, [300], [301].
Media Luna, the, (la Demi-lune), figure of Argentine Tango, [296].
Memphitic, group of ancient Greek dances, [15].
Ménestrier, Father, choreographic historian, [29].
Metropolitan Opera Company. Russian ballet, [254].
Relation to music and dancing, [255], [309-314].
Military training, dance in, [14], [15].
Minuet, the, [52].
M. du Dauphin, M. de la Reine, M. d’Exaudet, M. de la Cour, [57].
Mirror, figure of Minuet, [57].
See also Bavarian.
Mohammed, see Religions, non-Christian.
Monteverde, musical composer, [39].
Moor: see Spanish dancing, also Oriental dancing.
Morality of dancing, see Church;
Religions, non-Christian;
Sex;
Tango.
Mordkin, Mikail, dancer. Part in Romantic movement, [248].
Metropolitan Opera, [254].
Moresca, the, [43].
Moritas, las, Spanish dance, [134].
Morra, la, see Tarantella.
Morris Dances, [172].
Moses; bids children of Israel dance,

[5].
Mourning, choreographic expression of, Greeks (ancient), [13].
Spanish Gipsies, [126].
Arabs, [207].
Mozarabe, see Church.
Mozart, musical composer, collaborated with Noverre, [106].
Municipal ballets, [6], [8].
Murray Anderson Turn, the, figure of One-Step, [281].
Music, analogy to, see Expression.
Nagel, Fred, dancer, [188].
Nagel, Mrs. Fred, dancer, [188].
Napoleon (Emperor), ballet in Egypt, [109].
Naturalism, consideration of. See Ballet, Classic.
Nautch Dance (India), [221].
Nemours, Duke of, Ballet of Gouty, [49].
Nicomedes, mother a dancer, [8].
Nijinski, Waslaw, dancer, [247], [248].
Noblet, dancer, [109].
Noverre, M., ballet-master. Reforms in French ballet, [103].
Collaboration with Gluck, [105].
Ballet compositions, [106].
Obertass, the, Polish dance, [192].
Oiseau (le) de Feu, ballet drama, [268].
One-step, the, social dance. Directions for execution, [277-283] incl.
Opera, ballet’s place in, [118], [119].
See also Metropolitan Opera.
Otero, dancer, [139], [239].
Otero, Jose, teacher, writer on Spanish dancing, [124].
Oriental dancing: distinguished from Occidental, [213-215].
See also St. Denis, Composition.
Ostrander, H. C., traveller, [208], [217].
Pas de Cheval, [85].
Pas de Chat, [85].
Pas de Basque (step), [74], [75].
Pas de Bourrée (step), [74].
Passecaille, the, court dance, [52].
Passepied, the, court dance, [52].
Pantomime, distinguished from abstract expression, [62] et seq.
Noverre, [107].
Spanish Gipsy, [125].
Arabic, [200] et seq.
Greek, [249], [250].
Rome, [250].
Augustin Daly’s interest in, [306].
See also Expression.
Pantalone, Doctor, [157].
Panaderos, los, Spanish dance, [149].
Pavane, the, court dance, [43], [56];
influence on social dancing of to-day, [271].
Pavillon (le) d’Armide, [268].
Pavlowa, Anna, dancer; academic discipline, [89].
Instance of virtuosity, [92].
Part in Romantic movement, [248].
Metropolitan Opera, [254].
Expression as to tendency of ball-room dancing, [303].
Canadian Royal Opera Company, [314].
Perchtentanz of Salzburg, [184], [185], [186].
Philip of Macedon, wife a dancer, [8].
Pirouette, defined, [76], [79].
Fouetté p., [76], [77];
variations, [78].
P. sur le Cou-de-pied, [79], [80];
P. composées, [81].
Pito, finger-snapping, accompaniment Spanish dancing, [131].
Plato, his valuation of dancing, [4], [7].
Plié, [75], [76].
Piqué tour, [89].
Pointe, sur la: in ancient Greece, [88];
erroneous ideas concerning, [93];
instances of, barefoot, [93], [94].
Poland, see Slavonic dances.
Polka, the, [181].
Pirouette, [76-81], [83].
Pope Alexander VI.
Pope Eugenius IV, [31].
Pope Leo X, [45].
Pope Sixtus IV, [45].
Pope Zacharias, [32].
