The peaches of New York

by U. P. Hedrick

From Chin-non-King: 'The peach 'Yu' signifies death and eternal life. If one has been able to eat it enough times, it saves the body from corruption till the end of the world.' From Chin-y-King: 'There is in the Orient a peach whose almond, eaten, makes eternal life.' From Chou-y-Ki: 'Whoever eats this fruit (the peach 'Yu' from the Koue-liou Mountain) obtains immortal life.'

Still other texts could be cited but I will merely remark that in all the peach is connected with immortality. Again we find that certain peaches can not be offered by the ancients in sacrifice, and that the premature blossoming of another peach signifies great calamities. To quote again: From Sin-lin: 'In the garden of Yang was the peach of death; whoever approached it must die.' From Fong-fou-teng: 'It is said in the book of Hoang-ti that two brothers found on a mountain a peach tree under which were a hundred demons to cause death to men.' From Lietchouen, on the subject of the evils which afflict the earth: 'the tree of Knowledge is the peach.'"

Very interesting and illuminating as to the age of the peach in China, is an account given by Dr. Yamei Kin[9] who was asked by a member of the staff of the Office of Foreign Seed and Plant Introduction, United States Department of Agriculture, for information concerning the peach-blossoms. After describing the several kinds of blossoms borne by Chinese peaches, the writer gives some of the superstitions and legends which the Chinese connect with the peach.

"The ordinary name for pink is peach flower color, and notwithstanding the love of Chinese for color, it is used sparingly, in fact, owing to its being associated with the peach blossom, seems to have an unsavory significance, as I found when I came home one day with a pink satin brocade gown that I had just purchased. My people held up their hands in horror, and exclaimed it was a mercy that I did not intend to wear that here, it would only do for outside countries that did not know about peach flowers, which remarks led me to leave it in America when I came back, though it was a very lovely delicate color and one of my prettiest gowns.

The reason for this prejudice is owing to its symbolism. Just as the violet is considered in western lands to be the symbol of modest worth, so the plum is that of feminine virtue in China and the peach flower the opposite. Not even the beauty of its color, whether delicate pink or deep cerise, redeems it from this fatal significance. In order that there may be no possible opportunity for a 'peach flower heart' to spring up unawares in some girl of respectable family, it is not considered wise to plant a peach of any kind near the bed room windows of the court yards inhabited by the women, yet peach wands are supposed to be especially useful to beat off all evil spirits, only they must be plucked during a solar eclipse and a hole bored through one end for hanging up by, during a lunar eclipse, which perhaps accounts for their fewness, as during those times in the old days the people were generally busily occupied in beating gongs and firing off crackers to drive away the heavenly dogs which were supposed to be devouring those luminaries, and no one had time to think of making peach wands. The lucky possessor of an efficacious peach wand is supposed to be able to sleep at night with it under his pillow in full confidence that no evil spirits can harm him.

Taoism from early days has taken the peach as its particular fruit, signifying longevity, much as the apples of Hesperides were symbolic in the Grecian mythology.

Furthermore peach stones are often made into rosaries which are considered specially fine. There is a collection of tales by one Cornaby to be found in almost every library called 'A String of Peach Stones.' And a host of legends cluster around the tale of Sun, the stone monkey, eating the peaches of immortality stolen from the gardens of the genii, whereby he attains immortality. This theme is seen elaborated in many scenes, that decorate pottery, textiles, and congratulatory scrolls.

I wish that I were not tied down so much by tedious detail in the medical work, as there is a most interesting book that needs to be translated telling much of the folk lore of the peach interwoven with the plot, which is supposed to be the journey of Hsien tsang to bring back the sacred sutras of Buddha from India. It is said that this is an actual historic occurrence, but this tale is evidently semi-religious and allegorical, as well, combining in itself the characteristics of Bunyan's Pilgrim's Progress, Hans Christian Andersen, and the Arabian Nights, if you can imagine such a mixture, yet giving graphic pictures of Chinese life in various phases that are as true as when the book was written.

One of the most charming legends of peach flower lore is that of the 'Peach Blossom Fountain,' an allegory written by T'ao Yuan Ming between A. D. 365-427, describing how a fisherman got lost one day and penetrating up a river finds himself in a creek bordered with many peach trees full of bloom, at the end of which he comes upon a small mountain in which is a cave which he traverses and enters on a new country where there is every sign of prosperity, every one is courteous to each other, kindliness and contentment prevail, but they wear the garb of the times of the First Emperor some five centuries previous and have been lost to the rest of the country ever since. The fisherman returns after a sojourn with them, and tells his fellow villagers of this wonderful country and stirs up so much interest that finally the governor of the province joins in the search for this wonderful country, but it is all of no avail and at last the fisherman realizes that he will never more see the peach blossom days of his youth with its rosy dreams and ideals that come but once in a lifetime."

Lastly, a significant fact suggesting the Chinese origin of the peach is found in the behavior of this fruit in America. The peach is more at home in North America than in any other part of the world unless it be China. Now, that there is a pomological alliance between eastern Asia and eastern America is well known. The remarkable relationship between the plants of the two regions was first set forth by Asa Gray and subsequent writers have added much to what he told us. The explanation lies, as all agree, in similarities in climate. Now, with this relationship of the wild and cultivated floras of eastern America and China in mind, the rapid acclimation and acclimatization of the peach in the United States are readily understood if we accept China as the habitat of this fruit. On the other hand, the natural plant-products of Persia find life anything but easy in eastern America.