Mr. Dennett. One was Alex Noral. The other was Hutchin R. Hutchins.
Mr. Tavenner. Were there any others?
Mr. Dennett. Yes.
James Bourne, B-o-u-r-n-e.
I think there were more than that, but I cannot at this moment place them.
I remember that in 1932 there was an organization known as the Friends of the Soviet Union, which was inspired by and under the leadership of the Communist Party, and its purpose was to take delegations to the Soviet Union to win their support and approval of the Soviet Union and what it was doing. And I recall one experience with a longshoreman from Tacoma. I cannot for the life of me think of his name. But he went to the Soviet Union on one of these Friends-of-the-Soviet-Union tours, came back, made the prepared speeches which the Friends of the Soviet Union asked him to make, and proceeded afterward to go around and make speeches contradicting his original speeches, stating that he did not realize how much harm he was doing by presenting the Soviet Union as the land of paradise, that he was quite disappointed with what he found when he found all the women doing the heavy work. And that seemed to be the chief thing that he objected to.
Mr. Tavenner. What was the date of your transfer back to Seattle?
Mr. Dennett. It was some time late in 1933.
Mr. Tavenner. How long did you remain as agitprop, agitation propagandist in Seattle?
Mr. Dennett. Not very long. It seems to be an office in which there are many casualties because one, to fill that position, has to have a broad knowledge of the theoretical works of the party. And I can assure this committee that there is a great deal of written material on the subject which it takes a lifetime to study. I did the best I knew how at mastering a knowledge of it, but I then found out that the things which I had learned in the theoretical sense were not always respected by those who were in the administrative positions of the party, and frequently they would disregard my knowledge of the theoretical work and try to make it appear as though I was far off the line.