Prince Igor, ballet drama, [266].
Prevost, Françoise, dancer, [49].
Public (American) in relation to dancing, [229], [232], [233], [269], [304] et seq.
Pylades, [25] et seq.
Pyrrhic, group of ancient Greek dances, [15].
Quadrille, see Contredanse.
Raphael, stage decorations, [44].
Rasch, Albertina, dancer, [314].
Reel, the, Irish dance, [174] et seq.
Reel, the, Scotch dance, [170].
Reel of Tulloch, the, Scotch dance, [170].
Relevé, [69], [70].
Religions, non-Christian, Greek, [6] et seq.
Religions, non-Christian, relation to dancing. Egyptian, [4].
Greek, [4], [11] et seq.
Roman, [24], [25].
Mohammedan, [196] et seq.
Dervishes, [216].
Hamadsha, [208] et seq.
India, [224].
René, King of Provence, [36].
Renversé, its æsthetic significance, [61].
Revolution, French, effect on dancing, [108].
Riario, Cardinal, composed ballet, [45].
Richelieu, Cardinal, composer ballet, [49].
Rimski-Korsakov, musical composer, [248].
Rinnce Fadha, the, early Irish dance, [177].
Roger (Sir) de Coverley, the, English dance, [177].
Rome, dance in, [22] et seq.
Romantic Revolution, the Russian. See Russian Ballet.
Romeo, Angelo, dancer, [80].
Rond de Jambe, [81].
Rose and the Dagger, The, pantomime, [139].
Russian Ballet, for comparison, see also Ballet, Classic.
Russia, characteristic dances, see Slavonic dances.
Russia, Court Dance of, [195].
Russian Ballet. One field of its new material, [58].
Artistic sanity, [99].
Isadora Duncan, influence, [241-247].
Re-creates best of Greek drama, [251].
Plays in Paris, [252].
Metropolitan Opera, [254].
Misrepresentative appearances, [255].
Relation to Imperial Academy, [257] et seq.
Compared with Classic, [263].
Scope, [266-268].
Influence on social dancing, [269], [270].
See also Ballet, Classic.
Russian (Imperial) Ballet Academy: favored ward of government, [245];
conditions of entrance, [257], [258];
disposal of pupils, [258], [259];
curriculum, [259-261];
care of pupils, [262];
synopsis of history, [262], [263].
Influence of Romanticism, [263-266].
Sailor’s Hornpipe, see Hornpipe.
St. Basil, dance in his Epistle to St. Gregory, [30].
See also Church.
St. Carlo Borroméo, canonisation of, [35] et seq.
St. Denis, Ruth, dancer. Influence, [199].
Cobra dance, [220].
Her contribution to art, [221], [222], [223].
St. Isidore, choreographic composer, see Church.
Salic priests, [24].
Sallé, de, Marie, dancer, [49].
Sallust, observations, [27].
Saltarello, the, Italian dance, [43], [163].
Samuel, Book of, [5].
Saraband, the, court dance, [52], [54].
Saracco-Brignole, Elise, dancer, teacher, [156].
Saracco, George, dancer, ballet-master, [233].
Serpentine, see Fuller.
Saturnalia, dances of ancient Rome, [25].
Scandinavian, dances of, [180] et seq.
Scissors, the (las Tijeras, les Ciseaux), figure of Argentine Tango, [295], [296].
Scheherazade, ballet drama: Volinine in, [86];
in character, [268].
Scotch Reel, the, see Reel.
Seguidillas, type of Spanish dance, [136], [141], [144].
Seises of Seville, see Church.
Seville Cathedral, see Church.
Sevillanas, las, Spanish dance, [136-140] incl.
Instance of a competition, [94].
Sex, dance in relation to, [8], [24].
Ellsler and Camargo contrasted, [110], [111], [115].
Spanish Classic and Flamenco contrasted, [128].
Chicago World’s Fair, [199], [238].
Arabian Handkerchief Dance, [205].
One manager’s belief, [239].
Siciliana, the, Italian dance, [43], [163].
Sikinnis. Ancient Greek dance, [20].
Simplicity, Greek and Roman compared, [22] et seq.
Sixtus IV, see Pope.
Schuhplatteltanz of Bavaria, [187] et seq.
Shean Treuse, the, Scotch dance, [171].
Shiloh, daughters of. See Judges.
Skansen, the, [180].
Skralât, the, Swedish dance, [181].
Slavonic dances, [190] et seq.
Socrates, [8].
Soleares, las, Spanish dance, [152].
Sophocles, [8].
Spanish dancing costume, details of, [135], [142], [143], [149], [153].
Spanish dancing, its place in history: Carthaginian province, Roman entertainment, [121];
Moorish influence, [122];
Century of Gold, [122].
Spanish—put in Rome.
Spear, ancient Greek dance of, [19].
Spectre (le) de la Rose, ballet drama, [268].
Square, the, figure of One-Step, [279].
Spilled Meal, dance of, [19].
Staats, Léo, dancer, ballet-master, [80].
Steps, classes of, definition of, [67], [68].
Stoige, Otto, see Pirouette.
Strathspey, the Scotch dance, [171].
Style, ballet, some elements of, [91], [92], [93], [96], [97].
Russian and Classic compared, [263-266].
Sur la pointe, les pointes, position, æsthetic significance, [61].
In ancient Greece, [88].
Sweden, dances of, [180] et seq.
Sword Dance (Scotch), the, [167].
Sword Dance (Turkish), [216].
Sylphide, la, ballet, [116].
Sylphides, les, ballet, [268].
Szolo, the, Hungarian dance, [193].
Tabourot, Jehan. See Arbeau.
Taglioni, Marie, dancer, contributor to ballet steps, [58], [112].
Reference by Thackeray, [110].
Individuality, [111].
Rivalry with Ellsler, [114] et seq.
Performance for Queen Victoria, [118].
Influence, [228].
Tango, the, Spanish dance, [127] et seq.
Tango, The Argentine, social dance: history, [271];
progress hampered by its varied execution, [275];
moral aspect, [291], [292], [293];
execution, [294-300].
Tarantella, the, Italian dance, [158].
Tcherepnin, musical composer, [248].
Temps, definition, [67].
Tencita, dancer, [154].
Time markers, [17].
See also Castanets.
Toe-dancing. See pointe, sur.
Tordion, the, court dance, [52], [54].
Toreo Español, Spanish dance, [155].
Tour, see Pirouette.
Tourists, dancing for. Tangier, etc., [205].
Egypt, [210].
Treaty, Anglo-French concerning dancers’ contracts, [109].
Tulloch, see Reel.
Turkey, dancing in, [216].
Turkey Trot, The, see One-Step.
Turn, the, of One-Step, [277].
Vafva Vadna, the, Swedish dance, [181].
Vestris, Auguste, dancer, [102].
Vestris, Gaëtan, dancer, teacher, [102].
Victoria (Queen) influence on dancing, [118].
Vingakersdans, the, Swedish dance, [182].
Virginia Reel, the, American dance, [177].
Vito, el, Spanish dance, [155].
Volinine, Alexander; instance of virtuosity, [86];
academic basis, [89];
part in Romantic movement, [248].
Metropolitan Opera, [254].
Volte, the, court dance, [52].
Volteo, el, figure of Argentine Tango, [300].
Walk, the (el paseo, le promenade), figure of Argentine Tango, [294].
Waltz, the. Probable origin, [75].
Universality, [183].
The Rheinlander Waltz, [188].
See also Boston; Hesitation Waltz.
White Fawn, The, ballet spectacle, [233].
World’s Fair, Chicago, [238].
Zambelli, Carlotta, dancer, [78].
Zarabanda, the, old Spanish dance, [122].
See also Saraband.
Zourna, dancer, [199] et seq.

Typographical errors corrected by the etext transcriber:
Jete tour (11)=> Jeté tour (11) {pg xvi}
action of the the arms=> action of the arms {pg 101}
In his dance=> In this dance {pg 204}
Brought into semi-associaton=> Brought into semi-association {image p 206}
Mes Memoires=> Mes Mémoires {pg 236}
le Promenade=> la Promenade {pg 294}
Rimski-Korsakow, musical composer, 248.=> Rimski-Korsakov, musical composer, 248. {pg 332}
Gymnopaedia, group of ancient Greek dances, 11, 12.=> Gymopædia, group of ancient Greek dances, 11, 12. {pg 330}
Rincce Fadha, the, early Irish dance, 177.=> Rinnce Fadha, the, early Irish dance, 177. {pg 332}